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Lisa Gorton
Lisa Gorton, who lives in Melbourne, is a poet, novelist, and critic, and a former Poetry Editor of ABR. She studied at the Universities of Melbourne and Oxford. A Rhodes Scholar, she completed a Masters in Renaissance Literature and a Doctorate on John Donne at Oxford University, and was awarded the John Donne Society Award for Distinguished Publication in Donne Studies. Her first poetry collection, Press Release (2007), won the Victorian Premier’s Prize for Poetry. She has also been awarded the Vincent Buckley Poetry Prize. A second poetry collection followed in 2013: Hotel Hyperion (also Giramondo). Lisa has also written a children’s novel, Cloudland (2008). Her novel The Life of Houses (2015) shared the 2016 Prime Minister’s Award for fiction. She is the editor of The Best Australian Poems 2013 (Black Inc.).
Sonya Hartnett is one of the most various of good writers. In particular, she is good at creating atmosphere: a distinctive world for every story. As a consequence, every book she writes is a different style of book. Take some recent examples. The Ghost’s Child (2007), with its plot like a fable, reads like an old tale told in an outdated language of ‘sou’westers’ and ‘fays’. Its form, ... (read more)
‘Where were you born?’‘Oh, we’re onto that kind of question are we?’‘You wouldn’t believe in writing an autobiography?’‘No, being born, going to school, having measles, being married or not wouldn’t really be an autobiography for me. An autobiography would be an inner statement, how one grew within, the hopes, the difficulties, the aims. But as I never do want to write anythi ... (read more)
Once an angry man dragged his father through his own orchard. ‘Stop!’ cried the groaning old man at last. ‘Stop! I did not drag my father beyond this tree.’
Gertrude Stein
At first, you find the claim that you resemble your parents implausible. Later, you find it unflattering. But there are moments when you glimpse someone in a mirror and only belatedly recognise yourself. These are ... (read more)
Imagining Australia collects nineteen essays from a 2002 conference on Australian literature and culture at Harvard University. Of course, as the proceedings of a conference, it is on occasion hard work. There is something about conferences – the dedication of their audiences, perhaps, or the vulnerability of their speakers – that encourages a somewhat defensive formality. That said, almost ev ... (read more)
Listen to this poem read by the author.
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Charles Baudelaire’s mother— orphaned at seven—living on the charity of friends— at twenty-six marri ... (read more)
Perhaps only John Shaw Neilson and Judith Wright have brought an equal sense of place to Australian poetry: the sense of place as a fact of consciousness with geographic truth. But in his latest collection, Biplane Houses, Les Murray considers more airy habitations – flights, cliff roads and weather – and the collection has a matching airiness that is only sometimes lightness. Take his sequenc ... (read more)
If you are regretting the passage of another summer and feeling nostalgic about the lost freedoms of youth, Sonya Hartnett’s latest novel, Surrender, may serve as a useful tonic. In Hartnett’s world, children possess little and control less, dependent as they are on adults and on their own capacity to manipulate, or charm. Hartnett characteristically writes about lonely children in cruel or ca ... (read more)
In this intelligent and unusual play, director Peta Hanrahan arranges Virginia Woolf’s great essay A Room of One’s Own into an hour-long play for four voices. Curiously, perhaps, it works so well as a play because of how well Hanrahan has read the essay. The play derives its drama from the essay’s dramatic elements. Like the essay, the play has what might be called an inward dramatic form: i ... (read more)
When John Tranter reviewed Jennifer Maiden’s first collection, Tactics (1974), he noted its ‘brilliant yet difficult imagery’ and a style ‘so idiosyncratic and forceful in a sense it becomes the subject of her work’. Tranter prophesied: ‘If she can resist her strongest verbal compulsions enough to keep the clarity of her early work in her more demanding exercises, she will certainly de ... (read more)