Photography

Charting a Meaningful Path

by Isobel Crombie •

March 2005, no. 269

An Eye For Photography: The camera in Australia by Alan Davies

Miegunyah Press, $69.95 hb, 234 pp

Photography

Charting a Meaningful Path

by Isobel Crombie •

March 2005, no. 269

For nearly 100 years before any public art gallery entered the field, the main institutional collectors of Australian photography were state libraries. Primarily, they bought photographs for their informational value; the maker of the image was of relatively little concern to them. What mattered was the subject: what the photograph told the interested viewer about the people, places, and events of an evolving nation.

Isobel Crombie

Isobel Crombie has worked as a Curator of Photography since 1979. She began her career at the National Gallery of Australia and, since 1988, has been Senior Curator, Photography, National Gallery of Victoria. She regularly curates exhibitions on the history of Australian and International photography and has published widely on aspects of the medium. Recent publications include, Body Culture: Max Dupain, Photography and Australian Culture, 1919-1939 (2004); Light Sensitive: Contemporary Australian Photography from the Loti Smorgon Fund (2006); Body Language: Contemporary Chinese Photography (2008); Re-view: 170 years of photography (2009); and Fred Kruger: Intimate Landscapes (2012).