Nancy Keesing

I am sure A.B. Facey intended no irony in calling his remarkable autobiography A Fortunate Life. He is at once too unassuming and, too serious for smart games with words though he does find humour sometimes among the grim and frightful events of his earlier years and, after his perfect marriage, there were times of fulfilment and true happiness. He has chosen to emphasise triumphs as well as struggles, and, while such brave qualities determine his title, they are also what make this chronicler a great man and his book a classic to equal Carolina Maria de Jesus’s Beyond all Pity. It surpasses anything else I know of to which it might be compared; even Shaw Neilson’s autobiography must yield before Facey.

Douglas Stewart has pointed out that James Joyce and Henry Lawson, opposites in art, and living at opposite ends of the earth, once wrote the same story and, each in his own way, made a masterpiece of it. The funeral of Dignam in Ulysses is the same story as Lawson’s ‘The Union Buries Its Dead’. In ‘Dublin and the Bush’ (The Flesh and the Spirit) he persuasively developed this argument.

I think it was Judith Wright who once remarked that Lawson as a poet wasn’t important; that he seems, usually to have turned to verse as a journalistic medium or as a weapon for propaganda, and that the few of his better poems were such rather because of the intensity of feeling than through any technical or poetic gift.

One late afternoon in early summer I went to the launching of Helen Arbib’s Looking at Cooking (Helen Arbib Publications, $3.50, 80 pp) in a beautifully restored and reanimated old house in the Rocks area of Sydney. On the way to Lower Fort Street I’d indulged in one of my favourite meanderings past sentimental landmarks. Among these is a section of Windmill Street, and the Hero of Waterloo Hotel.

Shalom, compiled by Nancy Keesing is I think a brilliant and moving collection of short stories.

Ms Keesing, an indefatigable compiler, has brought together for the first time a selection of Jewish stories and. arranged them in three sections, each one of which throws light on a certain aspect of Jewish life, either in Europe, in Australia over a long period, or in the present Australia-Israel conflict. This is a fine and sensitive arrangement of the stories.