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Opera

Opera Australia’s spring season, after an impressive autumn one (with the well-received Lucia, Butterfly, and Salome), opens with two masterpieces by Verdi in his bicentennial year. It is a decidedly rocky pairing.

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In Sydney last month, Barry Kosky’s production of Verdi’s Nabucco was booed by a section of its first-night audience, a unique occurrence, this, at the Australian Opera, but one that Kosky took in good part as an extension of the ‘playful’ side of the evening’s events.

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