Voss and The Turn of the Screw

‘What we do not know the air will tell us’
(Laura Trevelyan in Voss)
In the program for the première of Voss in Adelaide in 1986, David Malouf observed:
No libretto can reproduce the novel from which it is drawn. A novel, especially a great one, is itself: unique, irreplaceable. The best a libretto can do is reproduce the experience of the book in a new and radically different form, allowing the form itself to determine what the experience will be.
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