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		<title>Arts Highlights of the Year</title>
		<description><![CDATA[Australian Book Review (ABR) is Australia's leading arts and literary review. Created in 1961, and now based in Melbourne, ABR publishes reviews, essays, commentaries and creative writing.]]></description>
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			<author>assistant@australianbookreview.com.au (Georgina Arnott)</author>
			<category>About Australian Book Review</category>
			<pubDate>Fri, 17 Mar 2023 17:05:26 +1100</pubDate>
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			<title>ABR Rising Stars</title>
			<link>https://www.australianbookreview.com.au/prizes-programs/abr-rising-stars</link>
			<guid isPermaLink="true">https://www.australianbookreview.com.au/prizes-programs/abr-rising-stars</guid>
			<description><![CDATA[<div class="K2FeedImage"><img src="https://www.australianbookreview.com.au/media/k2/items/cache/39fbe92a273f28fb49b826cde8095d29_S.jpg" alt="ABR Rising Stars" /></div><div class="K2FeedIntroText"><h4>2024, Vic.</h4>
<p><em>ABR </em>is delighted to name its sixth Rising Star – Sam Ryan, an emerging critic and early career researcher. Sam, who lives in Melbourne, is a PhD candidate at the University of<span class="wf_caption" style="float: right; max-width: 220px; display: inline-block;" role="figure"><a href="https://www.australianbookreview.com.au/images/ABR_Arts_2019/August_2019/Sam_Ryan_223_x_223.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Arts_2019/August_2019/Sam_Ryan_223_x_223.jpg" alt="Sam Ryan 223 x 223" width="220" style="float: none; width: 100%; margin: initial;" role="figure" /></a><span style="display: block;">Sam Ryan (photograph by Bonnie Lavelle)</span></span>Tasmania,where he is working on a thesis on the poetry in <em>Overland</em> and <em>Quadrant</em>. More broadly, he is interested in the genre of literary journal and its place in literary cultures. He has&nbsp;worked in publishing – in various functions – for more than a decade. He is <em>Overland</em>’s digital archivist and has a firm belief in the importance of digital preservation of literary journals. He has written for <em>Australian Book Review</em>, the <em>Australian Journal of Biography and History</em>, <em>Cordite</em>, and <em>The Conversation.</em></p>
<p>The Rising Stars program – generously funded by the <em>ABR</em> patrons – is intended to advance the careers of younger writers and critics whose earlycontributions to <em>ABR</em> have impressed readers and editors alike.</p>
<p>Peter Rose, Editor of <em>ABR</em>, commented:</p>
<blockquote>
<p>I first became aware of Sam Ryan in January 2023 when he interviewed me for a survey of literary journals and organisations funded by Creative Australia and undertaken by the Sydney Review of Books. I was struck by his incisiveness and his digital savvy. Happily and cannily, Sam finds time for freelance reviewing around his PhD studies. Already he has written for us a few times. Sam’s interest in ABR – and its digital ambitions – has impressed us all.</p>
<p>On becoming our latest Rising Star, Sam Ryan commented:&nbsp;</p>
<p><em>Australian Book Review</em> is such an important part of Australia’s literary culture, not only in terms of its critical input, which is undeniable, but also for the ways in which it encourages and nurtures new writing. Since working with the magazine, I have been taken aback by the care applied to all its endeavours. Peter Rose has in the past described the journal as ‘entrepreneurial’. I can’t think of a better description, nor can I imagine a more useful attribute in contemporary publishing. To be a part of the magazine – first as a contributor and now as a Rising Star – is truly an honour. I have such a passion for the written word, and I know the positive effect keen criticism has. I look forward to sharpening my writing with <em>ABR</em>’s guidance.</p>
<p><strong>Recent writing for&nbsp;<em>ABR</em>:</strong></p>
<p><a href="https://www.australianbookreview.com.au/abr-online/archive/2024/june-2024-no-465/1003-june-2024-no-465/12610-sam-ryan-reviews-the-blue-cocktail-by-audrey-molloy-and-ekho-by-roslyn-orlando" target="_self">Review of <em>The Blue Cocktail</em> by Audrey Molloy<br /></a><a href="https://www.australianbookreview.com.au/abr-online/archive/2023/november-2023-no-459/995-november-2023-no-459/11098-sam-ryan-reviews-two-new-poetry-collections" target="_self">Review of <em>Icaros</em> by Tamryn Bennett and <em>Moon Wrasse</em> by Willo Drummond</a><br /><a href="https://www.australianbookreview.com.au/abr-online/archive/2023/may-2023-issue-no-453/989-may-2023-no-453/10259-sam-ryan-reviews-101-poems-by-ron-pretty" target="_self">Review of <em>101 Poems</em> by Ron Pretty</a></p>
</blockquote>
<h4>2021, QLD</h4>
<p><span class="wf_caption" style="margin-left: 25px; float: right; max-width: 223px; display: inline-block;" role="figure"><a href="https://www.australianbookreview.com.au/images/ABR_Arts_2019/August_2019/Anders_Villani_NEW_2020_-_photo_by_Jesper_Hede_copy.jpg" class="jcepopup noicon" data-mediabox="1"><i><img src="https://www.australianbookreview.com.au/images/ABR_Arts_2019/August_2019/Mindy_Gill_NEW_2021_copy.jpg" alt="Mindy Gill" width="223" style="margin: initial; width: 100%;" role="figure" /></i></a><span style="display: block;">Mindy Gill</span></span><em>ABR</em> is pleased to announce its fifth Rising Star: Mindy Gill. A poet, critic, and former editor-in-chief of <em>Peril </em>magazine (2017–2020), Mindy is currently undertaking a PhD in Creative Writing at Queensland University of Technology. She has won the Queensland Premier’s Young Publishers and Writers Award and the Tom Collins Poetry Prize, as well as a number of prestigious international fellowships. Her collection of poems, <em>August Burns the Sky</em>, was shortlisted for the Thomas Shapcott Poetry Prize.</p>
<p>The Rising Stars program – generously funded by the <em>ABR</em> patrons – is intended to advance the careers of younger writers and critics whose early contributions to <em>ABR</em> have impressed readers and editors alike.</p>
<p>On becoming our latest Rising Star, Mindy Gill commented:&nbsp;</p>
<blockquote>
<p>I am delighted to be named <em>ABR</em>’s fifth Rising Star; the confidence that the magazine has placed in me is an honour. I feel fortunate to write for a publication so dedicated to enriching the marketplace of ideas, especially in a cultural climate as tenuous as this one. But above all, I feel extraordinarily lucky to receive Peter Rose’s mentorship and guidance. Since I began writing for <em>ABR</em>, I have been moved by the staunch support Peter extends to his writers, and how strongly he values and encourages their independence of thought. I look forward to writing criticism that embodies the magazine’s rigour, fearlessness and uncompromising vision, and can think of no better place to cut my teeth as a young writer.</p>
</blockquote>
<p>Peter Rose, Editor of <em>ABR</em>, commented:&nbsp;</p>
<blockquote>
<p><em>ABR</em> is acutely aware of the challenges facing freelance writers (especially younger ones) during the pandemic. The Rising Stars program assumes even greater importance as we mentor our best young writers and critics. Mindy Gill has made a real impression since joining the magazine in 2020. We look forward to working with our new Rising Star.</p>
</blockquote>
<p>&nbsp;</p>
<p><strong>Recent writing for&nbsp;<em>ABR</em>:</strong></p>
<p><a href="https://www.australianbookreview.com.au/abr-online/archive/2021/965-july-2021-no-433/7977-mindy-gill-reviews-racism-stories-on-fear-hate-and-bigotry-edited-by-winnie-dunn-stephen-pham-and-phoebe-grainer" target="_blank">Review of&nbsp;<em>Racism</em> edited by&nbsp;Winnie Dunn, Stephen Pham, and Phoebe Grainer</a><br /><a href="https://www.australianbookreview.com.au/abr-online/archive/2021/april-2021-no-430/962-april-2021-no-430/7634-mindy-gill-reviews-revenge-murder-in-three-parts-by-s-l-lim" target="_blank">Review of&nbsp;<em>Revenge: Murder in three parts</em>&nbsp;by S.L. Lim</a><a href="https://www.australianbookreview.com.au/abr-online/current-issue/830-august-2020-no-423/6577-declan-fry-reviews-fire-front-first-nations-poetry-and-power-today-edited-by-alison-whittaker" target="_blank"><br /></a><a href="https://www.australianbookreview.com.au/abr-online/archive/2020/september-2020-no-424/852-september-2020-no-424/6746-mindy-gill-reviews-we-were-never-friends-by-margaret-bearman" target="_blank">Review of <em>We Were Never Friends</em> by Margaret Bearman</a></p>
<p>&nbsp;</p>
<hr />
<h4>&nbsp;</h4>
<h4>2021, Vic.</h4>
<p><span class="wf_caption" style="margin-left: 25px; float: right; max-width: 223px; display: inline-block;" role="figure"><a href="https://www.australianbookreview.com.au/images/ABR_Arts_2019/August_2019/Anders_Villani_NEW_2020_-_photo_by_Jesper_Hede_copy.jpg" class="jcepopup noicon" data-mediabox="1"><i><img src="https://www.australianbookreview.com.au/images/ABR_Arts_2019/August_2019/Anders_Villani_NEW_2020_-_photo_by_Jesper_Hede_copy.jpg" alt="Anders Villani (photograph by Jesper Hede)" width="223" style="margin: initial; float: none; width: 100%;" role="figure" /></i></a><span style="display: block;">Anders Villani (photograph by Jesper Hede)</span></span><em>ABR</em> is delighted to introduce its fourth Rising Star – Anders Villani. Anders began writing for <em>ABR</em> in late 2020, soon after taking part in an <em>ABR</em> publishing masterclass. He holds an MFA from the University of Michigan’s Helen Zell Writers’ Program, where he received the Delbanco Prize for poetry. His first full-length collection, <em>Aril Wire</em>, was released in 2018 by Five Islands Press. A PhD Candidate in Creative Writing at Monash University, he lives in Melbourne; his doctoral research concerns poetic representations of trauma.</p>
<p>The Rising Stars program is intended to advance the careers of younger writers and critics whose early contributions to <em>ABR</em> have impressed readers and editors alike.</p>
<p>On becoming our latest Rising Star, Anders Villani commented:&nbsp;</p>
<blockquote>
<p>What began as an <em>ABR</em> masterclass at Monash University has bloomed into perhaps the most enriching partnership yet in my artistic and intellectual life – and now this extraordinary accolade. Poetry has been at the heart of my involvement with the magazine: as a reviewer; as a creative contributor; and, most recently, as assistant poetry editor. In each of these capacities, I have witnessed and benefited from <em>ABR</em>’s invaluable ongoing commitment to poetry in Australia. As the new Rising Star, I consider it my mandate to deepen that commitment, and I am so excited and honoured to get to work. In a precarious cultural landscape, <em>ABR</em> offers a beacon, as it has for generations. That it has not only survived the pandemic but grown stronger is a testament to its resilience and importance. I could not have wished for a better platform for doing what I love.</p>
</blockquote>
<p><strong>Recent writing for&nbsp;<em>ABR</em>:</strong></p>
<p><a href="https://www.australianbookreview.com.au/abr-online/archive/2021/may-2021-no-432/963-may-2021-no-431/7716-anders-villani-reviews-prose-poetry-an-introduction-by-paul-hetherington-and-cassandra-atherton" target="_blank">Review of&nbsp;<em>Prose Poetry: An introduction</em> by Paul Hetherington and Cassandra Atherton</a><br /><a href="https://www.australianbookreview.com.au/abr-online/archive/2021/april-2021-no-430/962-april-2021-no-430/7599-marlin-a-new-poem-by-anders-villani" target="_blank">'Marlin', a new poem by Anders Villani</a><a href="https://www.australianbookreview.com.au/abr-online/current-issue/830-august-2020-no-423/6577-declan-fry-reviews-fire-front-first-nations-poetry-and-power-today-edited-by-alison-whittaker" target="_blank"><br /></a><a href="https://www.australianbookreview.com.au/abr-online/archive/2020/december-2020-no-427/913-december-2020-no-427/7133-anders-villani-reviews-cadaver-dog-by-luke-best-thorn-by-todd-turner-and-some-sketchy-notes-on-matter-by-angela-gardner" target="_blank">Review of three new poetry collections by Luke Best, Todd Turner, and&nbsp;Angela Gardner&nbsp;</a></p>
<p>&nbsp;</p>
<hr />
<h4>&nbsp;</h4>
<h4>2020, Vic.</h4>
<p><i><img src="https://www.australianbookreview.com.au/images/ABR_Arts_2019/August_2019/Declan_Fry_NEW_2020.jpg" alt="Declan Fry " width="233" height="224" style="margin-left: 25px; float: right;" />ABR&nbsp;</i>is delighted to name its third Rising Star, Declan Fry. The Rising Stars program is intended to encourage younger writers and critics whose early contributions to <em>ABR</em> have made an impression. We work closely with the Rising Stars, commissioning them often and helping them to enhance their critical work and to advance their careers.</p>
<p>On becoming our latest Rising Star, Declan Fry commented:</p>
<blockquote>
<p>We live in a continent rich with stories. Many of these are still being told, and deserve to be widely heard. One of my earliest memories of writing publications was seeing <em>ABR</em> down at the local library. In a difficult environment for the arts, <em>ABR</em>’s support for new and emerging talent is vital. To be able to connect with <em>ABR</em> having never published or worked with literary journals before speaks volumes, especially during the isolation of this pandemic. Opportunities like the Rising Stars initiative are a great privilege – a place to hone your writing practice, and to develop a long-term investment in the work. It gives me a real sense of hope knowing that there is a space for considered, thoughtful analysis. This opportunity would mean nothing without those who have paved the way – our ancestors, Elders, family, mentors, and teachers. They are the original critics and storytellers. We owe them so much. I can’t wait to get started! Much love and stay deadly, <em>ABR</em>.</p>
</blockquote>
<p><strong>About Declan Fry</strong></p>
<p>Declan Fry is an essayist, critic, and proud descendant of the Yorta Yorta. Born on Wongatha country in Kalgoorlie, in 2009 he received the Tom Collins Prize in Australian Literature, and, as joint winner, the Todhunter Literary Award in 2013. He currently lives on unceded Wurundjeri and Boon Wurrung land and is a board member of Books ‘n’ Boots, an organisation which distributes football boots and books to remote and regional Aboriginal communities. He first published in <em>ABR</em> in June 2020.</p>
<p>&nbsp;</p>
<p><strong>Recent writing for&nbsp;<em>ABR</em>:</strong></p>
<p><a href="https://www.australianbookreview.com.au/features/abr-online-exclusives/852-september-2020-no-424/6697-declan-fry-reviews-after-australia-edited-by-michael-mohammed-ahmad" target="_blank">Review of&nbsp;<em>After Australia</em> edited by Michael Mohammed Ahmad</a><a href="https://www.australianbookreview.com.au/component/acymailing/?ctrl=url&amp;subid=23614&amp;urlid=6470&amp;mailid=833"><br /></a><a href="https://www.australianbookreview.com.au/abr-online/current-issue/830-august-2020-no-423/6577-declan-fry-reviews-fire-front-first-nations-poetry-and-power-today-edited-by-alison-whittaker" target="_blank">Review of&nbsp;<em>Fire Front: First Nations poetry and power today</em>&nbsp;edited by Alison Whittaker<br /></a><a href="https://www.australianbookreview.com.au/abr-online/archive/2020/june-july-2020-no-422/810-june-july-2020-no-422/6497-declan-fry-reviews-elephants-with-headlights-by-bem-le-hunte" target="_blank">Review of&nbsp;<em>Elephants with Headlights</em>&nbsp;by Bem Le Hunte</a></p>
<hr />
<h1><span style="font-size: 22pt;"><strong>Previous Rising Stars</strong></span></h1>
<p>&nbsp;</p>
<h4>2019, NSW</h4>
<h2><strong>Alex Tighe</strong></h2>
<p><a href="https://www.australianbookreview.com.au/component/acymailing/?ctrl=url&amp;subid=23614&amp;urlid=6469&amp;mailid=833" class="jcepopup" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/November_2019/Alex_Tighe_NEW_2019_x.jpg" alt="Alex Tighe" width="200" height="200" style="margin-left: 15px; margin-bottom: 15px; float: right;" /></a>Alex Tighe is a writer and editor, and the winner of the University of Sydney’s 2018 Wentworth Medal essay prize. He is the ABC / Kidney Health Australia’s inaugural Mark Colvin Scholar.&nbsp;</p>
<p>Recent writing for&nbsp;<em>ABR</em>:</p>
<p><a href="https://www.australianbookreview.com.au/component/acymailing/?ctrl=url&amp;subid=23614&amp;urlid=6470&amp;mailid=833">Review of&nbsp;<em>Stop Being Reasonable</em>&nbsp;by Eleanor Gordon-Smith</a><br /><a href="https://www.australianbookreview.com.au/component/acymailing/?ctrl=url&amp;subid=23614&amp;urlid=6471&amp;mailid=833">Review of&nbsp;<em>Delayed Response</em>&nbsp;by Jason Farman</a><br /><a href="https://www.australianbookreview.com.au/component/acymailing/?ctrl=url&amp;subid=23614&amp;urlid=6472&amp;mailid=833">Review of&nbsp;<em>Net Loss</em>&nbsp;by Sebastian Smee</a></p>
<p>&nbsp;</p>
<h4>2019, Vic.</h4>
<h2><strong>Sarah Walker&nbsp;</strong></h2>
<p><a href="https://www.australianbookreview.com.au/component/acymailing/?ctrl=url&amp;subid=23614&amp;urlid=6473&amp;mailid=833" class="jcepopup" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/November_2019/Sarah_Walker_NEW_2019_x.jpg" alt="Sarah Walker " width="200" height="200" style="margin-left: 15px; margin-bottom: 15px; float: right;" /></a>Sarah Walker is a Melbourne-based writer, photographer, and fine artist. In 2017 she won the Sydney Road Writer’s Cup and the Sydney Road Storytelling Prize, and was a runner-up in the Darebin Mayor’s Writing Award. She was runner-up in the 2019 Calibre Essay Prize.&nbsp;&nbsp;</p>
<p>Recent writing for&nbsp;<em>ABR</em>:</p>
<p><a href="https://www.australianbookreview.com.au/abr-online/current-issue/830-august-2020-no-423/6659-sarah-walker-reviews-sky-swimming-reflection-on-auto-biography-people-and-place-by-sylvia-martin" target="_blank">Review of <em>Sky Swimming: Reflection on auto/biography, people and place</em>&nbsp;by Sylvia Martin</a><a href="https://www.australianbookreview.com.au/component/acymailing/?ctrl=url&amp;subid=23614&amp;urlid=5535&amp;mailid=833"><br /></a><a href="https://www.australianbookreview.com.au/component/acymailing/?ctrl=url&amp;subid=23614&amp;urlid=5535&amp;mailid=833">'Contested breath: The ethics of assembly in an age of absurdity' by Sarah Walker<br />2019 Calibre Essay Prize (runner-up): 'Floundering' by Sarah Walker</a>&nbsp;</p></div>]]></description>
			<category>About Australian Book Review</category>
			<pubDate>Tue, 29 Oct 2019 11:11:42 +1100</pubDate>
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			<title>ABR Publishing Profile</title>
			<link>https://www.australianbookreview.com.au/about/publishing-profile</link>
			<guid isPermaLink="true">https://www.australianbookreview.com.au/about/publishing-profile</guid>
			<description><![CDATA[<div class="K2FeedIntroText"><p><span class="wf_caption" style="margin-bottom: 15px; margin-left: 15px; float: right; max-width: 200px; display: inline-block;"><em><a href="https://www.australianbookreview.com.au/images/ABR_Photos/ABR_June_1978_cover_issue_1.jpg" class="jcepopup noicon" data-mediabox="1"> <img src="https://www.australianbookreview.com.au/images/ABR_Photos/ABR_June_1978_cover_issue_1.jpg" alt="Issue #1, June 1978" width="200" style="display: block; margin: initial; border: 1px solid #000000; float: none; width: 100%;" /></a></em><span style="display: block;">Issue #1, June 1978</span></span><em><span class="dropcap">A</span>ustralian Book Review </em>is&nbsp;one of the country’s leading cultural magazines. Founded in 1961 in Adelaide and revived in Melbourne in 1978, it is an independent, not-for-profit magazine committed to publishing critical and creative writing of the highest standard.&nbsp;Through its print and digital publishing, website, prizes, fellowships, events, and partnerships, <em>ABR</em> makes a major contribution to Australia’s culture of ideas.&nbsp;</p>
<p>The magazine publishes in-depth literary and arts reviews as well as new poetry and fiction, essays, commentaries, and interviews. <em>ABR </em>also&nbsp;reviews films, television, music, theatre, opera, dance, festivals, and art exhibitions.</p>
<p><em>ABR </em>is a strong advocate of proper support and remuneration for freelance reviewers. We pay&nbsp;for everything we publish – print and online – and we pay increasingly well.</p>
<p><em>ABR </em>is a powerful generator of ideas and creative writing, and a key supporter of fresh talent.&nbsp;Few publications support writers and editors through such varied and lucrative&nbsp;programs.</p>
<h2>&nbsp;</h2>
<h3><strong style="font-size: 1.17em; background-color: inherit; color: inherit;">Editors</strong></h3>
<p><span class="wf_caption" style="margin: 5px; float: right; max-width: 200px; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Photos/ABR_issue_one_1961.jpg" class="jcepopup noicon" data-mediabox="1"><strong style="font-size: 1.17em; background-color: inherit; color: inherit;"> <img src="https://www.australianbookreview.com.au/images/ABR_Photos/ABR_issue_one_1961.jpg" alt="ABR issue one 1961" width="200" style="margin: initial; width: 100%; border: 1px solid #000000;" /></strong></a><span style="display: block;">First issue, 1961 (series one)</span></span><strong>First Series</strong></p>
<p style="padding-left: 30px;">1961 to 1974 - Geoffrey Dutton, Max Harris, and Rosemary Wighton</p>
<p><strong>Second series:</strong></p>
<div style="padding-left: 30px;">1978 to 1986 - John McLaren<br />1986 to 1987 - Kerryn Goldsworthy<br />1988 - Louise Adler<br />1989 to 1995 - Rosemary Sorensen<br />1995 to 2000 - Helen Daniel<br />2001 to present day - Peter Rose</div>
<p>&nbsp;</p>
<p>Find out more about <a href="https://www.australianbookreview.com.au/about/people/staff" target="_self"><em>ABR</em> Staff</a>, the <a href="https://www.australianbookreview.com.au/about/people/board" target="_self"><em>ABR</em> Board</a>, the&nbsp;<a href="https://www.australianbookreview.com.au/about/people/abr-laureates" target="_self"><em>ABR</em> Laureates</a>, and contributors to the <a href="https://www.australianbookreview.com.au/component/k2/54-about-australian-book-review/2367-abr-contributor-list-1961-1974?Itemid=761" target="_self">first</a> and <a href="https://www.australianbookreview.com.au/component/k2/54-about-australian-book-review/2095-master-list-of-contributors?Itemid=737" target="_self">second</a> series.&nbsp;A timeline of major events from <em>ABR</em>’s history can be found <a href="https://www.australianbookreview.com.au/about/abr-history" target="_self">here</a>.</p>
<h2>&nbsp;</h2>
<h3><strong><em>ABR</em> Print Publishing</strong></h3>
<p><em>ABR</em>&nbsp;publishes reviews, commentaries, interviews, essays, surveys, and creative writing.&nbsp;In general <em>ABR</em> publishes approximately 500 features in print each year by 300 contributors. Roughly 90 or 100 of these contributors will be new to the magazine. <em>ABR</em> is open to approaches from new contributors and you can find out more <a href="https://www.australianbookreview.com.au/about/submissions/for-writers" target="_self">here</a>. <em>ABR</em> publishes an annual index of our print content <a href="https://www.australianbookreview.com.au/abr-online/indexes" target="_self">here </a>(from 2017 we have also indexed our digital content).&nbsp;Prior to 2021,&nbsp;<em>ABR</em>&nbsp;published ten issues per year. In June 2021, we added an eleventh issue.</p>
<p>&nbsp;</p>
<h3><strong><em>ABR</em> Print Edition Statistics and Gender Breakdown&nbsp;</strong></h3>
<p>Below is a gender breakdown from the print edition between 2014 and 2022. (NB this table only includes information about items published in the print edition. It does not include our wider digital content. Statistics on non-binary contributors are only included when known.)<strong>&nbsp;</strong>&nbsp;</p>
<p>&nbsp;</p>
<table style="width: 677px; border-collapse: collapse; height: 422px;">
<tbody>
<tr style="height: 12px;">
<td rowspan="2" style="width: 64px; padding: 0cm 5.4pt; height: 12px; background: #d9d9d9; border: 1px solid windowtext;">
<p style="line-height: normal;"><span style="font-size: 12pt; color: #000000;"><strong>Year</strong></span></p>
</td>
<td rowspan="2" style="width: 80px; padding: 0cm 5.4pt; height: 12px; border-top: 1px solid windowtext; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; background: #d9d9d9;">
<p style="line-height: normal;"><span style="font-size: 12pt; color: #000000;"><strong>Features published in the print edition</strong></span></p>
</td>
<td colspan="3" style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: 1px solid windowtext; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; background: #d9d9d9;">
<p style="line-height: normal;"><span style="font-size: 12pt; color: #000000;"><strong>Percentage of those features written by:&nbsp;</strong></span></p>
</td>
<td rowspan="2" style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: 1px solid windowtext; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; background: #d9d9d9;">
<p><span style="font-size: 12pt; color: #000000;"><strong>Number of new contributors</strong></span></p>
</td>
</tr>
<tr style="height: 12px;">
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: 1px solid windowtext; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; background: #d9d9d9;">
<p><span style="font-size: 12pt; color: #000000;"><strong>Men</strong></span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: 1px solid windowtext; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; background: #d9d9d9;">
<p><span style="font-size: 12pt; color: #000000;"><strong>Women</strong></span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: 1px solid windowtext; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; background: #d9d9d9;">
<p><span style="font-size: 12pt; color: #000000;"><strong style="color: #444444; font-size: 16px; letter-spacing: normal; orphans: 2; text-align: start; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; background-color: #d9d9d9;"><span style="color: #000000;"><strong>Non-binary authors</strong></span><span style="font-size: 12pt; color: #000000;"></span><br /></strong></span></p>
</td>
</tr>
<tr style="height: 12px;">
<td style="width: 64px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: 1px solid windowtext;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt; color: #000000;"><strong>2014</strong></span></p>
</td>
<td style="width: 80px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt;">457</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt;">56%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt;">44%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p>&nbsp;</p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">91</span></p>
</td>
</tr>
<tr style="height: 12px;">
<td style="width: 64px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: 1px solid windowtext; text-align: right;">
<p style="line-height: normal;"><span style="font-size: 10pt; color: #000000;"><strong>2015</strong></span></p>
</td>
<td style="width: 80px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt;">536</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt;">60%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt;">40%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p>&nbsp;</p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">103</span></p>
</td>
</tr>
<tr style="height: 12px;">
<td style="width: 64px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: 1px solid windowtext; text-align: right;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt; color: #000000;"><strong>2016</strong></span></p>
</td>
<td style="width: 80px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt;">501</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt;">61%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt;">39%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p>&nbsp;</p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">74</span></p>
</td>
</tr>
<tr style="height: 12px;">
<td style="width: 64px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: 1px solid windowtext;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt; color: #000000;"><strong>2017</strong></span></p>
</td>
<td style="width: 80px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt;">501</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt;">57%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt;">43%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p>&nbsp;</p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">88</span></p>
</td>
</tr>
<tr style="height: 12px;">
<td style="width: 64px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: 1px solid windowtext;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt; color: #000000;"><strong>2018</strong></span></p>
</td>
<td style="width: 80px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt;">530</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt;">54%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none;">
<p style="text-align: right; line-height: normal;"><span style="font-size: 10pt;">46%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p>&nbsp;</p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">93</span></p>
</td>
</tr>
<tr style="height: 12px;">
<td style="width: 64px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: 1px solid windowtext;">
<div class="wf-column">
<p style="text-align: right;"><span style="color: #000000;"><strong><span style="font-size: 10pt;">2019</span></strong></span></p>
</div>
</td>
<td style="width: 80px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<div class="wf-column">
<p><span style="font-size: 10pt;">485</span></p>
</div>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<div class="wf-column">
<p><span style="font-size: 10pt;">52%</span></p>
</div>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<div class="wf-column">
<p><span style="font-size: 10pt;">48%</span></p>
</div>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p>&nbsp;</p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<div class="wf-column">
<p><span style="font-size: 10pt;">83</span></p>
</div>
</td>
</tr>
<tr style="height: 12px;">
<td style="width: 64px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: 1px solid windowtext;">
<p style="text-align: right;"><span style="color: #000000;"><strong><span style="font-size: 10pt;">2020</span></strong></span></p>
</td>
<td style="width: 80px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">492</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">53%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">46%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">1%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">82</span></p>
</td>
</tr>
<tr style="height: 12px;">
<td style="width: 64px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: 1px solid windowtext; text-align: right;">
<p><strong><span style="font-size: 10pt;">2021</span></strong><span style="color: #000000;"></span></p>
</td>
<td style="width: 80px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">494</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">51%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">48%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">1%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">76</span></p>
</td>
</tr>
<tr style="height: 12px;">
<td style="width: 64px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: 1px solid windowtext; text-align: right;">
<p><span style="font-size: 10pt;"><strong>2022</strong></span></p>
</td>
<td style="width: 80px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">463</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">54%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">45%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">1%</span></p>
</td>
<td style="width: 89px; padding: 0cm 5.4pt; height: 12px; border-top: none; border-right: 1px solid windowtext; border-bottom: 1px solid windowtext; border-left: none; text-align: right;">
<p><span style="font-size: 10pt;">71</span></p>
</td>
</tr>
</tbody>
</table>
<p>&nbsp;</p>
<h3><strong>Interviews</strong></h3>
<p><span style="background-color: inherit; color: inherit;">We have published 181 interviews with a wide range of authors, critics, poets, and publishers including </span><a href="https://www.australianbookreview.com.au/abr-online/archive/2013/108-november-2013-no-356/1730-open-page-with-tim-winton" target="_self">Tim Winton</a>, <a href="https://www.australianbookreview.com.au/abr-online/archive/2015/157-june-july-2015-no-372/2570-open-page-with-maxine-beneba-clarke" target="_self">Maxine Beneba Clarke</a>, <a href="https://www.australianbookreview.com.au/abr-online/archive/2011/52-may-2011/314-open-page" target="_self">Geraldine Brooks</a>, <a href="https://www.australianbookreview.com.au/abr-online/archive/2011/53-february-2011/355-open-page" target="_self">Hazel Rowley</a>, <a href="https://www.australianbookreview.com.au/abr-online/archive/2018/226-august-2018-no-403/5019-carmen-callil-is-publisher-of-the-month" target="_self">Carmen Callil</a>, and <a href="https://www.australianbookreview.com.au/abr-online/archive/2013/107-october-2013-no-355/1683-open-page-with-sheila-fitzpatrick" target="_self">Sheila Fitzpatrick</a>.&nbsp;</p>
<ul>
<li>94 of these interviews are with women; 87 are with men,</li>
<li>We have published 17&nbsp;<a href="https://www.australianbookreview.com.au/features/interviews/critic-of-the-month" target="_self">Critic of the Month </a>interviews, 115&nbsp;<a href="https://www.australianbookreview.com.au/features/interviews/open-page" target="_self">Open Page</a> interviews, 28&nbsp;<a href="https://www.australianbookreview.com.au/features/interviews/poet-of-the-month" target="_self">Poet of the Month</a> interviews, and 21&nbsp;<a href="https://www.australianbookreview.com.au/component/k2/tag/Publisher%20of%20the%20Month?Itemid=1205" target="_self">Publisher of the Month</a> interviews.&nbsp;</li>
</ul>
<h3><strong>Surveys</strong></h3>
<p><em>ABR</em> regularly publishes <a href="https://www.australianbookreview.com.au/arts-update/arts-highlights-of-the-year/tag/Survey" target="_self">surveys </a>of groups of critics, publishers, and commentators on a range of subjects including the following:<a href="https://www.australianbookreview.com.au/features/books-of-the-year" target="_self"> Books of the Year</a>, <a href="https://www.australianbookreview.com.au/arts-update/arts-highlights-of-the-year" target="_self">Arts Highlights of the Year</a>, and&nbsp;<a href="https://www.australianbookreview.com.au/arts-update/arts-highlights-of-the-year/tag/Publisher%20Picks" target="_self">Publisher Picks</a>.&nbsp;</p>
<h3><strong>The&nbsp;<em>ABR&nbsp;</em>Favourite Australian Novel polls</strong></h3>
<p style="background: white; margin: 0cm 0cm 12pt;">Back in 2009, when we sought readers’ nominations for the&nbsp;<em>ABR</em>&nbsp;Favourite Australian Novel (any era, any genre), we anticipated goodly interest,&nbsp;<em>ABR&nbsp;</em>readers being a passionate and well-read bunch. But we hadn’t expected to be inundated with quite so many faxes and emails.&nbsp;In the end we received thousands of votes for some 290 Australian novels. Tim Winton’s&nbsp;<a href="https://www.australianbookreview.com.au/component/k2/272-april-1991-no-129/5564-marion-halligan-reviews-cloudstreet-by-tim-winton" target="_blank" rel="noopener"><em>Cloudstreet</em></a>, a perennial favourite since its publication in 1991, was the overwhelming favourite – by a margin of three to one to its nearest rival, Henry Handel Richardson’s&nbsp;<em>The Fortunes of Richard Mahony</em>, which was closely followed by Patrick White’s&nbsp;<em>Voss&nbsp;</em>and Winton’s most recent novel,&nbsp;<em>Breath</em>.&nbsp;Particularly heartening was the large number of nineteenth-century novels and those published before the remarkable expansion of fiction publishing in the last quarter of the twentieth century.&nbsp;The <a href="https://www.australianbookreview.com.au/images/ABR_Print_2009_FAN_Poll.pdf" class="wf_file"><span class="wf_file_text">following feature</span></a>, which appeared in the February 2010 issue, lists the top twenty Favourite Australian Novels.&nbsp;</p>
<p style="background: white; margin: 0cm 0cm 12pt;">In 2019 we asked readers to nominate their&nbsp;<a href="https://www.australianbookreview.com.au/features/favourite-australian-novel-polls/2019-abr-fan-poll" target="_self">Favourite Australian Novel published since 2000</a>.</p>
<h3><strong>Advocacy and engagement</strong></h3>
<p><em>ABR</em>, though not politically aligned, is an engaged and responsive magazine. From time to time, we publish open letters on key social or political questions. These include an <a href="https://www.australianbookreview.com.au/features/essays-and-commentary/yes-to-equality-open-letter" target="_self">Open Letter on Marriage Equality</a> and an <a href="https://www.australianbookreview.com.au/features/essays-and-commentary/supporting-the-abc-open-letter" target="_self">Open Letter on the importance of saving the ABC</a>.<strong>&nbsp;</strong></p>
<h3><strong><em>ABR </em>Online Exclusives</strong></h3>
<p>Not all <em>ABR</em>’s publishing appears in the print magazine. We publish a wide range of online exclusives and previews including book and arts reviews, creative writing, essays and interviews, and podcasts. These appear online in <a href="https://www.australianbookreview.com.au/arts-update/arts-update-recent-reviews" target="_self"><em>ABR</em> Arts</a>, <a href="https://www.australianbookreview.com.au/arts-update/arts-highlights-of-the-year/tag/States%20of%20Poetry" target="_self">States of Poetry</a>, <a href="https://www.australianbookreview.com.au/arts-update/arts-highlights-of-the-year/tag/Reading%20Australia%20Essays" target="_self">Reading Australia</a>, <a href="https://www.australianbookreview.com.au/component/k2/tag/ABR%20Fiction?Itemid=835" target="_self"><em>ABR</em> Fiction</a>, <a href="https://www.australianbookreview.com.au/features/book-talk/tag/Book%20Talk" target="_self">Book Talk</a>, and <a href="https://www.australianbookreview.com.au/features/abr-online-exclusives" target="_self"><em>ABR</em> Online Exclusives</a>. Some additional articles also appear as online exclusives in recent online issues of the magazine.</p>
<h3><strong style="font-size: 1.17em; background-color: inherit; color: inherit; caret-color: auto;">Prizes and Programs</strong></h3>
<p><em>ABR</em> presents three prestigious international literary prizes (for poetry, essays and short stories), a vibrant Fellowship program, and a prestigious Laureate’s program. We also offer regular paid Editorial Internships.</p>
<h3><strong>Laureates</strong></h3>
<p>To recognise the work of distinguished Australian artists, <em>ABR</em> has to date named three&nbsp;<a href="https://www.australianbookreview.com.au/about/people/abr-laureates" target="_self"><em>ABR</em> Laureates</a>.</p>
<ul>
<li>David Malouf (2014)</li>
<li>Robyn Archer (2016<b>)</b></li>
<li>Sheila Fitzpatrick (2023)</li>
</ul>
<h3><strong>Fellows</strong></h3>
<p>Since 2011 <em>ABR</em> has awarded twenty-one Fellowships to twelve women and nine men. The Fellows are listed below under the year of publication. Find out more about the <a href="https://www.australianbookreview.com.au/prizes-programs/fellowships/past-abr-fellowships" target="_self">Published</a> and <a href="https://www.australianbookreview.com.au/prizes-programs/fellowships/current-fellowships" target="_self">current </a>Fellows and read their essays.</p>
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<p><strong>2011</strong></p>
<p style="padding-left: 30px;">"What is Australia, anyway?" The glorious limitations of the Miles Franklin Literary Award’ by Patrick Allington<br />‘Sweeping up the Ashes’ by Rachel Buchanan</p>
<p><strong>2012</strong></p>
<p style="padding-left: 30px;">'Man on the Margins' by Jennifer Lindsay</p>
<p><strong>2013</strong></p>
<p style="padding-left: 30px;">‘Media Don’ by Ruth Starke<br />‘Everyone’s a Critic’ by Kerryn Goldsworthy<br />‘Olive Cotton at Spring Forest’ by Helen Ennis<br />‘Patrick White: A theatre of his own<a href="https://www.australianbookreview.com.au/prizes-programs/fellowships/past-abr-fellowships/108-november-2013-no-356/1695">’</a>&nbsp; by Andrew Fuhrmann</p>
<p><strong>2014</strong></p>
<p style="padding-left: 30px;">‘Seeing the Wood for the Trees’ by Danielle Clode</p>
<p><strong>2015</strong></p>
<p style="padding-left: 30px;">‘Sound Bridges: A Profile of Gurrumul’ by Felicity Plunkett<br />‘The Golden Age of Television?’ by James McNamara<br />‘The Scientist of his own experience: A profile of Gerald Murnane’ by Shannon Burns<br />'The Forest at the Edge of Time' by Ashley Hay</p>
<p><strong>2016</strong></p>
<p style="padding-left: 30px;">'Satan Repentant' by Michael Aiken<br />'How Do We Live With Ourselves? The Australian National Conscience' by Alan Atkinson</p>
<p><strong>2017</strong></p>
<p style="padding-left: 30px;">‘Beyond Songlines’ by Philip Jones<br />'Ambassadors from Another Time' by Stephen Orr<br />'If This Is a Jew' by Elisabeth Holdsworth<br />‘<em>Picnic at Hanging Rock</em>&nbsp;fifty years on’by Marguerite Johnson</p>
<p><strong>2018</strong></p>
<p style="background: white; margin: 0cm 0cm 3.75pt; padding-left: 30px;">‘Defying the Moment’, 'The art of pain: Writing in the age of trauma’, and ‘'We are all MFAs now!' &nbsp;by Beejay Silcox</p>
<p><strong>2019</strong></p>
<p style="background: white; margin: 0cm 0cm 3.75pt; padding-left: 30px;">‘A mutinous and ferocious grace: Nick Cave and trauma’s aftermath' by Felicity Plunkett<br />Felicity Plunkett reviews <em>The Weekend</em>&nbsp;by Charlotte Wood</p>
<p><strong>2020</strong></p>
<p style="padding-left: 30px;">'Notes on a Pandemic: How society has responded to Covid-19' by Hessom Razavi<br />Felicity Plunkett reviews <em>Summer</em> by Ali Smith<br />'Failures of imagination: A journey from Tehran’s prisons to Australia’s immigration detention centres' by Hessom Razavi</p>
<p><strong>2021</strong></p>
<p style="padding-left: 30px;">'The split state: Australia’s binary myth about people seeking asylum' by Hessom Razavi</p>
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<h3><strong><em>ABR</em> Editorial Internships</strong></h3>
<p>Since 2009 <em>ABR</em> has awarded eight paid Editorial Internships as part of our highly successful program. The most recent&nbsp;<em>ABR</em> Editorial Intern was Jack Callil.</p>
<p>In 2021, with support from the Judith Neilson Institute for Journalism and Ideas, <em>ABR </em>offered a&nbsp;paid Editorial Cadetship. The first of these <em>ABR</em> Editorial Cadets was James Jiang.</p>
<p>Find out more about past <a href="https://www.australianbookreview.com.au/about/past-editorial-internships" target="_self">Editorial Cadets and Interns</a>.&nbsp;</p>
<h3><strong><em>ABR</em> Elizabeth Jolley Short Story Prize</strong></h3>
<p>Since 2010 <em>ABR</em> has awarded the <a href="https://www.australianbookreview.com.au/prizes-programs/elizabeth-jolley-story-prize" target="_self">Jolley Prize</a> to fifteen writers (the prize was shared in 2011). Forty-seven writers have been shortlisted for the prize. As with all our prizes the Jolley Prize is judged blind. Since 2010 <em>ABR</em> has shortlisted thirty-five women, eleven men, and one non-binary author. Since the prize was internationalised in 2014 we have shortlisted ten writers from overseas. The winners and shortlisted authors are listed below. Find out more about the past winners of the Jolley Prize and read their stories via our <a href="https://www.australianbookreview.com.au/prizes-programs/elizabeth-jolley-story-prize/past-winners" target="_self">Past Winners</a> page.</p>
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<p><strong>2010</strong></p>
<p style="padding-left: 30px;">‘A Roānkin Philosophy of Poetry’ by Maria Takolander (winner)<br /><span style="background-color: inherit; color: inherit;">'Sleepers' by Cate Kennedy (second place)<br /></span>‘Suitable for a Lampshade’ by Josephine Rowe (Reader’s Choice)<br />'The Virus - Travel Notes' by David Cohen<br />'Angus's Playground' by S.J. Finn,<br />'Honey' by Erin Gough<br />'The Body' by Joan Phillip</p>
<p><strong>2011</strong></p>
<p style="padding-left: 30px;">‘Milk Tray’ by Claire Aman<br />‘What’s Richard Ford Got to Do With It? by Gaylene Carbis<br />‘Before He Left the Family’ by Carrie Tiffany (joint winner)<br />‘The Neighbour's Beans’ by Gregory Day (joint winner)</p>
<p><strong>2012</strong></p>
<p style="padding-left: 30px;">‘Patterns in Nature’ by Sue Hurley (winner)<br />‘Gorgeous Perambulator’ by Jack Cox (second)<br />‘Tended by Foxes’ by Ngiare Elliot&nbsp;(third)</p>
<p><strong>2013</strong></p>
<p style="padding-left: 30px;">‘Leaving Elvis’ by Michelle Michau-Crawford (winner)<br />‘The Five Truths of Manhood’&nbsp;by Rebekah Clarkson (joint second, Reader’s Choice)<br />‘The Accident’ by Kim Mahood (joint second)</p>
<p><strong>2014</strong></p>
<p style="padding-left: 30px;">‘Aokigahara’ by Jennifer Down (winner)<br />'The Art of Life' by Faith Oxenbridge (second, New Zealand)<br />‘Doisneau’s Kiss’ by Cate Kennedy (third)</p>
<p><strong>2015</strong></p>
<p style="padding-left: 30px;">‘The Elector of Nossnearly’ by Rob Magnuson-Smith (winner, UK/US)<br />'Borges and I' by Michelle Cahill (second)<br />‘Crest’ by Harriet McKnight (third)</p>
<p><strong>2016</strong></p>
<p style="padding-left: 30px;">‘Glisk’ by Josephine Rowe (winner)<br />‘Ash’ by Anthony Lawrence (second)<br />‘The Water Calligrapher’s Women’ by Jonathan Tel (third, UK)</p>
<p><strong>2017</strong></p>
<p style="padding-left: 30px;">‘Pheidippides’ by Eliza Robertson (winner, Canada)<br />‘The Leaching Layer’&nbsp; by Dominic Amerena (second)<br />‘Butter’ by Lauren Aimee Curtis (third)</p>
<p><strong>2018</strong></p>
<p style="padding-left: 30px;">‘Ruins’ by Madelaine Lucas (winner, US/AUS)<br />‘Between the Mountain and the Sea’ by Sharmini Aphrodite (second, Singapore)<br />‘Vasco’ by Claire Aman (third)</p>
<p><strong>2019</strong></p>
<p style="padding-left: 30px;">'The Point-Blank Murder' by Sonja Dechian (winner)<br />'Miracle Windows' by Raaza Jamshed (second)<br />'Rubble Boy' by Morgan Nunan (third)</p>
<p><strong>2020</strong></p>
<p style="padding-left: 30px;">'River Story' by Mykaela Saunders (winner)<br />'Egg Timer' by C.J. Garrow (second)<br />'Hieroglyph' by Simone Hollander (third, US)</p>
<p><strong>2021</strong></p>
<p style="padding-left: 30px;">'The Enemy, Asyndeton' by Camilla Chaudhary (winner)<br />'There Are No Stars Here, Either' by Lauren Sarazen (second, France)<br />'A Fall From Grace' by John Richards (third)</p>
<p><strong>2022</strong></p>
<p style="padding-left: 30px;">'Natural Wonder' by Tracy Ellis (winner)<br />'Dog Park' by Nina Cullen (second)&nbsp;<br />'Whale Fall' by C.J. Garrow (third)</p>
<p><strong>2023</strong></p>
<p style="padding-left: 30px;">'The Mannequin' by Rowan Heath (winner)<br />'Our Own Fantastic' by Uzma Aslam Khan (second, US)<br />'Black Wax' by Winter Bel (third, France/UK)</p>
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<h3><strong>Calibre Essay Prize</strong></h3>
<p>Since 2007 <em>ABR</em> has awarded the <a href="https://www.australianbookreview.com.au/prizes-programs/calibre-prize" target="_self">Calibre Essay Prize</a> to twenty-one writers (the prize was shared in 2008, 2009, 2010, and 2011). Calibre was internationalised in 2015 and as with all our prizes it is judged blind. Since 2010 the Calibre Prize has been won by eleven men, nine women, and one non-binary author. The winning authors are listed below. In 2017 <em>ABR</em> introduced a second prize and this has been won by six women and one man. Find out more about the past winners of the Calibre Prize via our <a href="https://www.australianbookreview.com.au/prizes-programs/calibre-prize/past-winners" target="_self">Past Winners</a> page</p>
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<p><strong>2007</strong></p>
<p style="padding-left: 30px;">'An die Nachgeborenen: For Those Who Come After' by Elisabeth Holdsworth</p>
<p><strong>2008</strong></p>
<p style="padding-left: 30px;">'Reaching One Thousand' by Rachel Robertson<br />'A Storm and a Teacup' by Mark Tredinnick</p>
<p><strong>2009</strong></p>
<p style="padding-left: 30px;">‘“What’re yer looking at yer fuckin’ dog”: Violence and Fear in Žižek’s Post-political Neighbourhood’ by Kevin Brophy<br />‘Footprints’ by Jane Goodall</p>
<p><strong>2010</strong></p>
<p style="padding-left: 30px;">'On being Odd' by Lorna Hallahan<br />'Seeing Truganini' by David Hansen</p>
<p><strong>2011</strong></p>
<p style="padding-left: 30px;">‘The Death of the Writer' by Dean Biron<br />'Who Killed Matilda?'by Moira McKinnon</p>
<p><strong>2012</strong></p>
<p style="padding-left: 30px;">'Body and Soul: Copyright and Law Enforcement in the Age of the Electronic Book' by Matt Rubinstein</p>
<p><strong>2013</strong></p>
<p style="padding-left: 30px;">'"Because it's your country": Bringing Back the Bones to West Arnhem Land' by Martin Thomas</p>
<p><strong>2014</strong></p>
<p style="padding-left: 30px;">'Unearthing the Past' by Christine Piper</p>
<p><strong>2015</strong></p>
<p style="padding-left: 30px;">'Staying with the trouble' by Sophie Cunningham</p>
<p><strong>2016</strong></p>
<p style="padding-left: 30px;">'The Great Red Whale' by Michael Winkler</p>
<p><strong>2017</strong></p>
<p style="padding-left: 30px;">‘Salt Blood' by Michael Adams<br />'To Speak of Sorrow' by Darius Sepehri (runner-up)</p>
<p><strong>2018</strong></p>
<p style="padding-left: 30px;">'We Three Hundred' by Lucas Grainger-Brown<br />'Once Again' by Kirsten Tranter (runner-up)</p>
<p><strong>2019</strong></p>
<p style="padding-left: 30px;">'Nah Doongh's Song' by Grace Karskens<br />'Floundering' by Sarah Walker (runner-up)</p>
<p><strong>2020</strong></p>
<p style="padding-left: 30px;">‘Reading the Mess Backwards’ by Yves Rees<br />‘The Dolorimeter’ by Kate Middleton (runner-up)</p>
<p><strong>2021</strong></p>
<p style="padding-left: 30px;">‘Façades of Lebanon’ by Theodore Ell&nbsp;<br />'May Day' by Anita Punton (runner-up)</p>
<p><strong>2022</strong></p>
<p style="padding-left: 30px;">'This Woman My Grandmother' by Simon Tedeschi<br />'Ghosts, Ghosts Everywhere' by Sarah Gory (runner-up)</p>
<p><strong>2023</strong></p>
<p style="padding-left: 30px;">'Flow States' by Tracy Ellis<br />'Child Adjacent' by Bridget Vincent (runner-up)</p>
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<h3><strong>Peter Porter Poetry Prize</strong></h3>
<p>Since 2005 <em>ABR</em> has awarded the <a href="https://www.australianbookreview.com.au/prizes-programs/peter-porter-poetry-prize" target="_self">Peter Porter Poetry Prize</a> to twenty-two writers (the prize was shared in 2011, 2017, and 2019) and 101 poems have been shortlisted for the prize. As with all our prizes the Porter Prize is judged blind. Since 2010 <em>ABR</em> has shortlisted fifty-two poems by men and forty-nine poems by women. Since the prize was internationalised in 2014 we have shortlisted twelve writers from overseas. The winners and shortlisted authors are listed below. Find out more about the past winners of the Porter Prize and read their poems via our <a href="https://www.australianbookreview.com.au/prizes-programs/peter-porter-poetry-prize/past-winners" target="_self">Past Winners</a> page.</p>
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<p><strong>2005</strong></p>
<p style="padding-left: 30px;">'Ventriloquist's Dummy' by Jennifer Harrison<br />'Man on the Moon' by Stephen Edgar (winner)<br />'Ubirr Rock' by Mark Tredinnick<br />'Storm' by Maria Takolander<br />'Headgear (a review)' by Sandra Hill&nbsp;<br />'Low at the Edge of the Sands' by Kevin Gillam</p>
<p><strong>2006</strong></p>
<p style="padding-left: 30px;">'Mallee' by Lisa Gorton<br />'Braid' by J.S. Harry<br />'Boy' by Alex Skovron<br />'Still Life with Cockles and Shells' by Judith Bishop (winner)<br />'Back Roads, Local Roads' by Brendan Ryan<br />'Spiders' by Keith Harrison</p>
<p><strong>2007</strong></p>
<p style="padding-left: 30px;">'Sanctum' by Alex Skovron (winner)<br />'Full-Bucket Moon' by Ross Clark<br />'The Fledglings' by Robert Adamson<br />'The Fencer and His Mate' by Kathryn Lomer<br />'The Red Sea' by Stephen Edgar<br />'Guidance and Knowledge' by Anthony Lawrence</p>
<p><strong>2008</strong></p>
<p style="padding-left: 30px;">'(for the siblings)' by Kevin Gillam<br />'T/here' by Judith Bishop<br />'a full stop reaches the end of its sentence' by Nathan Shepherdson<br />'Danger: Lantana' by Ross Clark (winner)<br />'The Window' by Brenda Walker</p>
<p><strong>2009</strong></p>
<p style="padding-left: 30px;">'Yellow Jacket: <em>Vespula maculifrons</em>' by Rose Lucas<br />‘Lost Property’ by Tracy Ryan (winner)<br />'The Dark Zone' by Kathryn Lomer<br />'The Storm Glass' by Lisa Gorton<br />'The Reed Pen' by Angela Mahone<br />'The Aquarium' by Judith Beveridge</p>
<p><strong>2010</strong></p>
<p style="padding-left: 30px;">'Taken as Required' by Ynez Sanz<br />'The Hummingbird Suite' by Diane Fahey<br />'Here Come the Missionaries' by Philip Salom<br />'Estuary' by Jillian Pattinson<br />'Domestic Emergencies' by Anthony Lawrence (winner)</p>
<p><strong>2011</strong></p>
<p style="padding-left: 30px;">'Self-Portrait at Sixty' by Tony Lintermans (joint winner)<br />'Dreams and Artefacts' by Lisa Gorton<br />'Moonlight Sculptures' by Stephen Edgar<br />'Openings' by Judith Bishop (joint winner)<br /><span style="background-color: inherit; color: inherit;"></span></p>
<p><strong><span style="background-color: inherit; color: inherit;">2012</span></strong></p>
<p style="padding-left: 30px;">'Provenance' by Gareth Robinson<br />'Bayside Suburban' by Anne Elvey<br />'Beautiful Mother' by Michael Farrell (winner)<br />'After Devotion' by Annamaria Weldon<br />'Oscillations' by Toby Fitch</p>
<p><strong>2013</strong></p>
<p style="padding-left: 30px;">'Prophecy' by Nathan Curnow<br />'Big Wig' by A. Frances Johnson<br />'Four Sonnets' by John A. Scott (winner)<br />'procedures in aesthetics' by Dan Disney<br />'Bushfire Approaching' by John Kinsella.</p>
<p><strong>2014</strong></p>
<p style="padding-left: 30px;">'VFGA' by Paul Kane (US)<br />'Absence' by Elizabeth Allen<br />'Scenes from the Olivet Discourse' by Nathan Curnow<br />'Arrival Platform Humlet' by Jessica L. Wilkinson (winner).</p>
<p><strong>2015</strong></p>
<p style="padding-left: 30px;">'As Wasps Fly Upward' by Judith Beveridge (winner)<br />'Vantage' by Eileen Chong<br />'Janus' by Toby Fitch<br />'Floribunda' by John Kinsella<br />'When/Was' by Kate Middleton<br />'Pitch and Yaw' by Alex Skovron.</p>
<p><strong>2016</strong></p>
<p style="padding-left: 30px;">'Tailings' by Amanda Joy (winner),<br />'... a passing shower?' by Dan Disney<br />'Prelude to a Voice' by Anne Elvey<br />'Rage to Order' by Lisa Gluskin Stonestreet (USA)<br />'Lament for "Cape" Kennedy' by Campbell Thomson.</p>
<p><strong>2017</strong></p>
<p style="padding-left: 30px;">'Sentence to Lilacs' by Louis Klee (joint winner)<br />'pH' by Damen O'Brien (joint winner)<br />'Four Egrets' by Ronald Dzerigian (USA)<br />'Laika' by Anthony Lawrence<br />'Drone'&nbsp; by Michael Lee Phillips (USA)<br />'The Snow Lies Deep' by Jen Saunders<br />'and it is what it is' by Jessie Tu</p>
<p><strong>2018</strong></p>
<p style="padding-left: 30px;">'Compass' by Eileen Chong<br />'Decoding Paul Klee’s&nbsp;Mit Grünen Strümpfen&nbsp;(With Green Stockings) 1939' by Katherine Healy<br />'The Abstract Blue Background' by LK Holt<br />'breather' by Tracey Slaughter (second place, New Zealand)<br />'101, Taipei' by Nicholas Wong (winner, Hong Kong)</p>
<p><strong>2019</strong></p>
<p style="padding-left: 30px;">'63 Temple St, Mong Kok' by Belle Ling (joint winner, Qld/Hong Kong)<br />'Searching the Dead' by Andy Kissane (joint winner)<br />'Dancing with Stephen Hawking' by John Foulcher<br />'The Mirror Hurlers' by Ross Gillett<br />'Raven' by Mark Tredinnick</p>
<p><strong>2020</strong></p>
<p style="padding-left: 30px;">'Precision Signs' by Lachlan Brown&nbsp;<br />'That Wadjela Tongue' by Claire G. Coleman&nbsp;<br />'South Coast Sonnets' by Ross Gillett<br />&nbsp;'My Father's Thesaurus' by&nbsp;Frances Johnson (winner)<br />'Constellation of Bees' by Julie Manning</p>
<p><strong>2021</strong></p>
<p style="padding-left: 30px;">‘The Vernal Equinox Story’ by&nbsp;Danielle Blau (USA)<br />‘Would You Rather’&nbsp;by&nbsp;Y.S. Lee (Canada)<br />‘bila, a river cycle’ by Jazz Money<br />‘A Poetics of Fo(u)rgetting’&nbsp;Sara M. Saleh&nbsp;(winner)<br />‘before dawn, with the street lamp’s beam across your face’ by Raisa Tolchinsky (USA)&nbsp;</p>
<p><strong>2022</strong></p>
<p style="padding-left: 30px;">'Sixes and sparrows' by Chris Arnold<br />'Gippslanding (triptych)' by Dan Disney (South Korea/Australia)<br />'Australianesque' by Michael Farrell&nbsp;<br />'In the Shadows of Our Heads' by Anthony Lawrence (winner)<br />'Hummingbird Country' by Debbie Lim</p>
<p>2023</p>
<p style="padding-left: 30px;">'Loss Invaded Catalogue' by Chris Andrews<br />'Running Up That Bill' by Chris Arnold<br />'Field Notes for an Albatross Palimpsest' by Michelle Cahill<br />'peri<em>feral</em>, fantasmal' by Dan Disney&nbsp;(South Korea/Australia, winner)<br />'Abiquiu, New Mexico' by Raisa Tolchinsky (US)</p>
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<h3><strong>From Prize to Publication</strong></h3>
<p>Many past <em>ABR</em> prize shortlisted entrants have gone on to publish full-length works (novels, short story collections, films etc) based on, or including, their shortlisted or winning works. We have listed some of these below.</p>
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<p style="padding-left: 30px;"><em>Fat Girl Dancing </em>by Kris Kneen<em><br />Leaving Elvis</em> by Michelle Michau Crawford<br /><em>Pulse Points</em> by Jennifer Down<br /><em style="background-color: inherit; color: inherit;">Barking Dogs</em><span style="background-color: inherit; color: inherit;"> by Rebekah Clarkson<br /></span><em>The Double</em> by Maria Takolander<br /><em>Those Who Come After</em> by Elisabeth Holdsworth<br /><em>Reaching One Thousand</em> by Rachel Robertson<br /><em style="background-color: inherit; color: inherit;">City of Trees</em><span style="background-color: inherit; color: inherit;"> by Sophie Cunningham<br /></span><em>Olive Cotton</em> by Helen Ennis<br /><em>Here Until August</em> by Josephine Rowe<br /><em>All About Yves</em> by Yves Rees<br /><em>The First Time I Thought I was Dying</em> by Sarah Walker</p>
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<h2 class="rl_sliders-title nn_sliders-title"></strong>Film</h2></strong></p>
<p style="padding-left: 30px;"><em>Etched in Bone</em> Martin Thomas</p>
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<h3 style="font-size: 1.17em; margin: 2px 0px; padding: 2px; color: #444444; letter-spacing: normal; orphans: 2; text-align: start; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; border: 1px dashed var(--mce-guidelines);"><strong>Reading Australia</strong></h3>
<p style="margin: 2px 0px; padding: 2px; color: #444444; font-size: 16px; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; border: 1px dashed var(--mce-guidelines);"><em>ABR</em>&nbsp;commissioned and published twenty-six essays on major Australian writers as part of the Australia Council’s&nbsp;<a href="https://readingaustralia.com.au/">Reading Australia</a>&nbsp;project. These essays are all available open access online.</p>
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<h2 class="rl_sliders-title nn_sliders-title"></strong><strong>Reading Australia essays</h2></strong></p>
<p style="margin: 2px 0px; padding: 2px 2px 2px 30px; color: #444444; font-size: 16px; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; border: 1px dashed var(--mce-guidelines);">Kerryn Goldsworthy on Jessica Anderson's&nbsp;<em>Tirra Lirra by the River<br /></em>Susan Sheridan on Thea Astley's&nbsp;<em>It's Raining in Mango<br /></em>Agnes Nieuwenhuizen on A.J. Betts's&nbsp;<em>Zac and Mia<br /></em>Ruth Starke on Isobelle Carmody's&nbsp;<em>The Gathering<br /></em>Brian Matthews on Marcus Clarke's&nbsp;<em>For the Term of His Natural Life<br /></em>Kerryn Goldsworthy on Robert Dessaix's&nbsp;<em>A Mother's Disgrace<br /></em>Alice Pung on Garry Disher's&nbsp;<em>The Divine Wind<br /></em>Kerryn Goldsworthy on Richard Flanagan's&nbsp;<em>The Narrow Road to the Deep North<br /></em>Danielle Clode on Tim Flannery's&nbsp;<em>Here on Earth<br /></em>Kári Gíslason on Raimond Gaita's&nbsp;<em>Romulus, My Father<br /></em>Bernadette Brennan on Helen Garner's&nbsp;<em>The Children's Bach<br /></em>Miriam Cosic on Germaine Greer's&nbsp;<em>The Female Eunuch<br /></em>Peter Craven on Kate Grenville's&nbsp;<em>Lilian's Story<br /></em>Felicity Plunkett on Steven Herrick's&nbsp;<em>by the river<br /></em>Judith Rodriguez on Jack Hibberd's&nbsp;<em>Dimboola<br /></em>Delys Bird on Elizabeth Jolley's&nbsp;<em>Miss Peabody's Inheritance<br /></em>Tony Birch on Thomas Keneally's&nbsp;<em>The Chant of Jimmie Blacksmith<br /></em>Morag Fraser on Alex Miller's&nbsp;<em>Journey to the Stone Country<br /></em>Susan Lever on John Romeril's&nbsp;<em>The Floating World<br /></em>Patrick Allington on Kim Scott's&nbsp;<em>That Deadman Dance<br /></em>Peter Kirkpatrick on Kenneth Slessor's&nbsp;<em>One Hundred Poems: 1919–1939<br /></em>Gary Crew on Shaun Tan's&nbsp;<em>The Lost Thing<br /></em>Kerryn Goldsworthy on Christos Tsiolkas's&nbsp;<em>The Slap<br /></em>Billy Griffiths on David Unaipon's&nbsp;<em>Legendary Tales of the Australian Aborigines<br /></em>James McNamara on David Williamson's&nbsp;<em>The Removalists<br /></em>Felicity Castagna on Markus Zusak's&nbsp;<em>The Messenger</em></p>
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<h3 style="font-size: 1.17em; margin: 2px 0px; padding: 2px; color: #444444; letter-spacing: normal; orphans: 2; text-align: start; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; border: 1px dashed var(--mce-guidelines);"><strong>States of Poetry</strong></h3>
<p style="margin: 2px 0px; padding: 2px; color: #444444; font-size: 16px; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; border: 1px dashed var(--mce-guidelines);">Between 2016 and 2018&nbsp;<em>ABR</em>&nbsp;published nearly four hundred poems by eighty poets as part of&nbsp;<a href="https://www.australianbookreview.com.au/arts-update/arts-highlights-of-the-year/tag/States%20of%20Poetry">States of Poetry</a>, a federally arranged poetry anthology supported by Copyright Agency Limited that also included podcasts. Anthologies were published by poets from New South Wales, Victoria, Western Australia, Tasmania, Queensland and the ACT. These anthologies are all open access. The poets and state editors are listed below.</p>
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<h2 class="rl_sliders-title nn_sliders-title">New South Wales</h2></strong></p>
<p style="margin: 2px 0px; padding: 2px 2px 2px 30px; color: #444444; font-size: 16px; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; border: 1px dashed var(--mce-guidelines);">Elizabeth Allen (State Editor)<br />Fiona Wright<br />Kate Middleton<br />David Malouf<br />Toby Fitch<br />Pam Brown<br />Susie Anderson</p>
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<h2 class="rl_sliders-title nn_sliders-title"></strong>South Australia</h2></strong></p>
<p style="margin: 2px 0px; padding: 2px 2px 2px 30px; color: #444444; font-size: 16px; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; border: 1px dashed var(--mce-guidelines);">Peter Goldsworthy (State Editor)<br />Ken Bolton<br />Thom Sullivan<br />Kate Llewellyn<br />Jill Jones<br />Jelena Dinic<br />Aidan Coleman<br />Cath Kenneally<br />Jan Owen<br />Dominic Symes<br />Jules Leigh Koch<br />Louise Nicholas<br />Steve Brock</p>
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<h2 class="rl_sliders-title nn_sliders-title"></strong>Victoria</h2></strong></p>
<p style="margin: 2px 0px; padding: 2px 2px 2px 30px; color: #444444; font-size: 16px; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; border: 1px dashed var(--mce-guidelines);">David McCooey (State Editor)<br />Jessica L. Wilkinson<br />Cameron Lowe<br />A. Frances Johnson<br />Michael Farrell<br />Amy Brown<br />Kevin Brophy<br />Gig Ryan<br />Chris Wallace-Crabbe<br />Brendan Ryan<br />Bella Li<br />Lisa Gorton</p>
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<h2 class="rl_sliders-title nn_sliders-title"></strong></strong><strong>Western&nbsp;Australia</h2></strong></p>
<p style="margin: 2px 0px; padding: 2px 2px 2px 30px; color: #444444; font-size: 16px; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; border: 1px dashed var(--mce-guidelines);">Kevin Brophy (State Editor)<br />Lucy Dougan (State Editor and poet)<br />Carolyn Abbs<br />Kia Groom<br />Graham Kershaw<br />Charmaine Papertalk Green<br />J P Quinton<br />Barbara Temperton<br />Edwin Lee Mulligan<br />Annamaria Weldon<br />Chris Arnold<br />John Kinsella<br />Josephine Clarke</p>
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<h2 class="rl_sliders-title nn_sliders-title"></strong>Tasmania</h2></strong></p>
<p style="margin: 2px 0px; padding: 2px 2px 2px 30px; color: #444444; font-size: 16px; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; border: 1px dashed var(--mce-guidelines);">Sarah Day (State Editor)<br />Adrienne Eberhard<br />Tim Thorne<br />Louise Oxley<br />Karen Knight<br />Jane Williams<br />Graeme Hetherington<br />Ben Walter<br />Christiane Conésa-Bostock<br />Gina Mercer<br />Jim Everett-puralia meenmatta<br />James Charlton<br />Anne Kellas<strong>&nbsp;</strong></p>
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<h2 class="rl_sliders-title nn_sliders-title"></strong>Queensland</h2></strong></p>
<p style="margin: 2px 0px; padding: 2px 2px 2px 30px; color: #444444; font-size: 16px; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; border: 1px dashed var(--mce-guidelines);">Felicity Plunkett (State Editor)<br />Nathan Shepherdson<br />Ellen van Neerven<br />Lionel Fogarty<br />MTC Cronin<br />Sarah Holland-Batt<br />Stuart Barnes<br />Anna Jacobson<br />Zenobia Frost<br />Samuel Wagan Watson<br />David Stavanger<br />Liam Ferney<br />Pascalle Burton</p>
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<h2 class="rl_sliders-title nn_sliders-title"></strong>ACT</h2></strong></p>
<p style="margin: 2px 0px; padding: 2px 2px 2px 30px; color: #444444; font-size: 16px; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; border: 1px dashed var(--mce-guidelines);">Jen Webb (State Editor)<br />Sarah Rice<br />Omar Musa<br />Jeanine Leane<br />Paul Hetherington<br />Jen Crawford<br />Adrian Caesar<br />Merlinda Bobis<br />Melinda Smith<br />Kerry Reed-Gilbert<br />John Foulcher<br />Isi Unikowski<br />Geoff Page<br />Anita Patel<br />Mark O'Connor<br />Paul Munden<br />Miranda Lello<br />Lesley Lebkowicz<br />Paul Collis<strong>&nbsp;</strong></p>
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<h3><strong>Editorial note</strong></h3>
<p>The statistics listed above were last updated on 16 October 2023. The information on this page will continue to be updated and expanded over time.</p></div>]]></description>
			<category>About Australian Book Review</category>
			<pubDate>Thu, 04 Apr 2019 17:11:54 +1100</pubDate>
		</item>
		<item>
			<title>ABR Photos</title>
			<link>https://www.australianbookreview.com.au/photos</link>
			<guid isPermaLink="true">https://www.australianbookreview.com.au/photos</guid>
			<description><![CDATA[<div class="K2FeedIntroText"><p style="text-align: left;"><span class="dropcap">T</span>he following photos record key events, prizes, ceremonies, tours, and personalities since 2001. <em>Australian Book Review</em> holds copyright in all these photos but no permission is required to reproduce them. We seek acknowledgment that <em>Australian Book Review</em> is the copyright holder. For higher resolution versions of the images, please email <a href="mailto:digital@australianbookreview.com.au">digital@australianbookreview.com.au</a></p>
<p>&nbsp;</p>
<p style="text-align: left;"><span class="wf_caption" style="max-width: 1000px; width: 100%; display: inline-block;" role="figure"><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2024/ABR_Photos/thumbnail_PR_and_SH-B.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Digitising_2024/ABR_Photos/thumbnail_PR_and_SH-B.jpg" alt="Peter Rose and Sarah Holland-Batt at an ABR function in Sydney" width="1000" style="width: 100%; margin: initial; float: none;" role="figure" /></a><span style="display: block;">Peter Rose and Sarah Holland-Batt at an <em>ABR</em> function in Sydney</span></span>&nbsp;</p>
<p><span class="wf_caption" style="max-width: 1000px; width: 100%; display: inline-block;" role="figure"><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2024/ABR_Photos/thumbnail_Dan_Disney_winner_of_the_2023_Porter_Prize_January_2023_-_cropped.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Digitising_2024/ABR_Photos/thumbnail_Dan_Disney_winner_of_the_2023_Porter_Prize_January_2023_-_cropped.jpg" alt="Dan Disney, winner of the 2023 Peter Porter Poetry Prize, at ABR" width="1000" style="width: 100%; margin: initial; float: none;" role="figure" /></a><span style="display: block;">Dan Disney, winner of the 2023 Peter Porter Poetry Prize, at <em>ABR</em></span></span></p>
<p><span class="wf_caption" style="max-width: 1200px; width: 100%; display: inline-block;" role="figure"><a href="https://www.australianbookreview.com.au/images/Peter_Rose_and_Sheila_Fitzpatrick_cropped_for_website.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/Peter_Rose_and_Sheila_Fitzpatrick_cropped_for_website.jpg" alt="Peter Rose and Sheila Fitzpatrick in conversation at the State Library of Victoria as Fitzpatrick becomes the third ABR Laureate, 2023. " width="1200" style="width: 100%; margin: initial; float: none;" role="figure" /></a><span style="display: block;">Peter Rose and Sheila Fitzpatrick in conversation at the State Library of Victoria as Fitzpatrick becomes the third <em>ABR</em> Laureate, 2023. </span></span></p>
<p><span class="wf_caption" style="max-width: 1200px; width: 100%; display: inline-block;" role="figure"><a href="https://www.australianbookreview.com.au/images/Event_2_cropped_for_website.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/Event_2_cropped_for_website.jpg" alt="Peter Rose, Sheila Fitzpatrick and Monash Dean of Arts Katie Stevenson at the Laureate event at the State Library of Victoria, 2023. " width="1200" style="width: 100%; margin: initial; float: none;" role="figure" /></a><span style="display: block;">Peter Rose, Sheila Fitzpatrick and Monash Dean of Arts Katie Stevenson at the Laureate event at the State Library of Victoria, 2023. </span></span></p>
<p><span class="wf_caption" style="max-width: 930px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/April_2019/A._Frances_Johnson_wins_the_Peter_Porter_Poetry_Prize_2020.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/April_2019/A._Frances_Johnson_wins_the_Peter_Porter_Poetry_Prize_2020.jpg" alt="A. Frances Johnson wins the 2020 Peter Porter Poetry Prize (photograph by David Johns)" width="930" style="width: 100%; margin: initial; float: none;" /></a><span style="display: block;">A. Frances Johnson wins the 2020 Peter Porter Poetry Prize (photograph by David Johns)</span></span></p>
<p><span class="wf_caption" style="max-width: 1942px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/Malouf.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/Malouf.jpg" alt="Peter Rose interviews ABR Laureate David Malouf  in Adelaide, 2019" width="1942" style="width: 100%; margin: initial; float: none;" /></a><span style="display: block;">Peter Rose interviews <em>ABR</em> Laureate David Malouf in Adelaide, 2019</span></span></p>
<p><span class="wf_caption" style="max-width: 930px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/November_2019/Lisa_Gorton_2.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/November_2019/Lisa_Gorton_2.jpg" alt="Lisa Gorton speaks at an ABR function, 2019" width="930" style="width: 100%; margin: initial; float: none;" /></a><span style="display: block;">Lisa Gorton speaks at an <em>ABR</em> function, 2019</span></span></p>
<p><span class="wf_caption" style="max-width: 930px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/November_2019/Billy_Griffiths.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/November_2019/Billy_Griffiths.jpg" alt="Billy Griffiths speaks at an ABR function, 2019" width="930" style="width: 100%; margin: initial; float: none;" /></a><span style="display: block;">Billy Griffiths speaks at an <em>ABR</em> function, 2019</span></span></p>
<p style="text-align: left;"><span class="wf_caption" style="max-width: 930px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Arts_2019/September_2019/Peter_Rose_and_Rae_Frances_centre_with_Calibre_Essay_Prize_winners_David_Hansen_left_and_Grace_Karskens_right_August_2019.png" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Arts_2019/September_2019/Peter_Rose_and_Rae_Frances_centre_with_Calibre_Essay_Prize_winners_David_Hansen_left_and_Grace_Karskens_right_August_2019.png" alt="(L-R): Peter Rose with Rae Frances (centre) and Calibre Essay Prize winners David Hansen and Grace Karskens, August 2019" width="930" style="width: 100%; margin: initial; float: none;" /></a><span style="display: block;">(L-R): Peter Rose with Rae Frances (centre) and Calibre Essay Prize winners David Hansen and Grace Karskens, August 2019</span></span></p>
<p style="text-align: left;"><span class="wf_caption" style="max-width: 930px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Arts_2019/September_2019/Application12019-10-10001_copy.png" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Arts_2019/September_2019/Application12019-10-10001_copy.png" alt="Helen Daniel (Editor of ABR 1995–2000) with Robert Dessaix, a contributor since 1981" width="930" style="width: 100%; margin: initial; float: none;" /></a><span style="display: block;">Helen Daniel (Editor of <em>ABR</em> 1995–2000) with Robert Dessaix, a contributor since 1981</span></span></p>
<p style="text-align: left;"><span class="wf_caption" style="max-width: 930px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/AA_Maxine_and_Sonja_2019.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/AA_Maxine_and_Sonja_2019.jpg" alt="Judge Maxine Beneba Clarke and Jolley Prize winner Sonja Dechian at the 2019 Jolley Prize ceremony (photograph by Daniel O'Brien)" width="930" style="width: 100%; margin: initial; float: none;" /></a><span style="display: block;">Judge Maxine Beneba Clarke and Jolley Prize winner Sonja Dechian at the 2019 Jolley Prize ceremony (photograph by Daniel O'Brien)</span></span></p>
<p style="text-align: left;"><span class="wf_caption" style="max-width: 930px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/AAAAAA.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/AAAAAA.jpg" alt="2019 Jolley Prize shortlist (L-R): Morgan Nunan, Sonja Dechian, Raaza Jamshed (photograph by Daniel O'Brien)" width="930" style="width: 100%; margin: initial; float: none;" /></a><span style="display: block;">2019 Jolley Prize shortlist (L-R): Morgan Nunan, Sonja Dechian, Raaza Jamshed (photograph by Daniel O'Brien)</span></span></p>
<p style="text-align: left;"><span class="wf_caption" style="max-width: 1000px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/May_2019/George_Megalogenis_and_Peter_Rose_Clunes_2019.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/May_2019/George_Megalogenis_and_Peter_Rose_Clunes_2019.jpg" alt="Peter Rose interviews George Megalogenis at Clunes Booktown Festival, 2019" width="1000" style="width: 100%; margin: initial; float: none;" /></a><span style="display: block;">Peter Rose interviews George Megalogenis at Clunes Booktown Festival, 2019</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="max-width: 1000px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/April_2019/Porter_-_5_shortlisted_poets.png" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/April_2019/Porter_-_5_shortlisted_poets.png" alt="The 2019 Porter Prize shortlist: Ross Gillett, Mark Tredinnick, Belle Ling, Andy Kissane, and John Foulcher" width="1000" style="width: 100%; margin: initial; float: none;" /></a><span style="display: block;">The 2019 Porter Prize shortlist: Ross Gillett, Mark Tredinnick, Belle Ling, Andy Kissane, and John Foulcher</span></span><span class="wf_caption" style="max-width: 1000px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/April_2019/Porter_-_two_winners.png" class="jcepopup noicon" data-mediabox="1"></a><br /></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="max-width: 1000px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/April_2019/Porter_-_two_winners.png" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Digitising_2019/April_2019/Porter_-_two_winners.png" alt="Porter two winners" width="1000" style="width: 100%; margin: initial; float: none;" /></a><span style="display: block;">The 2019 Porter Prize joint winners: Belle Ling and Andy Kissane</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-right: auto; margin-left: auto; display: block; max-width: 960px; width: 100%;"><img src="https://www.australianbookreview.com.au/images/ABR_Online_2018/December/image3.jpeg" alt="ABR Fellow Beejay Silcox in Cairo, Egypt (November, 2018)" width="960" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block; font-size: 10pt;">ABR Fellow Beejay Silcox in Cairo, Egypt (November, 2018)</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/John_Hawke_Morag_Fraser_Nicholas_Wong_Peter_Rose_Porter_Prize_event_2018.jpg" alt="John Hawke Morag Fraser Nicholas Wong Peter Rose Porter Prize event 2018" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;">John Hawke Morag Fraser Nicholas Wong Peter Rose Porter Prize event 2018</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Peter_Rose_and_Sarah_Holland_Batt_at_Writers_Week_2018.jpg" alt="Peter Rose and Sarah Holland Batt at Writers Week 2018" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;">Peter Rose and Sarah Holland Batt at Writers Week 2018</span></span>&nbsp;</p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Peter_Rose_and_Pam_Brown_at_Writers_Week_2018.jpg" alt="Peter Rose and Pam Brown at Writers Week 2018" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;">Peter Rose and Pam Brown at Writers Week 2018</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Porter_Prize_2017.jpg" alt="Porter Prize 2017" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;">Porter Prize 2017</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/2017_UK_tour_CJM_at_the_Wallace_Collection.jpg" alt="2017 UK tour CJM at the Wallace Collection" width="550" style="display: block; margin: initial; float: none; width: 100%;" /><span style="display: block;">Christopher Menz leads the 2017 <em>ABR</em> UK tour.</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Michael_Adams_and_Darius_Sepehri_at_Calibre_Essay_Prize_event_2017.jpg" alt="Michael Adams and Darius Sepehri at Calibre Essay Prize event 2017" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;">Michael Adams and Darius Sepehri at Calibre Essay Prize event 2017</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/2017_States_of_Poetry_Tasmania.jpg" alt="2017 States of Poetry Tasmania" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;">2017 States of Poetry Tasmania</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Peter_Rose_and_Robert_Silvers_at_NYRB_2016.jpg" alt="Peter Rose and Robert Silvers at NYRB 2016" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;">Peter Rose and Robert Silvers at NYRB 2016</span></span></p>
<hr />
<p style="text-align: left;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/ABR_-_Jolley_-_ALABJRMBCID.jpg" alt="ABR Jolley ALABJRMBCID" width="550" style="display: block; margin-top: 5px; margin-bottom: 5px; float: none;" /></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/ABR_US_cultural_tour_at_the_Clark_Institute_2016.jpg" alt="ABR US cultural tour at the Clark Institute 2016" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;">ABR US cultural tour at the Clark Institute 2016</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Geraldine_Brooks_Ambassador_Caroline_Millar_Anna_Funder_ABR_US_tour_2016.jpg" alt="Geraldine Brooks Ambassador Caroline Millar Anna Funder ABR US tour 2016" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;">Geraldine Brooks Ambassador Caroline Millar Anna Funder ABR US tour 2016</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/ABR_US_tour_at_Concord_2016.jpg" alt="ABR US tour at Concord 2016" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;">ABR US tour at Concord 2016</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/ABR_team_with_Rae_Frances_at_Monash_launch_2.jpg" alt="ABR team with Rae Frances at Monash launch 2" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;">ABR team with Rae Frances at Monash launch 2</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Robyn_Archer_launches_the_Arts_issue_2016.jpg" alt="Robyn Archer launches the Arts issue 2016" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;">Robyn Archer launches the Arts issue 2016</span></span></p>
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<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/2016_Porter_Prize_Amanda_Joy.jpg" alt="2016 Porter Prize Amanda Joy" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;">2016 Porter Prize Amanda Joy</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/ABR_Patrons_Annual_Lecture_with_Kim_Williams_2016.jpg" alt="ABR Patrons Annual Lecture with Kim Williams 2016" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;">ABR Patrons Annual Lecture with Kim Williams 2016</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/ABR_Patrons_Annual_Lecture_2016_Kim_Williams.jpg" alt="ABR Patrons Annual Lecture 2016 Kim Williams" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;">ABR Patrons Annual Lecture 2016 Kim Williams</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Ashley_Hay_2015.jpg" alt="Ashley Hay 2015" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;">Ashley Hay visits the&nbsp;<em>ABR&nbsp;</em>office in 2015</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/2015_Birth_of_the_ABR_Podcast.jpg" alt="2015 Birth of the ABR Podcast" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;"><em>ABR</em> Deputy Editor Amy Baillieu edits the first&nbsp;<em>ABR</em> Podcast in 2015.</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Photos/Brisbane_Festival_2015_-_Jonathan_Galassi_and_Peter_Rose.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Brisbane_Festival_2015_-_Jonathan_Galassi_and_Peter_Rose.jpg" alt="Jonathan Galassi and Peter Rose at the 2015 Brisbane Writers' Festival" width="550" style="display: block; margin: initial; width: 100%; float: none;" /></a><span style="display: block;">Jonathan Galassi and Peter Rose at the 2015 Brisbane Writers' Festival</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Calibre_Essay_prize_winner_Christine_Piper_signs_the_guestbook_at_Boyd_YEAR.jpg" alt="Calibre Essay prize winner Christine Piper signs the guestbook at Boyd YEAR" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;">2014 Calibre Essay Prize winner Christine Piper signs the guestbook at&nbsp;<em>ABR.</em></span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Photos/ABR_Fellow_Shannon_Burns_2015.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/ABR_Fellow_Shannon_Burns_2015.jpg" alt="2014 ABR Patrons' Fellow Shannon Burns" width="550" style="display: block; margin: initial; width: 100%; float: none;" /></a><span style="display: block;">2014 ABR Patrons' Fellow Shannon Burns</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Photos/Dahl_Fellow_Danielle_Clode_at_the_launch_of_the_Environment_issue_2014.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Dahl_Fellow_Danielle_Clode_at_the_launch_of_the_Environment_issue_2014.jpg" alt="ABR Eucalypt Australia (formerly known as the Dahl Trust) Fellow Danielle Clode at the launch of the Environment issue, 2014" width="550" style="display: block; margin: initial; width: 100%; float: none;" /></a><span style="display: block;">ABR Eucalypt Australia (formerly known as the Dahl Trust) Fellow Danielle Clode at the launch of the Environment issue, 2014</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Photos/David_Malouf_ABR_Laureate_2014.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/David_Malouf_ABR_Laureate_2014.jpg" alt="ABR Laureate David Malouf speaks at an ABR event, 2014" width="550" style="display: block; margin: initial; width: 100%; float: none;" /></a><span style="display: block;"><em>ABR</em> Laureate David Malouf speaks at an <em>ABR</em> event, 2014</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Photos/Morag_Fraser_ABR_event_2014.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Morag_Fraser_ABR_event_2014.jpg" alt="Morag Fraser speaks at an ABR event, 2014" width="550" style="display: block; margin: initial; width: 100%; float: none;" /></a><span style="display: block;">Morag Fraser speaks at an <em>ABR</em> event, 2014</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Photos/Jolley_Prize_2014_-_Jennifer_Down.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Jolley_Prize_2014_-_Jennifer_Down.jpg" alt="Jennifer Down wins the 2014 ABR Elizabeth Jolley Short Story Prize" width="550" style="display: block; margin: initial; width: 100%; float: none;" /></a><span style="display: block;">Jennifer Down wins the 2014 <em>ABR</em> Elizabeth Jolley Short Story Prize</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Photos/Gerald_Murnane_and_Andy_Griffiths_event_at_Boyd_event_2013_001.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Gerald_Murnane_and_Andy_Griffiths_event_at_Boyd_event_2013_001.jpg" alt="Andy Griffiths and Gerald Murnane at an event at Boyd, 2013" width="550" style="display: block; margin: initial; width: 100%; float: none;" /></a><span style="display: block;">Andy Griffiths and Gerald Murnane at an event at Boyd, 2013</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Photos/Lisa_Gorton_and_Ian_Donaldon_first_Fireside_Chat_at_Boyd_2012.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Lisa_Gorton_and_Ian_Donaldon_first_Fireside_Chat_at_Boyd_2012.jpg" alt="Lisa Gorton and Ian Donaldon speak at the first Fireside Chat at Boyd, 2012" width="550" style="display: block; margin: initial; width: 100%; float: none;" /></a><span style="display: block;">Lisa Gorton and Ian Donaldon speak at the first Fireside Chat at Boyd, 2012</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Photos/Peter_Rose_Morag_Fraser_Rodney_Hall_at_opening_of_Boyd_2012.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Peter_Rose_Morag_Fraser_Rodney_Hall_at_opening_of_Boyd_2012.jpg" alt="Peter Rose, Morag Fraser, and Rodney Hall at opening of Boyd in 2012" width="550" style="display: block; margin: initial; width: 100%; float: none;" /></a><span style="display: block;">Peter Rose, Morag Fraser, and Rodney Hall at opening of Boyd in 2012</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Photos/ABR_moves_to_Boyd_Community_Hub_2012.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/ABR_moves_to_Boyd_Community_Hub_2012.jpg" alt="ABR moved to Boyd Community Hub in Southbank in 2012" width="550" style="display: block; margin: initial; width: 100%; float: none;" /></a><span style="display: block;">ABR moved to Boyd Community Hub in Southbank in 2012</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Photos/Jolley_Prize_2011_-_Ian_Dickson_Carrie_Tiffany_Gregory_Day.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Jolley_Prize_2011_-_Ian_Dickson_Carrie_Tiffany_Gregory_Day.jpg" alt="Ian Dickson, Carrie Tiffany, and Gregory Day at the 2011 Jolley Prize ceremony" width="550" style="display: block; margin: initial; width: 100%; float: none;" /></a><span style="display: block;">Ian Dickson, Carrie Tiffany, and Gregory Day at the 2011 Jolley Prize ceremony</span></span></p>
<hr />
<p><span class="wf_caption" style="max-width: 1200px; width: 100%; display: inline-block;" role="figure"><a href="https://www.australianbookreview.com.au/images/ABR_Board_2011_-_Ian_Donaldson_Paul_Hetherington_Anne_Edwards_Peter_Rose_Editor_Morag_Fraser_Chair_Colin_Golvan_Anna_Goldsworthy_-_cropped_for_website.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Board_2011_-_Ian_Donaldson_Paul_Hetherington_Anne_Edwards_Peter_Rose_Editor_Morag_Fraser_Chair_Colin_Golvan_Anna_Goldsworthy_-_cropped_for_website.jpg" alt="ABR Board 2011 Ian Donaldson, Paul Hetherington, Anne Edwards, Peter Rose, Editor Morag Fraser, Chair Colin Golvan and Anna Goldsworthy. " width="1200" style="width: 100%; margin: initial; float: none;" role="figure" /></a><span style="display: block;"></span><span style="display: block;">ABR Board 2011 Ian Donaldson, Paul Hetherington, Anne Edwards, Peter Rose, Editor Morag Fraser, Chair Colin Golvan and Anna Goldsworthy. </span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 300px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Photos/Ian_Donaldson_ABR_Fiftieth_Birthday_Lecture_at_the_NLA_2011.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Ian_Donaldson_ABR_Fiftieth_Birthday_Lecture_at_the_NLA_2011.jpg" alt="Ian Donaldson gives the ABR Fiftieth Birthday Lecture at the National Library of Australia in 2011" width="300" style="display: block; margin: initial; width: 100%; float: none;" /></a><span style="display: block;">Ian Donaldson gives the <em>ABR</em> Fiftieth Birthday Lecture at the National Library of Australia in 2011</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Photos/2003_National_Biography_Award_shared_by_Don_Watson_and_Peter_Rose.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/2003_National_Biography_Award_shared_by_Don_Watson_and_Peter_Rose.jpg" alt="The 2003 National Biography Award was shared by Don Watson and Peter Rose" width="550" style="display: block; margin: initial; width: 100%; float: none;" /></a><span style="display: block;">The 2003 National Biography Award was shared by Don Watson and Peter Rose</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Peter_Rose_and_Peter_Porter_2002.jpg" alt="Peter Rose and Peter Porter 2002" width="550" style="display: block; margin: initial; width: 100%; float: none;" /><span style="display: block;">Peter Rose and Peter Porter 2002</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 300px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Photos/Peter_Rose.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/Peter_Rose.jpg" alt="Current Editor and CEO of Australian Book Review, Peter Rose" width="300" style="display: block; margin: initial; width: 100%; float: none;" /></a><span style="display: block;">Current Editor and CEO of <em>Australian Book Review</em>, Peter Rose</span></span></p>
<hr />
<p style="text-align: left;"><span class="wf_caption" style="margin-top: 5px; margin-bottom: 5px; max-width: 550px; width: 100%; display: inline-block;"><a href="https://www.australianbookreview.com.au/images/ABR_Photos/2001_summer_issue_launch_Peter_Rose_and_Terry_Cutler_jpg.jpg" class="jcepopup noicon" data-mediabox="1"><img src="https://www.australianbookreview.com.au/images/ABR_Photos/2001_summer_issue_launch_Peter_Rose_and_Terry_Cutler_jpg.jpg" alt="Peter Rose and Terry Cutler at the launch of the 2001 Summer issue" width="550" style="display: block; margin: initial; width: 100%; float: none;" /></a><span style="display: block;">Peter Rose and Terry Cutler at the launch of the 2001 Summer issue</span></span></p></div>]]></description>
			<category>About Australian Book Review</category>
			<pubDate>Fri, 06 Apr 2018 10:31:00 +1000</pubDate>
		</item>
		<item>
			<title>Media releases</title>
			<link>https://www.australianbookreview.com.au/media-releases</link>
			<guid isPermaLink="true">https://www.australianbookreview.com.au/media-releases</guid>
			<description><![CDATA[<div class="K2FeedIntroText"><h2>2024</h2>
<h3>October 2024</h3>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2024/Media_Releases/ABR_Media_Release_-_October_2024_issue.pdf" class="wf_file" title="October 2024">October issue highlights</a></p>
<h3>September 2024</h3>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Media_Release_-_September_2024_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">September issue highlights </span></a></p>
<h3>August 2024</h3>
<p><a href="https://www.australianbookreview.com.au/images/2024_Jolley_Prize_Winner.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">2024 Jolley Prize winner announced</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Media_Release_-_August_2024_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">August issue highlights </span></a></p>
<h3>July 2024</h3>
<p><a href="https://www.australianbookreview.com.au/images/2024_ABR_Rising_Star.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Announcing a new <em>ABR</em> Rising Star </span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Media_Release_-_July_2024_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">July issue highlights</span></a></p>
<h3>June 2024</h3>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Media_Release_-_June_2024_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">June issue highlights</span></a></p>
<h3>May 2024</h3>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Media_Release_-_May_2024_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">May issue highlights</span></a></p>
<h3>April 2024</h3>
<p><a href="https://www.australianbookreview.com.au/images/2024_Calibre_Prize_Shortlist.pdf" class="wf_file" title="2024 Calibre Prize Shortlist announced"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">2024 Calibre Prize Shortlist announced</span></a>&nbsp;</p>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Media_Release_-_April_2024_issue.pdf" class="wf_file" title="April issue highlights "><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">April issue highlights </span></a></p>
<h3>March 2024</h3>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Media_Release_-_March_2024_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">March issue highlights</span></a></p>
<h3>January-February 2024</h3>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Media_Release_-_JanFeb_2004_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">January-February issue highlights</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2024/PDFs/Media_Alert_-_ABR_announces_the_2024_Peter_Porter_Poetry_Prize_Winner.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">2024 Peter Porter Poetry Prize winner announced</span></a></p>
<h2>2023</h2>
<h3>December 2023</h3>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2023/PDFs/ABR_Media_Release_December_2023.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">December issue highlights</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2023/PDFs/ABR_-_Media_Release_-_Books_of_the_Year.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">2023 Books of the Year</span></a>&nbsp;</p>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2023/PDFs/ABR_media_release_-_2023_Peter_Porter_Poetry_Prize_shortlist.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">2024 Peter Porter Poetry Prize Shortlist announced</span></a></p>
<h3>November 2023</h3>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Media_Release_-_November_2023_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">November issue highlights</span></a></p>
<h3>October 2023</h3>
<p><a href="https://www.australianbookreview.com.au/images/EMBARGOED_ABR_Media_Release_-_October_2023_issue.pdf" class="wf_file" title="October issue highlights"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">October issue highlights</span></a></p>
<h3>September 2023</h3>
<p><a href="https://www.australianbookreview.com.au/images/EMBARGOED_-_ABR_Media_Release_-_September_2023_issue.pdf" class="wf_file" title="September issue highlights"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">September issue highlights</span></a></p>
<h3>August 2023</h3>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2023/PDFs/EMBARGOED_-_ABR_Media_Release_August_2023.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">August issue highlights</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2023/PDFs/NEW_2023_ABR_Elizabeth_Jolley_Short_Story_Prize_Winner_Announced.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">2023 Jolley Prize winner announced</span></a></p>
<h3>July 2023</h3>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2023/PDFs/ABR_Media_Release__July_2023_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">July issue highlights</span></a></p>
<h3>June 2023</h3>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2023/PDFs/ABR_Media_Release__June_2023_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">June issue highlights</span></a></p>
<h3>May 2023</h3>
<p><a href="https://www.australianbookreview.com.au/images/Australian_Book_Review_MR_2023_-_Sheila_Fitzpatrick_is_the_new_ABR_Laureate.pdf" class="wf_file" title="Announcing the third Australian Book Review Laureate  "><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Announcing the third Australian Book Review Laureate </span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2023/PDFs/ABR_Media_Release__May_2023_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">May issue highlights</span></a></p>
<h3>April 2023</h3>
<p><a href="https://www.australianbookreview.com.au/images/2023_Calibre_Prize_Shortlist.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Announcing the 2023 Calibre Prize Shortlist</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/EMBARGOED_ABR_Media_Release_-_APRIL_2023_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">April issue highlights</span></a></p>
<h3>March 2023</h3>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Media_Release_-_MARCH_2023_issue.pdf" class="wf_file" title="March issue highlights"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">March issue highlights</span></a></p>
<h3>January-February 2023</h3>
<p><a href="https://www.australianbookreview.com.au/images/ABR_media_release_--_Dan_Disney_wins_the_2023_Peter_Porter_Poetry_Prize.pdf" class="wf_file" title="Announcing the 2023 Porter Prize winner"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Announcing the 2023 Porter Prize winner</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/EMBARGOED_ABR_media_release_-_2023_Peter_Porter_Poetry_Prize_shortlist.pdf" class="wf_file" title="Announcing the 2023 Porter Prize shortlist"></a><a href="https://www.australianbookreview.com.au/images/ABR_Media_Release__Jan-Feb_2023_issue.pdf" class="wf_file" title="January-February issue highlights"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">January-February issue highlights</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/EMBARGOED_ABR_media_release_-_2023_Peter_Porter_Poetry_Prize_shortlist.pdf" class="wf_file" title="Announcing the 2023 Porter Prize shortlist"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Announcing the 2023 Porter Prize shortlist</span></a></p>
<h2>2022</h2>
<h3>December 2022</h3>
<p><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/ABR_Media_Release__December_2022_issue_highlights.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">December issue highlights</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/ABR_Books_of_the_Year_2022.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">2022 Books of the Year</span></a></p>
<h3>November 2022</h3>
<p><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/ABR_Media_Release___NOVEMBER_2022_issue_highlights.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">November issue highlights</span></a></p>
<h3>October 2022</h3>
<p><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/ABR_Media_Release_--_October_2022_issue_highlights.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">October issue highlights</span></a></p>
<h3>September 2022</h3>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Media_Release_-_September_2022_issue_highlights.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">September issue highlights</span></a></p>
<h3>August 2022</h3>
<p><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/ABR_Media_Release_-_May_2022_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/ABR%20Media%20Release%20-%20August%202022%20issue%20highlights.pdf" class="wf_file" title="August issue highlights">August issue highlights</a></p>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2022/Miscellaneous/2022_Jolley_Prize_shortlist.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Announcing the 2022 Jolley Prize shortlist</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2022/Miscellaneous/2022_Jolley_Prize_shortlist.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/2022%20Jolley%20Prize%20Winner.pdf" class="wf_file" title="2022 Jolley Prize Winner Media Release">Tracy Ellis wins the 2022 Jolley Prize</a></p>
<h3>July 2022</h3>
<p><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/ABR_Media_Release_-_May_2022_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/ABR%20Media%20Release%20-%20July%202022%20issue.pdf" class="wf_file" title="ABR Media Release - July 2022 issue">July issue</a></p>
<h3>June 2022</h3>
<p><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/ABR_Media_Release_-_May_2022_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/ABR%20Media%20Release%20-%20June%202022%20issue%20highlights.pdf" class="wf_file" title="June 2022 issue highlights">June issue</a></p>
<h3>May 2022</h3>
<p><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/ABR_Media_Release_-_May_2022_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">May issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/2022_Calibre_Prize_Winner_-_Simon_Tedeschi.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Simon Tedeschi wins the 2022 Calibre Essay Prize</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/ABR_Media_Release_-_May_2022_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/Frank%20Bongiorno%20on%20party%20politics.pdf" class="wf_file">Frank Bongiorno on party politics</a></p>
<h3>April 2022</h3>
<p><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png?1645141045485" alt="pdf" /><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/ABR%20Media%20Release%20-%20April%202022%20issue.pdf" class="wf_file">April issue</a></p>
<p><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png?1645141045485" alt="pdf" /><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/James%20Ley%20on%20fiction%20in%20the%20age%20of%20Amazon.pdf" class="wf_file">James Ley on fiction in the age of Amazon</a></p>
<p><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png?1645141045485" alt="pdf" /><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/Kieran%20Pender%20on%20the%20Collaery%20case.pdf" class="wf_file">Kieran Pender on the Collaery case</a></p>
<h3>March 2022</h3>
<p><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png?1645141045485" alt="pdf" /><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/ABR%20Media%20Release%20-%20March%202022%20issue%20highlights.pdf" class="wf_file">March issue</a></p>
<p><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png?1645141045485" alt="pdf" /><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/Mindy%20Gill%20on%20identity%20politics.pdf" class="wf_file">Mindy Gill on the mire of identity politics</a></p>
<p><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png?1645141045485" alt="pdf" /><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/Peter%20Rose%20Editor's%20Diary%20FINAL.pdf" class="wf_file">Peter Rose, Editor’s Diary</a></p>
<p><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/Political_interference_in_research_funding_-_February_2022.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Political interference in research funding</span></a></p>
<h3>January–February 2022</h3>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Media_Release_-_December_2021_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Media_Release_-_January-February_2022_issue.pdf" class="wf_file">January–February issue</a></p>
<p><a href="https://www.australianbookreview.com.au/images/2022_PDFs_and_EDM_images/Anthony_Lawrence_wins_the_2022_Peter_Porter_Poetry_Prize.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Anthony Lawrence wins the 2022 Peter Porter Poetry Prize</span></a></p>
<h2><strong>2021</strong></h2>
<h3>December 2021</h3>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Media_Release_-_December_2021_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">December issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Books_of_the_Year_2021.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Books of the Year</span></a></p>
<h3>November 2021</h3>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Media_Release_-_November_2021_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">November issue</span></a></p>
<h3>October 2021</h3>
<p><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png?1632097245757" alt="pdf" /><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Media_Release_-_October_2021_issue_highlights.pdf" class="wf_file">October issue</a></p>
<p><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png?1632097245757" alt="pdf" /><a href="https://www.australianbookreview.com.au/images/2021_PDFs/David_Jack_on_Agamben_final.pdf" class="wf_file">David Jack on Bare Life and Health Terror</a></p>
<h3>September 2021</h3>
<p><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png?1632097245757" alt="pdf" /><a href="https://www.australianbookreview.com.au/images/2021_PDFs/Fifth_ABR_Rising_Star_Mindy_Gill.pdf" class="wf_file">ABR Rising Star Mindy Gill</a></p>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Media_Release_-_August_2021_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR%20Media%20Release%20-%20September%202021%20issue.pdf" class="wf_file">September issue</a></p>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Media_Release_-_August_2021_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2021_PDFs/Joel%20Deane%20on%20Facebook%20final.pdf" class="wf_file">Joel Deane on Facebook</a></p>
<h3>August 2021</h3>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Media_Release_-_August_2021_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">August issue</span></a></p>
<p><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png?1627355797937" alt="pdf" /><a href="https://www.australianbookreview.com.au/images/2021_PDFs/Stephen_Bennetts_on_the_Dark_Emu_debate.pdf" class="wf_file">Stephen Bennetts on the Dark Emu debate</a></p>
<h3>July 2021</h3>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Media_Release_---_June_2021_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Media_Release_2021_Jolley_Prize_Shortlist_Announcement.pdf" class="wf_file">2021 Jolley Prize Shortlist Announcement</a></p>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Media_Release_--_July_2021_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">July issue</span></a></p>
<h3>June 2021</h3>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Media_Release_---_June_2021_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">June issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Media_Release_-_May_2021_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2021_PDFs/Declan_Fry_on_Stan_Grant_-_EMBARGOED_UNTIL_31-5-21.pdf" class="wf_file"><span class="wf_file_text">Declan Fry on 'The gospel of Stan Grant'</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Media_Release_-_May_2021_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Ilana Snyder on Israel and Palestine</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/Martin_Thomas_on_Patrick_White_-_EMBARGOED_UNTIL_31-5-21.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Martin Thomas on Patrick White</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/The_Split_State_by_Hessom_Razavi_-_EMBARGOED_UNTIL_31-5-21.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Hessom Razavi's 'The Split State'</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/The_Split_State_by_Hessom_Razavi_-_EMBARGOED_UNTIL_31-5-21.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/Media_Releases/ABRs_new_Rising_Star_-_Anders_Villani.pdf" class="wf_file"><span class="wf_file_text">A</span>nders Villani is <em>ABR</em>'s fourth Rising Star</a></p>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/The_Split_State_by_Hessom_Razavi_-_EMBARGOED_UNTIL_31-5-21.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/Media_Releases/ABR_Media_release_-_2021_Calibre_Prize_Winner_-_EMBARGOED_UNTIL_30_JUNE_2021_FINAL.pdf" class="wf_file">Theodore Ell wins the 2021 Calibre Essay Prize</a></p>
<h3>May 2021</h3>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Media_Release_-_May_2021_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">May issue</span></a></p>
<h3>April 2021</h3>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Media_Release_-_April_2021_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">April issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/Tim_Byrne_on_Australian_theatre_after_lockdown.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Tim Byrne on Australian theatre after lockdown</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/ABR_Editorial_Cadet_-_2021_-_Media_Release.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">J</span>ames Jiang is the new&nbsp;<em>ABR&nbsp;</em>Editorial Cadet</a></p>
<h3>March 2021</h3>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Media_Release_-_March_2021_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">March issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_welcomes_two_new_Board_Members.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text"><em>ABR</em> welcomes two new Board members</span></a></p>
<h3>January 2021</h3>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/ABR_Media_Release_-_January-February_2021_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">January-February issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2021_PDFs/2021_Peter_Porter_Poetry_Prize_Winner.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Peter Porter Poetry Prize winner</span></a></p>
<h2><strong>2020</strong></h2>
<h3>December 2020</h3>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_Media_Release_--_December_2020_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">December issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_media_release_-_Books_of_the_Year_-_December_2020.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">2020 Books of the Year</span></a></p>
<h3>November 2020</h3>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_Media_Release_--_November_2020_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">November issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_Media_Release_-_Hessom_Razavi_-_Failures_of_imagination.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Hessom Razavi on failures of imagination</span></a></p>
<h3>October 2020</h3>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_media_release_-_Paul_Muldoon_on_responses_to_the_pandemic_-_EMBARGOED_UNTIL_30-9-20.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_Media_Release_-Johanna_Leggatt_on_Twitters_mob_mentality_-_EMBARGOED_UNTIL_30_SEPTEMBER.pdf" class="wf_file">Johanna Leggatt on Twitter's mob mentality</a></p>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_media_release_-_Paul_Muldoon_on_responses_to_the_pandemic_-_EMBARGOED_UNTIL_30-9-20.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Paul Muldoon on responses to the pandemic</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_media_release_-_Ondaatje_and_Lynch_-_EMBARGOED_UNTIL_30.9.2020.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Michael L. Ondaatje and Timothy Lynch on Donald Trump</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_Media_Release_-_October_2020_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">October issue</span></a></p>
<h3>September 2020</h3>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_Media_Release_--_September_2020_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">September issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/2020_Jolley_Prize_Winner.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Mykaela Saunders wins the Jolley Prize</span></a></p>
<h3>August 2020</h3>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_Media_Release_-August_2020_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">August issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_media_release_-_Georgina_Arnott_on_Legacies_of_British_slavery_-_28_July_2020.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Georgina Arnott on legacies of British slavery</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_media_release_-_Kieran_Pender_on_laws_MeToo_moment.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Kieran Pender on law's #MeToo moment</span></a></p>
<p><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_media_release_-_Government_contempt_for_the_ABC_the_arts_and_the_academy_by_James_Ley_-_August_2020_issue_-_EMBARGOED_2.pdf" class="wf_file">James Ley on the federal government's attitude towards the arts, the ABC and the humanities</a></p>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_Media_Release_-_Declan_Fry_is_the_third_ABR_Rising_Star.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" />Declan Fry is <em>ABR</em>'s third Rising Star</a></p>
<h3>June 2020</h3>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_Media_Release_-_June-July_2020_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">June issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/2020_Calibre_Essay_Prize_Winner_-_EMBARGOED_UNTIL_1_JUNE.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Yves Rees wins the 2020 Calibre Essay Prize</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_media_release_-_Sarah_Walker_on_losing_a_parent_during_the_pandemic.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Sarah Walker on losing a parent during the pandemic</span></a></p>
<h3>May 2020</h3>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_Media_Release_-_May_2020_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">May Issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_media_release_-_Poetry_in_Troubled_Times_-_March_2020_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Poetry for troubled times</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_Media_Release_-_Hessom_Razavi_-_Notes_on_a_Pandemic.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Hessom Razavi - Notes from a pandemic</span></a></p>
<h3>April 2020</h3>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_Media_Release_-_Summer_2020_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2020_PDFs/New_Chair_Announcement_-_Apr_2020_-_v2.pdf" class="wf_file">Sarah Holland-Batt appointed Chair of&nbsp;<em>Australian Book Review</em></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_media_release_-_Jenny_Hocking_on_the_dismissal_-_23_March_2020_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Jenny Hocking on the Palace Letters</span></a></p>
<h3>March 2020</h3>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_Media_Release_-_Summer_2020_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2020/April_2020/Message_to_Publishers_-_Mar_2020.pdf" class="wf_file"><span class="wf_file_text">M</span>essage to Publishers from <em>Australian Book Review</em></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_Media_Release_-_Summer_2020_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/ABR_Digitising_2020/April_2020/ABR_Media_Release_-_March_2020_issue.pdf" class="wf_file"><span class="wf_file_text">March issue</span></a></p>
<h3>January 2020</h3>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/2020_Peter_Porter_Poetry_Prize_Winner_announced.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Porter Prize winner announced</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2020_PDFs/ABR_Media_Release_-_Summer_2020_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">January-February issue</span></a></p>
<p>&nbsp;</p>
<h2><strong>2019</strong></h2>
<h3>December 2019</h3>
<p><a href="https://www.australianbookreview.com.au/images/2019_PDFs/ABR_Media_Release_-_December_2019_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">December issue</span></a></p>
<h3>November 2019</h3>
<p><a href="https://www.australianbookreview.com.au/images/2019_PDFs/ABR_Media_Release_-_November_2019.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">November issue</span></a></p>
<h3>October 2019</h3>
<p><a href="https://www.australianbookreview.com.au/images/2019_PDFs/ABR_Media_Release_-_October_2019_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">October issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2019_PDFs/Kieran_Pender_on_the_war_on_journalists_and_whistleblowers_-_2019_ABR_Media_Release.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Kieran Pender on the war on journalists and whistleblowers</span></a></p>
<h3>September 2019</h3>
<p><a href="https://www.australianbookreview.com.au/images/2019_PDFs/ABR_Media_Release_-_September_2019_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">September issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2019_PDFs/ABR_ANNOUNCES_2019_JOLLEY_PRIZE_WINNER.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text"><em>ABR</em> announces winner of the 2019 Jolley Prize</span></a></p>
<h3>August 2019</h3>
<p><a href="https://www.australianbookreview.com.au/images/2019_PDFs/ABR_Media_Release_-_August_2019_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">August issue</span></a></p>
<h3>June 2019</h3>
<p><a href="https://www.australianbookreview.com.au/images/2019_PDFs/ABR_media_release_-_June-July_2019_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">June-July issue</span></a></p>
<h3>May 2019</h3>
<p><a href="https://www.australianbookreview.com.au/images/2019_PDFs/ABR_media_release_-_May_2019_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">May issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2019_PDFs/2019_-_Felicity_Plunkett_on_Nick_Cave.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Felicity Plunkett available for interview - Nick Cave</span></a></p>
<h3>April 2019</h3>
<p><a href="https://www.australianbookreview.com.au/images/2019_PDFs/ABR_media_release_-_April_2019_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">April issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2019_PDFs/2019_ABR_Media_Release_-_Barney_Zwartz_on_the_Vatican.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2019_PDFs/2019_ABR_Media_Release_-_Kieran_Pender_on_Oliver_Bulloughs_Moneyland.pdf" class="wf_file">Kieran Pender available for interview - Moneyland</a></p>
<p><a href="https://www.australianbookreview.com.au/images/2019_PDFs/2019_ABR_Media_Release_-_Daniel_Halliday_on_tax_justice_-_EMBARGOED_UNTIL_APRIL_30.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Daniel Halliday available for interview - Tax Justice</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2019_PDFs/2019_ABR_Media_Release_-_Peter_Rose_on_Nam_Le_on_David_Malouf.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Peter Rose available for interview - Nam Le On David Malouf</span></a></p>
<h3><span class="wf_file_text"><span style="background-color: inherit; color: inherit;">March 2019</span></span></h3>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Joy_Damousi_and_academics_speak_out_on_ARC.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a>&nbsp;<a href="https://www.australianbookreview.com.au/images/2019_PDFs/ABR_media_release_-_March_2019_issue.pdf" class="wf_file"><span class="wf_file_text">March issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2019_PDFs/2019_Peter_Porter_Poetry_Prize_Winners.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Announcing the Porter Prize winner</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2019_PDFs/2019_ABR_Media_Release_-_Barney_Zwartz_on_the_Vatican.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Barney Zwartz available for interview - The Vatican</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2019_PDFs/2019_ABR_Media_Release_-_Barney_Zwartz_on_the_Vatican.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2019_PDFs/2019_-_Alecia_Simmonds_on_Married_at_First_Sight.pdf" class="wf_file">Alicia Simmonds available for interview - Married At First Sight</a></p>
<h3>February 2019</h3>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Joy_Damousi_and_academics_speak_out_on_ARC.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a>&nbsp;<a href="https://www.australianbookreview.com.au/images/2019_PDFs/ABR_Media_Release_-_Felicity_Plunkett_is_the_2019_ABR_Patrons_Fellow.pdf" class="wf_file">Announcing the 2019 <em>ABR</em> Patrons' Fellow</a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Joy_Damousi_and_academics_speak_out_on_ARC.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2019_PDFs/Announcing_the_2019_Peter_Porter_Poetry_Prize_Shortlist.pdf" class="wf_file">Announcing the Peter Porter Poetry Prize shortlist</a></p>
<p><a href="https://www.australianbookreview.com.au/images/2019_PDFs/2019_-_Flicking_the_switch_at_MUP.pdf" class="wf_file"><span class="wf_file_text"></span></a><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Joy_Damousi_and_academics_speak_out_on_ARC.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2019_PDFs/2019_-_Flicking_the_switch_at_MUP.pdf" class="wf_file"><span class="wf_file_text">Dominic Kelly available for interview - Trouble at MUP</span></a></p>
<h3>January&nbsp;2019</h3>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Joy_Damousi_and_academics_speak_out_on_ARC.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><em></em><a href="https://www.australianbookreview.com.au/images/2019_PDFs/ABR_media_release_-_January-February_2019_issue.pdf" class="wf_file"><span class="wf_file_text">January-February issue</span></a></p>
<h2>2018</h2>
<h3>December 2018</h3>
<p><a href="https://www.australianbookreview.com.au/images/2018_PDFs/ABR_media_release_-_December_2018_issue.pdf" class="wf_file"><em></em></a><em><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Joy_Damousi_and_academics_speak_out_on_ARC.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2018_PDFs/ABR_media_release_-_December_2018_issue.pdf" class="wf_file">ABR</a></em><a href="https://www.australianbookreview.com.au/#" id="__mce_tmp"> December issue</a></p>
<h3>November&nbsp;2018</h3>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Joy_Damousi_and_academics_speak_out_on_ARC.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Joy Damousi and academics respond to ARC controversy</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Beejay_Silcox_on_the_rise_of_Misery_Literature.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Beejay Silcox on the rise of Misery Literature</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_media_release_-_November_2018_issue.pdf" class="wf_file"><em></em></a><a href="https://www.australianbookreview.com.au/images/2018_PDFs/ABR_media_release_-_November_2018_issue.pdf" class="wf_file"><em><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" />ABR</em> November issue</a></p>
<h3>October 2018</h3>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_media_release_-_October_2018_issue.pdf" class="wf_file"><em></em></a><em><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Joy_Damousi_and_academics_speak_out_on_ARC.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2018_PDFs/ABR_media_release_-_October_2018_issue.pdf" class="wf_file">ABR</a></em><a href="https://www.australianbookreview.com.au/#" id="__mce_tmp"> October issue&nbsp;</a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Louise_Adler_on_Benjamin_Netanyahu.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Louise Adler available for interview - Benjamin Netanyahu</span></a></p>
<h3>September 2018</h3>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_media_release_-_September_2018_issue.pdf" class="wf_file"><em></em></a><em><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Joy_Damousi_and_academics_speak_out_on_ARC.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2018_PDFs/ABR_media_release_-_September_2018_issue.pdf" class="wf_file">ABR</a></em><a href="https://www.australianbookreview.com.au/#" id="__mce_tmp"> September issue</a></p>
<h3>August 2018</h3>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/Australian_Book_Review_announces_the_winner_of_the_2018_Jolley_Prize.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text"><em>ABR</em> announces the winner of the 2018 Jolley Prize</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Beejay_Silcox_on_MFAs.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Beejay Silcox on MFA programs</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_media_release_-_August_2018_issue.pdf" class="wf_file" style="font-size: 16px;"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text"><em>ABR&nbsp;</em>August Fiction issue</span></a></p>
<h3>July 2018</h3>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/Media_Release_-_Australian_Book_Reviews_Open_Letter_on_the_ABC.pdf" class="wf_file" title="Australian Book Review's Open Letter on the ABC"><span class="wf_file_text"></span></a><a href="https://www.australianbookreview.com.au/images/2018_media_releases/2018_ABR_Jolley_Prize_Shortlist_Announcement.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Shortlist announced for the <em>ABR </em>2018 Elizabeth Jolley Short Story Prize</span></a><a href="https://www.australianbookreview.com.au/images/2018_media_releases/Media_Release_-_Australian_Book_Reviews_Open_Letter_on_the_ABC.pdf" class="wf_file"><em></em></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/Media_Release_-_Australian_Book_Reviews_Open_Letter_on_the_ABC.pdf" class="wf_file" title="Australian Book Review's Open Letter on the ABC"><span class="wf_file_text"></span></a><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_June-July_Film_and_TV_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /></a><a href="https://www.australianbookreview.com.au/images/2018_media_releases/Media_Release_-_Australian_Book_Reviews_Open_Letter_on_the_ABC.pdf" class="wf_file"><em>ABR</em>'s<em> </em>Open Letter on the ABC</a></p>
<h3>June 2018</h3>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_June-July_Film_and_TV_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text"><em>ABR</em> July Film and Television issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_James_McNamara_available_for_interview.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" width="20" height="20" class="wf_file_icon" style="border: 0px none; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text"><em></em></span>James McNamara, guest editor of the June<span class="wf_file_text">–</span>July Film and Television issue, available for interview</a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Felicity_Chaplin_available_for_interview.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px none; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text"><em></em></span>Felicity Chaplin available for interview <span class="wf_file_text">– the #MeToo movement in Hollywood</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Sally_Grant_available_for_interview.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px none; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text"><em></em></span>Sally Grant available for interview <span class="wf_file_text">– The book and film adaptation of <em>The Prime of Miss Jean Brodie</em></span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Dilan_Gunawardana_available_for_interview.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px none; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text"><em></em></span>Dilan Gunawardana available for interview <span class="wf_file_text">– On <em>Black Panther</em></span></a></p>
<h3>May 2018</h3>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_media_release_-_May_2018_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">May issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Kirsten_Tranter_available_for_interview_May.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Kirsten Tranter available for interview – 2018 Calibre Essay Prize (runner-up): 'Once Again: Outside in the House of Art'</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Alan_Atkinson_available_for_interview.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Alan Atkinson available for interview – <em>The Bible in Australia: A cultural history</em> by Meredith Lake</span></a></p>
<h3>April 2018</h3>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_media_release_-_April_2018_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">April issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Kirsten_Tranter_available_for_interview.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Kirsten Tranter available for interview</span></a></p>
<h3>March 2018</h3>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_release_-_March_2018_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">March issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Australian_Book_Review_turns_forty.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text"><em>Australian Book Review</em> turns forty</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Beejay_Silcox_on_Australian_magazine_culture.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Beejay Silcox on Australian magazine culture</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/2018_Calibre_Prize_winner_-_Lucas_Grainger-Brown.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Lucas Grainger-Brown wins the 2018 Calibre Essay Prize</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_announces_the_2018_Peter_Porter_Poetry_Prize_Shortlist.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Nicholas Wong wins the 2018 Peter Porter Poetry Prize</span></a></p>
<h3>February 2018</h3>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Australian_Book_Review_turns_forty.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text"><em>ABR</em>'s Fortieth Birthday Fellow</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/Media_release_-_2018_Peter_Porter_Poetry_Prize_winner_announced.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">2018 Peter Porter Poetry Prize shortlist</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_The_2018_ABR_Film_Survey.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">The <em>ABR</em> Film Survey</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_David_Brophy_on_Clive_Hamiltons_Silent_Invasion.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">David Brophy on Clive Hamilton</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Paul_Collins_available_for_interview.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Paul Collins available for interview</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Gideon_Haigh_available_for_interview.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Gideon Haigh available for interview</span></a></p>
<h3>January 2018</h3>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_release_-_January-February_2018_issue.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">January-February issue</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Publishers_pick_their_favourite_books_of_2017.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text"> Publisher Picks</span></a></p>
<p><a href="https://www.australianbookreview.com.au/images/2018_media_releases/ABR_Media_Release_-_Michael_Winkler_available_for_interview.pdf" class="wf_file"><img src="https://www.australianbookreview.com.au/media/jce/icons/pdf.png" alt="pdf" class="wf_file_icon" style="border: 0px; vertical-align: middle; max-width: inherit;" /><span class="wf_file_text">Michael Winkler available for interview</span></a></p></div>]]></description>
			<category>About Australian Book Review</category>
			<pubDate>Tue, 03 Apr 2018 16:30:21 +1000</pubDate>
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			<title>For arts companies, galleries, and film distributors</title>
			<link>https://www.australianbookreview.com.au/about/submissions/for-arts-companies</link>
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			<description><![CDATA[<div class="K2FeedIntroText"><h2><strong>How do arts companies have their productions reviewed in <em>ABR</em>?</strong></h2>
<p><span style="color: #000000;"><em>ABR</em> publishes timely, extended, knowledgeable reviews of plays, operas, films, concerts of all sorts, dance, festivals and art exhibitions - most of them in Australia, with some from overseas. All reviews appear open-access at <em>ABR</em> Arts. Some later appear in the print edition.</span></p>
<p>If you would like a production from your company to be considered for review in <a href="https://www.australianbookreview.com.au/component/k2/101-arts-update/2096?Itemid=455"><em>ABR</em> Arts</a>, please send the relevant information by email to <a href="mailto:arts@australianbookreview.com.au?subject=ABR%20Arts%20website%20enquiry">arts@australianbookreview.com.au</a>. Due to the volume of submissions and our small staff, we cannot guarantee a review and nor do we contact you personally to advise on the commissioning status. If a review is commissioned, a link to the review will be sent to you upon publication.</p></div>]]></description>
			<category>About Australian Book Review</category>
			<pubDate>Tue, 03 Apr 2018 16:12:56 +1000</pubDate>
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			<title>For publishers</title>
			<link>https://www.australianbookreview.com.au/about/submissions/for-publishers</link>
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			<description><![CDATA[<div class="K2FeedIntroText"><h2><strong>Review copies</strong></h2>
<p><em>Australian Book Review </em>welcomes the interest of publishers and self-published authors and encourages them to familiarise themselves with <a href="https://www.australianbookreview.com.au/about/publishing-profile" target="_self">our publication</a>. While <em>ABR</em> receives many books and cannot commission reviews of them all, we welcome unsolicited review copies of titles that meet <em>ABR</em>’s interests and purview.</p>
<p>Please send books to <em>ABR</em>:</p>
<p><em>Australian Book Review<br /> </em>Studio 2, 207 City Road<br /> Southbank, VIC 3006</p>
<p>We may ask you for PDFs of certain titles that are especially time-sensitive or that are destined for reviewers in distant locations. </p>
<p>&nbsp;</p>
<h2><strong>Advertising</strong></h2>
<p><em>ABR</em> welcomes advertising and offers a variety of platforms and packages to suit different marketing strategies and budgets. This includes advertising in print, on our website, in our regular e-newsletters, and on our weekly podcast. <em>ABR</em> would be delighted to discuss circulation figures and characteristics, art requirements, timelines, prices, and package options. Please contact Amy Baillieu at <a href="mailto:abr@australianbookreview.com.au"></a><a href="mailto:abr@australianbookreview.com.au">abr@australianbookreview.com.au</a> or Georgina Arnott at <a href="mailto:assistant@australianbookreview.com.au.">assistant@australianbookreview.com.au.</a></p>
<p>&nbsp;</p>
<h2><strong><em>ABR</em></strong><strong> Podcast</strong></h2>
<p><em>ABR</em>’s weekly podcast features a mix of reviews, as read by the reviewer, and interviews with <em>ABR</em> contributors and book authors. While we welcome interest in the <em>ABR</em> podcast from publishers and are open to pitches from them, <em>ABR</em> commissions and produces all content on its podcast.&nbsp;</p>
<p>&nbsp;</p>
<h2><strong>How do publishers have their books reviewed in <em>ABR</em>?</strong></h2>
<p><em>ABR</em> encourages publishers and self-published authors to consider whether their book would be suitable for reviewing in <em>ABR </em>by familiarising themselves with the publication. We do not commission reviews for payment or in exchange for advertising.</p>
<p>If you would like a book from your publishing house or independent press to be considered for review, please fill out the form below and send it with a copy of the book to the <em>ABR</em> postal address. Due to the volume of submissions and our small staff, we cannot guarantee a review and nor do we contact you personally to advise on the commissioning status</p>
<p><a href="https://www.australianbookreview.com.au/images/PDFs/publishersubmissionform.pdf" target="_blank" rel="noopener noreferrer" class="wf_file"><span class="wf_file_text">•&nbsp;Review submission form</span></a></p></div>]]></description>
			<category>About Australian Book Review</category>
			<pubDate>Tue, 03 Apr 2018 16:11:49 +1000</pubDate>
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			<title>About Australian Book Review</title>
			<link>https://www.australianbookreview.com.au/about</link>
			<guid isPermaLink="true">https://www.australianbookreview.com.au/about</guid>
			<description><![CDATA[<div class="K2FeedIntroText"><p><em><span class="dropcap">A</span>ustralian Book Review</em> (<em>ABR</em>), one of Australia’s major cultural magazines, presents high-quality journalism and new writing for the widest possible audience. It engages with all the arts, not just literature. It is diverse in terms of content, writers, and partners. It provides a needed forum for new Australian writers and reviewers, and it is committed to raising the standard of arts criticism in Australia.</p>
<p><em>ABR</em> is an independent, not-for-profit monthly magazine, governed by an independent Board, managed by a small, skilled editorial and management team, and committed to the publication and promotion of creative and critical writing of the highest standard.</p>
<p>Created in 1961, it lapsed in 1974 and was revived in 1978.</p>
<p>Peter Rose is the Editor; and Sarah Holland-Batt is Chairperson of the Board.</p>
<p><em>ABR</em> publishes reviews, essays, commentaries, interviews and new creative writing. The magazine is national in readership, authorship, distribution, events and partners. It is available in print and online.</p>
<p>Through <em>ABR</em> Arts, <em>ABR</em> engages with all the arts and publishes timely, extended reviews of new films, plays, operas, concerts, dance, festivals, and art exhibitions.</p>
<p><em>ABR</em>’s diverse programs include three prestigious international prizes, writers’ fellowships worth as much as $10,000, themed issues, national events, cultural tours, and paid editorial internships.</p>
<p><em>ABR</em> is committed to highlighting the strengths of critical and creative writing around Australia and presenting them to an international audience. We pay for everything we publish – print and online – and our rates have almost trebled in recent years.</p>
<p><em>ABR</em> is a bona fide Deductible Gift Recipient (DGR). All donations of $2 or more are tax deductible. We have a successful philanthropy program which has helped to transform this magazine in recent years. Our many Patrons are listed elsewhere on the website.</p></div>]]></description>
			<category>About Australian Book Review</category>
			<pubDate>Tue, 03 Apr 2018 15:24:04 +1000</pubDate>
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			<title>ABR Timeline - Highlights</title>
			<link>https://www.australianbookreview.com.au/about/abr-history</link>
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			<description><![CDATA[<div class="K2FeedIntroText"><h3>2024</h3>
<p>Sam Ryan becomes&nbsp;<em>ABR</em>’s sixth Rising Star<br />Tracey Slaughter wins the <a href="https://www.australianbookreview.com.au/component/k2/47-competitionsandprograms/11324-the-2024-calibre-essay-prize-worth-10-000?Itemid=2170" target="_self">Calibre Essay Prize</a><br />Dan Hogan wins the <a href="https://www.australianbookreview.com.au/component/k2/47-competitionsandprograms/10425-2024-peter-porter-poetry-prize?Itemid=2459" target="_self">Peter Porter Poetry Prize</a></p>
<h3>2023</h3>
<p><em>ABR</em> publishes the <a href="https://www.australianbookreview.com.au/abr-online/archive/2023/october-2023-no-458" target="_self">Indigenous issue</a><br />Sheila Fitzpatrick becomes <em>ABR</em>’s third Laureate<br />Tracy Ellis wins the <span style="color: #cf2e1e;"><a href="https://www.australianbookreview.com.au/prizes-programs/calibre-prize/2023-winners-and-shortlist" target="_self" style="color: #cf2e1e;">Calibre Essay Prize</a></span><br />Dan Disney wins the <a href="https://www.australianbookreview.com.au/arts-update/arts-highlights-of-the-year/47-competitionsandprograms/10045-2023-peter-porter-poetry-prize-winner" target="_self">Peter Porter Poetry Prize</a><br />Rowan Heath wins the <a href="https://www.australianbookreview.com.au/component/k2/47-competitionsandprograms/10039-2023-abr-elizabeth-jolley-short-story-prize?Itemid=2523" target="_self"><em>ABR</em> Elizabeth Jolley Short Story Prize</a></p>
<h3>2022</h3>
<p>Simon Tedeschi wins the <a href="https://www.australianbookreview.com.au/component/k2/47-competitionsandprograms/9140-2022-calibre-essay-prize-winner?Itemid=2370" target="_self">Calibre Essay Prize<br /></a>First <em>ABR</em> tour of the Adelaide Festival<br />Anthony Lawrence wins the <a href="https://www.australianbookreview.com.au/component/k2/47-competitionsandprograms/8812-2022-peter-porter-poetry-prize-winner?Itemid=2328" target="_self">Peter Porter Poetry Prize</a>&nbsp;<br />Tracy Ellis wins the <a href="https://www.australianbookreview.com.au/component/k2/47-competitionsandprograms/9472-tracy-ellis-wins-the-2022-abr-elizabeth-jolley-short-story-prize?Itemid=2523" target="_self"><em>ABR</em> Elizabeth Jolley Short Story Prize</a></p>
<h3><strong>2021</strong></h3>
<p>Sara M. Saleh wins the&nbsp;<a href="https://www.australianbookreview.com.au/abr-online/current-issue/937-january-february-2021-no-428/7371-winner-of-the-2021-porter-prize-a-poetics-of-fo-u-rgetting-by-sara-m-saleh" target="_blank">Peter Porter Poetry Prize<br /></a><em>ABR</em> adds an eleventh issue<br />Theodore Ell wins the <a href="https://www.australianbookreview.com.au/abr-online/current-issue/965-july-2021-no-433/7998-2021-calibre-essay-prize-winner-facades-of-lebanon-by-theodore-ell" target="_self">Calibre Essay Prize<br /></a>Camilla Chaudhary wins the&nbsp;<a href="https://www.australianbookreview.com.au/component/k2/47-competitionsandprograms/7284-2021-abr-elizabeth-jolley-short-story-prize?Itemid=302" target="_self"><em>ABR </em>Elizabeth Jolley Short Story Prize</a></p>
<h3><strong>2020</strong></h3>
<p>A. Frances Johnson wins the&nbsp;<a href="https://www.australianbookreview.com.au/component/k2/47-competitionsandprograms/5383-2019-peter-porter-poetry-prize-winner?Itemid=1520" target="_blank">Peter Porter Poetry Prize<br /></a>Sarah Holland-Batt replaces Colin Golvan QC as Chair<br /><em>ABR</em> Behrouz Boochani Fellow Hessom Razavi <a href="https://www.australianbookreview.com.au/abr-online/archive/2020/787-may-2020-no-421/6441-notes-on-a-pandemic-how-society-has-responded-to-covid-19-by-hessom-razavi" target="_blank">writes about the pandemic<br /></a>Yves Rees wins the <a href="https://www.australianbookreview.com.au/prizes-programs/calibre-prize/2020-calibre-essay-prize-winner" target="_blank" rel="noopener">Calibre Essay Prize<br /></a>Mykaela Saunders wins the <a href="https://www.australianbookreview.com.au/component/k2/47-competitionsandprograms/6703-winner-2020-jolley-prize-mykaela-saunders-for-river-story?Itemid=1960" target="_blank"><em>ABR</em> Elizabeth Jolley Short Story Prize</a></p>
<h3><strong>2019</strong></h3>
<p>Richard Flanagan’s <em>The Narrow Road to the Deep North</em> is voted the Favourite Australian Novel of the twenty-first century in <a href="https://www.australianbookreview.com.au/features/favourite-australian-novel-polls/2019-abr-fan-poll" target="_self">ABR’s second FAN poll</a>.&nbsp;<br />Felicity Plunkett becomes the 2019 <em>ABR</em> Patrons’ Fellow<br />Andy Kissane and Belle Ling share the <a href="https://www.australianbookreview.com.au/component/k2/47-competitionsandprograms/5383-2019-peter-porter-poetry-prize-winner?Itemid=1520" target="_blank">Peter Porter Poetry Prize</a>.<br />Grace Karskens wins the <a href="https://www.australianbookreview.com.au/component/k2/47-competitionsandprograms/5529-2019-calibre-essay-prize-winner?Itemid=1529" target="_blank">Calibre Essay Prize</a><br />Sonja Dechian wins the <a href="https://www.australianbookreview.com.au/component/k2/47-competitionsandprograms/5848-winner-2019-jolley-prize-sonja-dechian-for-the-point-blank-murder?Itemid=1744" target="_blank"><em>ABR</em> Elizabeth Jolley Short Story Prize</a></p>
<h3><strong>2018</strong></h3>
<p><em>ABR</em> celebrates its fortieth birthday<br /><a href="https://www.australianbookreview.com.au/abr-online/archive/2018/author/5964-beejaysilcox" target="_blank" rel="noopener">Beejay Silcox</a> becomes the <em>ABR</em> Fortieth Birthday Fellow<a href="https://www.australianbookreview.com.au/abr-online/current-issue/218-april-2018-no-400/4701-editorial-on-abr-s-400th-issue-by-peter-rose"><br /></a><a href="https://www.australianbookreview.com.au/component/k2/82-events/4142?Itemid=1151" target="_self">Third <em>ABR</em> Cultural Tour (Germany)<br /></a><a href="https://www.australianbookreview.com.au/features/essays-and-commentary/supporting-the-abc-open-letter" target="_blank"><em>ABR</em> Open Letter </a>in support of the ABC signed by 100 writers/commentators/artists/public figures</p>
<h3><strong>2017</strong></h3>
<p>Four-year funding from the Australia Council<br />Four <em>ABR</em> Fellowships<br />Prominent role in the marriage equality campaign including our <a href="https://www.australianbookreview.com.au/features/essays-and-commentary/yes-to-equality-open-letter">Open Letter</a><br />Michael Heyward is our first <a href="https://www.australianbookreview.com.au/abr-online/archive/2017/190-january-february-2017-no-388/3787-michael-heyward-is-publisher-of-the-month">Publisher of the Month</a></p>
<h3><strong>2016</strong></h3>
<p>New partnership with Monash University<br />First <em>ABR</em> cultural tour (<a href="https://www.australianbookreview.com.au/component/k2/82-events/2926-abr-cultural-tour-to-the-usa-2016?Itemid=833">USA</a>)<br />Robyn Archer becomes the second <a href="https://www.australianbookreview.com.au/about/people/abr-laureates"><em>ABR</em> Laureate<br /></a><a href="https://www.australianbookreview.com.au/poetry/states-of-poetry">States of Poetry</a> is launched</p>
<h3><strong>2015</strong></h3>
<p><a href="https://www.australianbookreview.com.au/about/people/board">Colin Golvan QC</a> succeeds long-time Chair Morag Fraser<br />First <a href="https://www.australianbookreview.com.au/abr-online/archive/2015/content/153">Film &amp; Television</a> issue</p>
<h3><strong>2014</strong></h3>
<p>Inaugural <a href="https://www.australianbookreview.com.au/abr-online/archive/2014/content/125">Environment issue</a>, with the first <a href="https://www.australianbookreview.com.au/abr-online/archive/2014/125-november-2014-no-366/2215-seeing-the-wood-for-the-trees"><em>ABR</em> Eucalypt Fellowship essay</a> by Danielle Clode<br />Robert Adamson is the first <a href="https://www.australianbookreview.com.au/abr-online/archive/2014/123-october-2014-no-365/2166-robert-adamson-is-poet-of-the-month">Poet of the Month</a><br />David Malouf is named <a href="https://www.australianbookreview.com.au/about/people/abr-laureates"><em>ABR</em> Laureate</a></p>
<h3><strong>2013</strong></h3>
<p>Martin Thomas wins the Calibre Essay Prize for his essay <a href="https://www.australianbookreview.com.au/abr-online/archive/2013/98-april-2013-no-350/1400-because-it-s-your-country">“Because it’s your country”: Bringing Back the Bones to West Arnhem Land</a>’ – our best-read online feature to date<br />Brian Matthews is our first <a href="https://www.australianbookreview.com.au/abr-online/archive/2014/111-february-2014-no-358/1807-critic-of-the-month">Critic of the Month</a><br />Launch of <a href="https://www.australianbookreview.com.au/abr-arts"><em>ABR</em> Arts</a>, formerly Arts Update</p>
<h3><strong>2012</strong></h3>
<p><em>ABR</em> moves to <a href="http://www.melbourne.vic.gov.au/community/hubs-bookable-spaces/boyd-community-hub/Pages/boyd-community-hub.aspx" target="_blank" rel="noopener">Boyd Community Hub</a> in Southbank</p>
<h3><strong>2011</strong></h3>
<p><em>ABR Online</em> is launched<br />Gregory Day and Carrie Tiffany share the renamed <em>ABR</em> Elizabeth Jolley Short Story Prize for their stories '<a href="https://www.australianbookreview.com.au/abr-online/archive/2011/59-october-2011/564-the-neighbour-s-beans">The Neighbour's Beans</a>' and '<a href="https://www.australianbookreview.com.au/abr-online/archive/2011/59-october-2011/563-before-he-left-the-family">Before He Left the Family</a>'<br />Patrick Allington is the inaugural <em>ABR</em> Patrons’ Fellow, his Fellowship essay '<a href="https://www.australianbookreview.com.au/component/k2/55-june-2011/395-what-is-australia-anyway">What <em>is</em> Australia Anyway?: The Glorious Limitations of the Miles Franklin Literary Award’</a> appears in the June 2011 issue<br />Judith Bishop wins the renamed Peter Porter Poetry Prize for her poem '<a href="https://www.australianbookreview.com.au/abr-online/archive/2011/51-march-2011/257-openings">Openings</a>'</p>
<h3><strong>2010</strong></h3>
<p>Maria Takolander wins the first <em>ABR</em> Short Story Prize for her story ‘<a href="https://www.australianbookreview.com.au/abr-online/archive/2010/45-december-2010-january-2011/190-abr-short-story-competition-winner">A Roānkin Philosophy of Poetry</a>’</p>
<h3><strong>2009</strong></h3>
<p>Tim Winton’s <em>Cloudstreet</em> is voted the Favourite Australian Novel in <a href="https://www.australianbookreview.com.au/features/favourite-australian-novel-polls/2019-abr-fan-poll" target="_self">ABR’s first FAN poll</a>.&nbsp;<br />Michelle de Kretser is our first subject on <a href="https://www.australianbookreview.com.au/abr-online/archive/2009/159-july-august-2009-no-313/2665-open-page-with-michelle-de-kretser">Open Page</a><br />Mark Gomes becomes the first of many full-time paid interns</p>
<h3><strong>2008</strong></h3>
<p>Publication of the 300th issue in the second series. The issue includes <a href="https://www.australianbookreview.com.au/abr-online/archive/2008/219-april-2008-no-300/4731-long-live-independent-publishing-abr-at-300">a birthday feature</a> with an Editorial from Peter Rose and tributes from contributors including Inga Clendinnen, Kerryn Goldsworthy, Richard Walsh, and Clive James.</p>
<h3><strong>2007</strong></h3>
<p>Elisabeth Holdsworth wins the first Calibre Essay Prize for her essay '<a href="https://www.australianbookreview.com.au/abr-online/archive/2007/131-february-2007-no-288/2369-an-die-nachgeborenen-for-those-who-come-after"><em>An die nachgeborenen</em>: For those who come after</a>'</p>
<h3><strong>2005</strong></h3>
<p>Flinders University becomes a sponsor<br />Stephen Edgar wins the first <em>ABR</em> Poetry Prize for his poem '<a href="https://www.australianbookreview.com.au/abr-online/archive/2005/142-april-2005-no-270/2264-poem-of-the-week-man-on-the-moon-by-stephen-edgar-2005-porter-prize-winner">Man on the Moon</a>'</p>
<h3><strong>2003</strong></h3>
<p>Former Editor Kerryn Goldsworthy reflects on <a href="https://www.australianbookreview.com.au/abr-online/archive/2003/220-april-2003-no-250/4732-the-oily-ratbag-and-the-recycled-waratah-early-years-of-abr-by-kerryn-goldsworthy">the early years of <em>ABR</em></a> for the 250th issue in the second series</p>
<h3><strong>2002</strong></h3>
<p>La Trobe University becomes principal sponsor</p>
<h3><strong>2001</strong></h3>
<p>Peter Rose becomes the sixth Editor<br /><em>ABR</em> begins publishing new poems<br />Peter Porter writes at length about Sylvia Plath and Ted Hughes</p>
<h3><strong>2000</strong></h3>
<p>Tributes to Helen Daniel in the November issue<br />Aviva Tuffield wins the <em>ABR</em> Reviewing Competition</p>
<h3><strong>1998</strong></h3>
<p>With the closure of the National Book Council, <em> ABR</em> becomes fully independent<br />Publication of the 200th issue in the second series<br /><em>ABR</em> moves to Richmond from Carlton</p>
<h3><strong>1995</strong></h3>
<p>Helen Daniel becomes the fifth Editor; forum on the Helen Demidenko controversy</p>
<h3><strong>1991</strong></h3>
<p>David Malouf reviews David Marr’s biography of Patrick White<br />Robert Dessaix’s influential essay on multiculturalism, ‘Nice Work If You Can Get It’</p>
<h3><strong>1989</strong></h3>
<p>Rosemary Sorensen becomes the fourth Editor, succeeding Louise Adler</p>
<h3><strong>1988</strong></h3>
<p>In the 100th issue Manning Clark reviews Kate Grenville’s <em>Joan Makes History</em></p>
<h3><strong>1986</strong></h3>
<p>Kerryn Goldsworthy becomes the second Editor</p>
<h3><strong>1978</strong></h3>
<p><em>Australian Book Review</em> is revived, with John McLaren as Editor</p>
<h3><strong>1982</strong></h3>
<p>John Gorton writes about six Australian prime ministers</p>
<h3><strong>1961</strong></h3>
<p><em>Australian Book Review</em> is founded in Adelaide by Max Harris and Geoffrey Dutton. This first series, edited by Max Harris and Rosemary Wighton, ran until 1974.</p></div>]]></description>
			<category>About Australian Book Review</category>
			<pubDate>Thu, 29 Mar 2018 17:38:28 +1100</pubDate>
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			<title>Support ABR</title>
			<link>https://www.australianbookreview.com.au/arts-update/arts-highlights-of-the-year/54-about-australian-book-review/3974-support-abr</link>
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			<description><![CDATA[<div class="K2FeedIntroText"><h3>Support the magazine that supports Australian writers!</h3>
<p><em>ABR</em> champions literature and the arts at a time when many writers’ and artists’ earnings are low. Our support for writers and reviewers takes many forms: increased payments, scrupulous editing, public advocacy, talks and workshops, and exposure to our international audience.</p>
<p><em>ABR</em> seeks donations to further increase payments to writers, to expand our programs, and to foster brilliant new writing. Your donation – large or small – will help Australian writers.</p>
<p><em>ABR</em> is an independent not-for-profit organisation fully dependent on money raised from subscribers, donors, foundations, government, and advertising. <em>ABR</em> is a bona-fide Deductible Gift Recipient (DGR). All donations of $2 or more are tax deductible and are much appreciated. Private support is essential for the continued growth of <em>ABR</em></p>
<h3>What do donations support?</h3>
<p>Better payments for writers<br />Three annual literary prizes<br />Literary fellowships<br />Fiction and poetry in the magazine<br />Discounted subscriptions for young readers<br />National arts coverage through <em>ABR</em> Arts</p>
<p>To donate to <em>ABR,</em> <a href="https://www.australianbookreview.com.au/support-abr/donate-online">click here</a>.</p>
<p>To find out more about the <em>ABR</em> Patrons Program, <a href="https://www.australianbookreview.com.au/support-abr/patrons-program">click here</a>.</p>
<p>To subscribe to <em>ABR</em>, <a href="https://www.australianbookreview.com.au/subscribe">click here</a>.</p></div>]]></description>
			<category>About Australian Book Review</category>
			<pubDate>Thu, 16 Mar 2017 13:50:28 +1100</pubDate>
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