Paul Roberts’s The Impulse Society is the latest entry in a now familiar subtype of polemic: that of the society in decline, the symptoms of which run the gamut of Western post-industrialist ills from childhood obesity to the meltdown of global economic markets, and the syndrome of which is, at root, advanced capitalism. The lineage can be traced back through, among many others, Chris Hedges’ Empire of Illusion: The End of Literacy and the Triumph of Spectacle (2009), Neil Postman’s Amusing Ourselves to Death (1985) and Guy Debord’s The Society of the Spectacle (1967).
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