Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

The Histrionic

by
May 2012, no. 341

The Histrionic

by
May 2012, no. 341

‘An admired talent for the theatre / Even when I was small / A man born of the stage you see / Histrionic / Setting snares even when very little.’ Such is the epigraph to Thomas Bernhard’s The Histrionic (Der Theatermacher), drawn from the play’s principal character, the megalomaniacal Bruscon. The image of the snare, or trap, is a common one in the work of Bernhard, typically figuring a moment of exposure: the individual left open by falsehood or deceit to the calumny of the world.

From the New Issue

Leave a comment

If you are an ABR subscriber, you will need to sign in to post a comment.

If you have forgotten your sign in details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to ABR Comments. We will review your comment and, subject to approval, we will post it under your name.

Please note that all comments must be approved by ABR and comply with our Terms & Conditions.