Curated by Tracey Lock-Weir, Misty Moderns: Australian Tonalists 1915–1950 at the Art Gallery of South Australia presented a re-evaluation of Max Meldrum (1875–1955) and the influential Australian tonalist phenomenon of the first half of the twentieth century. This recent exhibition was accompanied by an elegant publication in which Lock-Weir’s substantial essay (divided into readily digesti ... (read more)