Dominique Hecq and Brian Edwards are well versed in the contingencies of language, roaming in their poetry between experimentation and high tradition – at least in terms of content, if not so much in form. Both target the self-reflexive play of language early in their latest collections: Hecq in her title poem, with ‘words spreading / like couchgrass after summer rains / on my tongue’; Edwar ... (read more)
Anthony Lynch
Anthony Lynch writes fiction, poetry and reviews. His work has appeared in The Best Australian Stories, The Best Australian Poems, Meanjin, Island, Australian Book Review, The Saturday Paper, The Age and The Australian, and been read on ABC Radio. His books are a short story collection, Redfin, and a poetry collection, Night Train. He is the publisher for Whitmore Press. A new collection of stories, HomeFront, is forthcoming from Puncher & Wattmann in mid-2025.
‘I could give ’em / enough social comment to fill a car park’ proffers the narrator in ‘Busking’, halfway through Tim Thorne’s I Con. In many ways, this book delivers on that promise. Thorne’s targets include war, colonisation, inequality, political deception, capitalism and celebrity. One moment he juxtaposes Dannii Minogue’s career with descriptions of police brutality; the next ... (read more)
Despite the deadly title, this anthology of twenty-eight poems from the 2008 Newcastle Poetry Prize is replete with gems. Assembled from 423 entries by judges Jan Owen, Philip Salom, and Richard Tipping – effectively the anthology’s editors – it is a brilliant sampler that few anthologies can match for the legroom offered to the longer poem and poetry sequence.
... (read more)
'It’s in your hands, Julianne,’ proclaims an e-mail from Barack Obama. So opens the latest Griffith Review, which explores the many ways that, across the globe, individuals and groups are taking social, political and environmental matters into their own hands. Addressee aside, the Obama e-mail sent to editor Schultz in the final week of the US election campaign landed in the virtual hands of m ... (read more)
It is fitting that ‘Waking’, a poem that links waking with birth, opens this inspired début collection from Emma Jones: ‘There was one morning // when my mother woke and felt a twitch / inside, like the shifting of curtains. // She woke and so did I.’ So the narrator-poet announces her arrival. The birthing theme continues in the next poem, ‘Farming’, in which pearls are ‘shucked fr ... (read more)
Many readers – though apparently not enough to have saved them – will mourn the recent demise of Black Inc.’s annual Best Australian anthologies of essays, stories, and poems (which first appeared in 1998, 1999, and 2003, respectively). The last of these, however, has won something of a reprieve in Best Summer Stories, edited by Aviva Tuffield. A publisher at Black Inc. when this new project ... (read more)
As a boy, I watched with fascination an early sci-fi horror film, The Blob. After a meteorite lands in Pennsylvania, a small, gelatinous blob emerges from the crater. Starting with an inquisitive old man who probes this runaway black pudding with his walking stick, the blob proceeds to consume, literally, everything in its path, growing in girth and bringing greater terrors with each new small-tow ... (read more)
Robert Drewe’s first short story collection, the widely acclaimed The Bodysurfers (1983), opens with a story of the Lang family – children Annie, David, and Max, taken by their recently widowed father for a Christmas Day lunch at a local hotel, where it becomes apparent that their father is on intimate terms with the hotel manageress.
This lunch, the desultory aftermath with the children left ... (read more)
In the final novella of Nick Earls's quintet The Wisdom Tree, a benign security guard, Wanda, misquotes Tolstoy: 'No family is perfect. But each family isn't perfect in its own way.' Crossing between continents, each of these intersecting novellas reveals characters who variously express love for the institution of family and opportunistically exploit it. Compromised ambition flourishes throughout ... (read more)
‘How did you even begin to fit two adult lives together so that they happily resembled a whole?’ Jonathan Lott, the main character in Susan Johnson’s tenth novel, asks himself. It is giving little away to say that by book’s end there are no definitive answers. But Jonathan’s attempts to make sense of his wife Sarah’s defection from their decades-long marriage are at the core of The Lan ... (read more)