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The Australian book is by and large a good-looking piece of merchandise. Surveying the pile of Christmas titles that thudded onto my desk right till the end of the year, I am struck by the air of careful grooming that most of them possess. Could one have said that of the Christmas books of 1968? Sophistication and confidence have advanced hand in hand and taken Australian publishing over. However, some books that I have looked at closely have proved disappointing in points of detail. It seems that the abundant skill which is at work in making books is often hard-pressed by the need for high productivity. Too little time, too many slips showing. To distinguish between avoidable carelessness and the unforeseeable mishap is a problem for the reviewer of book production.
... (read more)At the presentation of the Australian Book Publishers Association design awards for 1977–8 in Sydney last April, during a cocktail party at the association’s annual conference, I was struck by the inattentiveness of the gathering. A representative of the P&O Company, awarding for the first time a prize of $1000 for the book of the year (The Birds of Paradise and Bower Birds, published by William Collins, designed by Derrick I. Stone), could scarcely be heard above the party chatter. It seemed that many publishers who were present did not feel obliged to pay attention, their complacency abetting rudeness. One could almost hear them saying, ‘Well, yes, this was a disaster area up till the sixties, but we’ve fixed it now. Everyone knows that Australian books today are the equal of the world’s best.’
... (read more)Welcome to the 250th issue of ABR – or, rather, to the 250th issue of the magazine in its present guise. Some readers may be unfamiliar with the first series, which appeared between 1961 and 1973. It came out of Adelaide under the editorship of Max Harris, Rosemary Wighton and, for a time, Geoffrey Dutton. Kerryn Goldsworthy – herself an Editor for two years in the mid-1980s – writes fascinatingly about those early ABRs in her article ‘The Oily Ratbag and the Recycled Waratah’ (page 23). Like Kerryn, we celebrate the original begetters of ABR, and everyone else who has made the magazine such a success since the present series began in 1978. Independent magazines have never been more vital than now, when a remarkable (even eerie) editorial consensus obtains in the major Australian newspapers. We look forward to bringing you more cogent, questioning writing in coming years, and we trust you enjoy the 250th issue.
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