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The grass grows longer on the easeway.
A pelican swipes the sky
towards the seascape we can't yet see,
its webby legs outstretched:
& ...
Perhaps the best cells are the ones we can't kill off,
a persistence of the fittest, although mutation's
always painful. It's two thousand and fourteen,
and I know no-one who has been
uninjured. It thinks in me,
this shadow. I put on sunscreen, and am surprised
to come in contact with my skin.
In the same day, I'm chatted up in a café
by an aspiring nove ...
for Ian
And suddenly:
the men
are holding beers
and standing round
the trampoline,
and not the barbecue;
turning over toddlers,
instead of steaks.
The women
make the salads.
Fiona Wright
for Eileen
The light's older
in these sandstone suburbs,
jam-thick.
A clipped-haired man held a dog leash
saying one of us is single,
and even the leaves
had hunched their shoulders
in the gutters.
A waiter, golden-brown as a bread loaf,
squirted water at the pigeons
that sat cock-headed at the tables. My tart
Strange, that there are sequences
we live as cinema, if I looked
over my shoulder
I might recognise the front wall
of my bedroom
opened out towards the camera,
my furniture as hollow
as a stage p ...
Fiona Wright is a writer, editor and critic from Sydney. Her poetry collection, Knuckled, won the 2012 Dame Mary Gilmore Award, and her book of essays Small Acts of Disappearance was publ ...
There’s a still point in the afternoon
when the cross-eyed dogs
in the smudged pet-shop window
are a distraction: