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John McLaren
John McLaren was founding editor of the second series of ABR (1978–1986).
Although the policy of the Australian Book Review is to review only Australian books, every now and then a publisher sends us a book which is so important or so relevant to issues of current concern that it cannot be ignored. Recent debate in Australian newspapers makes The Holocaust in Historical Perspective, by Yehuda Bauer (published in Australia by ANU Press), such a book.
The book consists o ... (read more)
In his introduction to The New Australian Poetry, reviewed elsewhere in this issue by Thomas Shapcott, John Tranter declares that this poetry has no allegiance except to itself. Some characteristics of works regarded as modernist are: ‘self-signature’ – the work validates its own technical innovations – and self-reference, where the ‘method’ is reflected consciously in the ‘medium’ ... (read more)
The first edition of the Australian Encyclopedia was published by Angus & Robertson in two volumes in 1925, under the general editorship of Captain Arthur Jose. The second edition, completely revised and rewritten, was published in 1958 and ran to ten volumes, including an index. The editorial team was headed by Alec Chisholm. This edition was later sold to the Grolier Society, which has now p ... (read more)
The heat of recent controversy in Australia about the meaning and value of multiculturalism in education, in history and in society at large is an indication of the tenacity with which a dominant culture, in this case that of British Australia, clings to its privileges.
However, to the extent that these cultures come to recognise the differences and tensions existing within the dominant culture i ... (read more)
The title of David Malouf’s novel, An Imaginary Life, must be read three ways. Most obviously, the novel is an imaginative recreation of the last years of the life of the Roman poet, Publius Ovidius Naso (Ovid), who was exiled to a village on the Black Sea by the Emperor Augustus in the last century BCE. The life is imaginary because it imagines – most successfully – the circumstances of thi ... (read more)
Dhvanyaloka, the Literary Criterion Centre at Mysore, derives its names from a classic Indian work of literary criticism and, by way of Cambridge, from T.S. Eliot’s journal of the 1920s. The Indian work saw literature as a spreading of the light, Eliot saw it as the maintenance and renewal of tradition. Mysore, Professor C.D. Narasimhaiah applies these two principles to the study of Commonwealth ... (read more)
The everlasting dance of sounds and feelings and colours, the taste and scent of life, comes to us in its most explicit form in words. Even when Proust’s famous Madeleine led him back through its scents and associations in search of a time that was lost, he followed its tracks through words that brought back the images of the past and tied them down into clear grammatical patterns of form and re ... (read more)
The decisive influence on Australian politics and culture has been the fact that our society has always included a large minority who, even if they considered themselves British, were definitely Irish and not English. The fact that this minority has been Catholic and, as a result, has felt itself discriminated against, has shaped the church into an Irish rather than a European mode, so that, as Ca ... (read more)
Perth, like Sydney, is a city of water, but the water on display is safely enclosed in the reaches of the Swan. Here ferries and commuting speedboats plough their straight lines among flocks of red or blue sailed dinghies sailing and tacking in sudden turns like flocks of tropical fish. In Fremantle, sailors’ missions and clubs straggle around the side streets, and the mall on a Saturday afterno ... (read more)