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The Resistable Rise of Arturo Ui was the final play written in the extraordinarily prolific period of Bertolt Brecht’s Scandinavian exile (1939–41), a period that, among other works, produced the first version of Galileo, The Good Person of Szechwan, Mother Courage, and Herr Puntila and His Man Matti ...
... (read more)As Van Badham points out in her program essay for the new Sydney Theatre Company production of Caryl Churchill’s Top Girls, when the play was first performed in 1982, Maggie Thatcher had been the British prime minister for three years. The first wave of British feminism in the 1970s had identified the patriarchal structure ...
... (read more)After decades of English language Chekhov productions following in the footsteps of Stanislavsky and Komisarjevsky in which historically accurately costumed actors wandered around a stage awash with gloom and torpor declaiming Constance Garnett’s constipated translations, directors finally discovered that the plays were ...
... (read more)Vincenzo Bellini’s Norma elicits the ultimate rose-tinted nostalgia in ageing opera aficionados. Operagoers of my generation wax lyrical about Joan Sutherland and Montserrat Caballé in their prime, while making disparaging remarks about present singers. We in turn were bored by ancients who admitted that La Callas ...
... (read more)Kenneth MacMillan’s Anastasia is one of several full-length dramas he created on his return to the Royal Ballet in 1971, after directing the Deutsche Oper Ballet in Berlin. It is a hybrid work, incorporating as its third act a famous one-act Anastasia that MacMillan created in Berlin in 1967. A shy ...
... (read more)To highlight Australian Book Review’s arts coverage and to celebrate some of the year’s memorable concerts, operas, films, ballets, plays, and art exhibitions, we invited a group of critics and arts professionals to nominate some favourites.
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