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Review

For Labor ‘true believers’, the night of 24 November 2007 was one to cherish. In the north, Brough the Rough was despatched and a host of lesser figures swept away, pork barrels and all; in the very heartland of the Howard battlers, the Wicked Witch of Penrith and her minions perished in a jihad of their own devising; above all, in his fortress of Bennelong, the Vampire King was slain by the Good Witch of the ABC. What a night! At the beginning of Peter Costello’s memoir is the challenge: ‘How did it come to this? How did a government that had created such an Age of Prosperity, such a proud and prosperous country, now find itself in the wilderness?’

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Andrew Bacevich, a former lieutenant colonel in the United States army and self-avowed conservative, has emerged in recent years as one of the most incisive and far-reaching critics of American foreign policy and of the Bush administration. His two previous books, American Empire: The Realities and Consequences of U.S. Diplomacy (2004) and The New American Militarism: How Americans Are Seduced by War (2006), argued that the Bush administration has followed a path laid down by earlier administrations. In short, it is not an aberration. In his latest book, The Limits of Power, Bacevich not only holds little hope of foreign policy change from a McCain or Obama administration but also questions whether either would have any intention of changing the broad direction of American foreign policy. In an interview that I conducted with Bacevich recently in Boston, he described Barack Obama’s foreign policy as ‘thoroughly conventional’, a description certainly not meant as a compliment.


In American Empire, Bacevich attempted to justify his claim that continuity, not change, predominates recent American foreign policy. He did so by arguing that both the Clinton and Bush administrations have chosen as a central goal an open-door policy, where American businesses have greater access to foreign markets and where the American military has greater reach and more foreign bases. He presented these policies as thoroughly imperial and bipartisan.

In The New American Militarism, he showed how Bush drew on, rather than constructed, a culture that reveres military endeavours and military equipment in a way that profoundly misunderstands the sensible role of a military in a society. More generally, Bacevich, in his recent articles and Op-Eds, has frequently claimed that, like many other American presidents, Bush’s promotion of a ‘freedom agenda’ is a candy-coated justification for American expansionism. Bacevich views this combination of hubris and self-interest, backed up by overconfidence in America’s military strength and primacy, as disastrous.

In The Limits of Power, Bacevich takes up these themes once more, this time in a more direct and less academic manner than in his earlier books. Bacevich’s early works drew significant inspiration and analytical purchase from the writings of the left-wing scholar William Appleman Williams. In his new book, Bacevich uses the realist Reinhold Niebuhr as a lighthouse to guide the reader to wisdom in these worrying times; many passages begin with a quote from Niebuhr, who in the last paragraph is even referred to as ‘our prophet’.

The wisdom that Bacevich dispenses is often deeply pessimistic about America’s ability to recognise the errors of its ways. At its worst, this pessimism echoes the metaphor of the demise of Rome to predict the fate of the American Empire, recently overused by Chalmers Johnson and others. This is a small criticism, however. When compared to other root and branch critiques of the follies of the American empire, this book has much to recommend about it. Although not in the same league as Anatol Lieven’s brilliant America Right or Wrong: An Anatomy of American Nationalism (2005), The Limits of Power is certainly one of the best critiques of American foreign policy written in recent years. Its sobriety, directness, largely evidence-based attacks, and attempts to offer solutions (even if the author sees little chance that they will be taken up) all make for compelling reading.

The central argument presented in the book is that American culture and government do not have a healthy respect for limits. As a people, Americans have a ‘shop till they drop’ mentality, using credit that is widely available and even more widely abused. ‘He who has the most toys wins’ is the motto of this profligate culture.

Given that responsibility and limits are frequently ignored by many Americans, Bacevich asks why the government would be any different. As evidence of this shallow culture, where consumption is king and sacrifice is someone else’s problem, Bacevich quotes President Bush telling the American people after 9/11 that they faced a long war against Islamo-fascism and that the appropriate response was to ‘get down to Disney World in Florida’ and ‘go shopping more’. Furthermore, this culture of accumulation has always driven Americans outwards seeking gold and oil, which has in turn created an American empire.

Bacevich’s distaste for American mall culture and his call for personal limits reminded me of an author not mentioned by name, but one certainly respected by Bacevich: the late Christopher Lasch. Although I found Bacevich’s cultural critique at times too sweeping, and incomplete in its understanding of the allure of consumer culture, his anti-materialism has much that is admirable.

The later chapters on the political and military crises afflicting the United States are similarly hard hitting in pointing out the rot at the centre of America’s institutions of state. Evidence was sometimes light on the ground in these chapters; I hope that Bacevich turns his considerable talents to developing these arguments in future works.

His discussion of the political crisis has many targets: the deficient role of Congress, the imperial presidency, James Forrestal, NSC 68 and Paul Wolfowitz. The central message is that the inflation of threats is one of the unfortunate legacies of the Cold War; it continues to be used by ambitious advisers and imperial presidents to mute dissent and pervert American democracy.

Along with the political crisis, Bacevich details a military crisis which he believes has been created by deficient civilian decision-makers and an underwhelming military hierarchy that fails to appreciate that ‘the utility of armed force remains finite’. Bacevich believes that the American government has yet to realise the fundamental truth, as once colourfully put by Norman Mailer, that ‘Fighting a war to fix something works about as good as going to a whore-house to get rid of a clap’.

Bacevich argues that for the United States to move forward it would do best to concentrate on two policies: nuclear disarmament (of itself first and foremost) and preservation of the planet (where it should lead by example). He does not totally dismiss the threat of Islamic extremism, but argues for a defensive policy of containment rather than an offensive and pre-emptive approach. However, this book offers more critique than prescriptions for future presidents.

Bacevich’s discussion of the history of the American quest for independence from foreign oil seemed particularly apt after the rhetoric of the recent Republican Party convention. American leaders have promised this independence many times: Jimmy Carter most presciently in his so-called ‘malaise speech’; Ronald Reagan and Bush most vacuously, and every candidate in the current presidential campaign. At the Republican Party convention, Sarah Palin’s speech was regularly (and depressingly) punctuated by chants from the crowd of ‘Drill, baby, drill’.

Bacevich’s book offers a matter-of-fact critique of consumer culture and imperial politics, and for this he should be congratulated. However, the benefits of America’s restlessness and its search for more (and something better) is undervalued. For traditional conservatives, the United States has often been seen as disruptive and shallow; however, I would contest that this ‘feverish ardour’, as Tocqueville called it, played a crucial role in breaking down class barriers (particularly social class distinctions), promoting democracy at home (and, yes, abroad, beginning with Europe) and promoting the notion of individual human rights.

It cannot be denied that the United States has used the language of freedom too often to mask self-interest, and fine-sounding words have frequently been used to justify crude social engineering of the type that Paul Bremer attempted in Iraq. However, without this often blundering force for change in the world, many people would be more exposed to the cruelties of local dictators and customs. As imperfect as America’s record has been, a globally engaged United States seems to me more desirable than the realist vision for American foreign policy presented by Bacevich. I argue this because ‘greed and folly’ is not only an American syndrome.

The great weakness of Bacevich’s analysis is that he does not consider the comparative dimension of international affairs. In other words, he fails to deal with the reality that, bad as American conduct often is, it is frequently better and more transparent than that of other nations, all of which have their own national pathologies and transnational desires.

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Yet another book on Wagner. Given the title, you might expect it to be an investigation of Wagner’s complex relationship with Nietzsche or, failing that, a study which, like Nietzsche’s Beyond Good and Evil (1886), attempts to push the examination of a given subject beyond the limits to which it hitherto has been confined. The blurb on the dust jacket appears to suggest the latter: ‘Deathridge engages the debates that have raged about him [Wagner] and moves beyond them, towards a fresh and engaging assessment of what Wagner ultimately achieved.’ Well, yes and no.

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There are times when I read a book that reinvigorates important questions for me – such as how language carries and creates meaning, and what, after all, is the function and force of poetry. Usually, such a book is a creative work and I like to imagine that the first readers of volumes by George Herbert or John Donne responded with such questions – to poetry that consistently registered a persuasive complexity and which, while emotionally restrained, carried a pithy emotional charge.

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Behind the Exclusive Brethren is the story of a religious group that goes to extraordinary lengths to remain ‘apart from the world’ but whose very ‘unworldliness’ is maintained by very worldly means. Journalist Michael Bachelard’s readable and balanced account of the Exclusive Brethren in Australia is informed by a broad understanding of the church in its international context.

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In the opening pages of an early manuscript, ‘A Feast of Life’, Elizabeth Jolley ponders the question of whether a novel should have a message. She has no answer, but will write out of her ‘experiences and feelings’. If her writing does help anyone, then ‘let a message be found’, so that she might ‘feel that I am at least doing something in a wider sphere than the domestic routine within the walls of the little house’. Jolley goes on to describe her method: ‘I shall start in the early years of my life and try to make things take some sort of order but order is not a strong point with me and I shall write with all my heart so that there will be the noise of my children in these pages …’

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In 2006, a year after the publication of Kate Grenville’s The Secret River, Inga Clendinnen published ‘The History Question’ as part of Black Inc.’s Quarterly Essay series. ‘The History Question’ was, as its subtitle ‘Who Owns the Past?’ suggests, a wide-ranging meditation on the nature of historical understanding, and, more specifically, its uses and abuses. But at its heart lay an extended and surprisingly savage critique of The Secret River, the claims Clendinnen believed Grenville had made for it, and for fiction’s capacity to illuminate the past; and, more deeply, of the very idea of historical fiction.

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Vertigo is to dizziness what a migraine is to a headache, or the flu to a cold in the head; you don’t really grasp the difference until you’ve had the nastier one. True vertigo pitches you into a chaotic blackness in which you lose your bearings utterly; no relief is to be had from sitting or lying down, because the chair, the bed, the floor all fall away from you as well. Disorientation on the flat is bad enough, but in three dimensions it is terrifying, like Satan’s journey through the realm of Chaos in Paradise Lost where he meets ‘a vast vacuitie: all unawares / Fluttering his pennons vain plumb down he drops / Ten thousand fadom deep, and to this hour / Down had been falling …’

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Australia’s Empire edited by Deryck M. Schreuder and Stuart Ward

by
October 2008, no. 305

One of the more successful ventures of Oxford University Press in the closing decades of the last century was a five-volume History of the British Empire. With more than a hundred contributors, this was a major undertaking, but its beginnings were not auspicious. Roger Louis, a professor at the University of Texas, Austin, was appointed editor-in-chief. That drew a public complaint from Max Beloff, an Oxford professor and founding principal of the private University of Buckingham, who was raised to the peerage by Margaret Thatcher. Beloff wanted to know why OUP was allowing an American to rewrite ‘our colonial history’.

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Who was hanged, disembowelled and quartered after printing ‘nawghtye papystycall Bookes’? William Carter. Where did English booksellers store and sell their books? For several centuries, mostly from tiny shops near St Paul’s. How tiny is tiny? Zachary and William Stewart had ten feet from their shopfront to the back of the yard. Who was the builder and owner of the Temple of the Muses, the biggest bookshop of its time? James Lackington. How did eighteenth-century booksellers use newspapers to promote their wares? Through the ‘puff’, a sensationalist pushing of a single book, and the ‘cloud’, a lengthy listing of many books. Who remaindered Jane Austen’s Emma? John Murray II. The questions, big and small, are endless, and this book provides the answers.

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