Virtually every book examining the whole or part of Australia’s postwar foreign policy has taken the American connection as its focal point. Camilleri, a prolific scholar and well-known commentator on international politics, however, shifts the emphasis and integrates some new dimensions. Instead of centring his study on the isolated aims of Australian policy-makers, he assesses the relationship within the framework of the major partner’s global strategy. The first critical factors to isolate are the changing needs and capabilities of the world’s leading capitalist nation; how have the Americans perceived their interests and responded in a dynamic global environment?

This book of a dozen essays, with a foreword by Sir Kenneth Weare (his last substantial piece of writing before he died), concentrates on various aspects of the changing Anglo-Australian relationship.

It is an enlightening collection, for most of the essays test and in some cases challenge the ‘conventional wisdom’ which pervades recent analyses of Australian life. This is especially useful to this reviewer who, as an immigrant of two years’ standing, discovered on arrival a veritable industry of writers in various disciplines all concerned with the search for an Australian identity. Two essays, for a start, provide the leaven in reassessment of George Johnston’s literary quest for ‘the way home’, as well as Donald Horne’s ‘Lucky Country’ theme and Alan Renouf’s ‘Frightened Country’ analysis. The first is interestingly dealt with by Alan Lawson in his ‘Acknowledging Colonialism: Revisions of the Australian Tradition’, which challenges several half-truths which have become maxims. Horne and Renouf immediately spring to mind in J.D.B. Miller’s ‘An Empire That Don’t Care What You Do’. This essay is a ‘must’ for those people who view most past (and some present) Australian leaders as supine in their dealings with British counterparts.

In one of the pieces that make up this collection, Manning Clark recalls how he first encountered Barry Humphries in the late 1950s and recalls the shock of recognition that he was in the presence of a man of genius. Clark wants to defend that judgement against those of us who find today’s Edna Everidge tedious and offensive. He identifies the great gifts of the satirist, the timing, the ear for a phrase, the emotional extravagance, the ability to conceive and execute a range of outrageous characters. This technical virtuosity is important, Clark maintains, because it enables Humphries to hold up a mirror to Australian society and show us what we are. No matter that we are offended by the mounting vulgarity of Edna or the wilful misrepresentation of Whitlamism: Humphries is merely showing us ourselves in an age of ruins. His is the madness of a man possessed by a love-hate relationship with the people, a man impelled to confront us with our inner emptiness.

I found Murray Bail’s novel Homesickness a work of brilliant and resonant artistry, which despite many unlikely incidents, succeeds in being thoroughly credible in all its parts. It is also a desolating book, a comedy, but a very black one.

This book is a useful and lucid account of Australian foreign policy since the very beginning. It does not purport to be an authoritative or a particularly analytical account of the evolution of external policy but is one which senior secondary school children could find helpful in achieving a sense of perspective. As its author concedes, to grasp the essentials of Australian foreign policy this book read in isolation would not be enough, and some general knowledge of world events is necessary.

Inland explorers and their discoveries form a vital part of Australia’s historical consciousness and the tracks they made on maps of exploration and settlement are part of the learning process of every Australian schoolchild. All too often, though, the image of the explorer is two-dimensional and the men and their motives seem less interesting than the patterns of dotted lines in the huge expanse of the Australian continent in schoolbook maps.

One notable exception has been the Prussian explorer and naturalist, Ludwig Leichhardt, who came to Sydney in 1842 to study the land and to collect geological and botanical specimens, and who became the leader of expeditions in Northern Australia, to explore the inland rivers for new lands and routes across the vast territory to the north and west of the settled eastern coast.

Douglas Stewart has pointed out that James Joyce and Henry Lawson, opposites in art, and living at opposite ends of the earth, once wrote the same story and, each in his own way, made a masterpiece of it. The funeral of Dignam in Ulysses is the same story as Lawson’s ‘The Union Buries Its Dead’. In ‘Dublin and the Bush’ (The Flesh and the Spirit) he persuasively developed this argument.

As I write this, the Aboriginals have been forced to capitulate at Noonkanbah. The Western Australian Government is hell-bent that Amax should drill on the Blacks’ sacred site, and the National Aboriginal Conference is in Geneva to state its case at the United Nations. Patterns of Australia, funded to the tune of $120,000 by Mobil, one of the most powerful trans-nationals the world has ever known, could not have been published at a more appropriate time. Although author Geoffrey Dutton deals dutifully with the Aboriginals in the course of this book, Noonkanbah or what it stands for – energy resources, land rights and the exploitative activities of trans-nationals – is not one of the ‘patterns’ (along with many others) discussed in this smooth coffee table creation.

How, not being an anthropologist, do you set about reviewing tales and fragments of experience from Aboriginals of the Kimberleys? You might begin by stating your difficulties.

People like me can usually establish some kind of empathetic link with the arts and traditions of many cultures. If we cannot feel our way into them, at least we can derive intellectual pleasure from contemplating them: as a rule there is some point of contact, although to us, of the western heritage, nothing can ever be as real as what belongs to the family of Hellenism. I can ‘make something’ of Hindu sculpture, Inca masks, Negro jazz; perhaps even of shamanic spells.

Hamish McDonald has provided us with the first biography of President Suharto since O.G. Roeder’s authorized work which appeared in 1969. It is not only much more critical, but more comprehensive, and, as much of this second book deals with the events of the last few years, it can be said to be about a different Indonesia and a different President Suharto.