Poem
'in the National Museum of Maltese Archaeology' by Annamaria Weldon | States of Poetry WA - Series Two
We met at the Neolithic display. I was staring
at the loom-weights, suspended in a glass case.
Handcarved stones, smaller than seashells
a tell-tale hole bored through their middle. That’s when
I noticed you, uncanny yet not out of place
holding a loom-weight. You seemed at home with fibre
your fingers felt its tensions, slack or taut,
sensitive to tex ...
Alabaster: such a beautiful word for silence.
Neolithic Venus, was translucence eloquent
enough when stone was our mother tongue?
Yellow-throated crocus were strewn
at your feet, they fed you honey
and broad beans. Worship swelled
your breasts and fertile belly, men lived
without weapons, women were weavers
and potters crowned in cowrie shells
Archipelago, sleeping goddess whose body
we trample as tourists take selfies, bored lovers
seek mystery, stray dogs piss on temple stones.
Inside the sanctuary walls, torba floors endure
their bone-white ground broken as the silence
now deities are curios, gift shop souvenirs.
Asphodel and Sea-squill bloom in the corners of ruins
strewn like footnotes to ...
you opt for form over colour
makeup smudged lenses
pale bare planes by the lakes;
a cygnet ellipsis in black
parenthetical necks;
white sky reflected in high water.
we sit where I have stayed
and watched an oak open and close –
green again – the bench
suspended on ampersands.
Chris Arnold
...excerpt from Ligature
he drops his shoulders
lets out his breath
finds himself benched
between green wood slats and
a black plastic platter of sushi,
disposable sticks in his hand.
ache on his right eye like a river stone
thinking like five hands
at the piano. city stratified in front
his eye’s diameter
excerpt from Ligature
her office kept cold
she shivers exhales
but never the satisfaction
of seeing her breath
a red-black plaid blanket wraps
her legs pattern
reminiscent of red dust picnics –
Chris Arnold lives in Perth and used to work as a software engineer. He was published in Westerly’s first writers’ development program, and now works as the journal’s web editor. In 2017, Chris commenced a cr ...
'Graphology Endgame 100: I am a dickhead' by John Kinsella | States of Poetry WA - Series Two
I am a dickhead in ways I thought I wasn’t
I am a dickhead in ways people who call me a dickhead can’t imagine
I am a dickhead in ways people who call me a dickhead can imagine
I am a dickhead with residues and hangovers of misapplic ...
Grasshopper on the window, the flyscreen, and stepping out
into the beige heat, over us. Tangled in our hair, hooked to our backs.
Grasshopper, cod wisdom. Grasshopper contraband on the eye-
out for plagues. The Australian Plague Locust and its tendency
to shift character when gathered together. In worship. In parliament.
O phase polyphenism, in which mor ...
'Detracking the Body Examinate' by John Kinsella | States of Poetry WA - Series Two
We are thrilled to find evidence of roos returning –
after being driven out of the reserve and slaughtered
by hunters, the survivors are finding refuge at Jam Tree Gully.
The vestiges of the old mob. And maybe new mob driven
this way by hunters down on Victoria Plains. In the long grass
they hide. They make tracks and graze and flatten
areas for rest. They are