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Peter Rose
Enterprisingly, Opera Australia has enticed Scottish director David McVicar to create new productions of three Mozart operas, beginning with Don Giovanni, currently playing in Sydney (Figaro and Così will follow in 2015 and 2016, respectively). We saw the fifth of thirteen performances scheduled in this long opening season, and already the prod ...
Book reviewers and the editors of periodicals that commission them are used to sour assessments of their worth, but Professor John Dale’s article on The Conversation yesterday is in a class of its own.
What a clichéd, ungenerous and discreditab ...
Melbourne’s Indian summer of opera concludes with imported productions of two melodic masterpieces: Carmen (Opera Australia) and La Traviata (Victorian Opera).
The first is a revival of Francesca Zambello’s production for Covent Garden and the Norwegian National Opera, which came to Sydney in 2008. We are familiar with the New Yorker’s as ...
Melbourne’s Lyric Opera, the smallest of its four opera companies, continues to offer interesting repertoire of a kind we would otherwise be unlikely to see. May 2 brought the opening performance of Aaron Copland’s opera The Tender Land. After the shall we say broad humour of Simon Phillips’s production of Rossini’s 1 ...
After two hapless ventures into the world of Verdi in 2013 (his bicentenary year), Opera Australia has given us an entertaining new production of Rigoletto – one that will probably stay in the company’s repertoire for as long as its lucrative predecessor.
Elijah Moshinsky’s slick production (1991), which leaned on Fellini’s La Dolce Vita
After two hapless ventures into the world of Verdi in 2013 (his bicentenary year), Opera Australia has given us an entertaining new production of Rigoletto – one that will probably stay in the company’s repertoire for as long as its lucrative predecessor.
Elijah Moshinsky’s slick production (1991), which leaned on Fellini’s La Dolce Vita, was just one of many radical updatings of Verdi’s 1851 masterpiece, which had its première in Venice. Director Roger Hodgman bucks this trend and restores the opera to sixteenth-century Mantua.
... (read more)January 8
Read Henry James’s early tale ‘Poor Richard’. When the eponymous dissolute learns of Gertrude’s unsavoury engagement to Major Luttrel, he descends on her house, determined to end it. Finding her wan and failing, he condemns her attachment to the venal Luttrel: ‘You have suited – God knows what! – your despair, your desolation.’
Did James ever cr ...
So here we are, talking about the so-called Cult of Wagner. No wonder some people recoil from the German composer, given such terminology. It’s not a new coinage of course, but it’s a fairly dubious one. One old acquaintance of mine, on hearing about this event, sent me an email demanding to know: ‘You are not besotted with it, are you??? Are you one of those ...
There was a real sense of occasion at the State Library of Queensland on 15 August when Tony Burke (Minister for the Arts and for Immigration, Multicultural Affairs, and Citizenship) – representing Kevin Rudd – announced the winners of the 2013 Prime Minister’s Literary Awards. We ...
Opera Australia’s spring season in Melbourne opened with two masterpieces by Verdi in his bicentennial year. It was a decidedly rocky pairing.
La Fura dels Baus’s production of Un Ballo in Maschera was first seen in Sydney in January. La Fura is open about its intentions. Assistant director Valenti ...