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A day in parallax – duco-blue –
a crop of borrowed gold,
in focus, replete –
fibrous stems of light, agitated,
and, over them, the bales
of cloud dispersing.
The motor ticking
long after it is silenced.
And the impulse it honours: this.
Thom Sullivan
after Paul Muldoon's 'Why Brownlee Left'
Where Brownlee went, and why he went,
is no mystery – Brady's bar.
And if a man should have fixed intent
it was him; two shots of whiskey,
one of Bushmills, one of Redbreast,
a cheer and a slab for the house.
He was then seen going out to piss
in the March morning, sure and surly.
I wonder what happens
in Seb's kitchen, I see
him round the corner
into the room, sun shining, cat
ready for food, a grin
that is mixed of resignation
& amusement eyes alight
for the opportunity
each day brings. I always
liked the way he understood
things – things I've
never understood –
as an open secret, knowledge
with w ...
In this episode of Australian Book Review's States of Poetry podcast, Francesca Sasnaitis introduces Kate Llewellyn who reads her poem 'Oxytocin' which features in the 2016 South Australian anthology.
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