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During a career that lasted almost sixty years, Frank Hurley (1895–1962) produced thousands of negatives and more than sixty films. He also wrote some twenty books and was an avid diarist. A number of biographies have been written on Hurley, and Helen Ennis, in Man with a Camera: Frank Hurley Overseas, makes no attempt to revisit territory covered in these earlier publications, choosing to focus on a particular aspect of Hurley’s oeuvre: the photographs he took outside Australia. She draws on the extraordinary holdings of Hurley photographs in the National Library of Australia. The book comprises more than seventy full-page images illustrating the range of Hurley’s international work. It also complements John Thompson’s Hurley’s Australia: Myth, Dream, Reality, published by the NLA in 1999.

During a career that lasted almost sixty years, Frank Hurley (1895–1962) produced thousands of negatives and more than sixty films. He also wrote some twenty books and was an avid diarist. A number of biographies have been written on Hurley, and Helen Ennis, in Man with a Camera: Frank Hurley Overseas, makes no attempt to revisit territory covered in these earlier publications, choosing to focus on a particular aspect of Hurley’s oeuvre: the photographs he took outside Australia. She draws on the extraordinary holdings of Hurley photographs in the National Library of Australia. The book comprises more than seventy full-page images illustrating the range of Hurley’s international work. It also complements John Thompson’s Hurley’s Australia: Myth, Dream, Reality, published by the NLA in 1999.

Martin Amis’s encapsulation of biography is that it should convey a sense of what it would be like to spend some time alone in a room with the subject. Robert Milliken begins his story of Australian journalist and rock music taxonomist Lillian Roxon by revealing that he once went one better: thirty years ago, as a rising reporter in London, he not only met Roxon at a boutique hotel in Notting Hill but jawboned with her at length. That is to say, she talked and he listened. Roxon, Milliken recalls:

talked without interruption for the next two hours, entertaining me, shocking me and making me laugh. She told scandalous stories about this one and that one, and even about herself. She also talked about her problems with editors, her asthma and her mother, three principal preoccupations of her life, even though Mrs Roxon, caricatured as an interfering Jewish mother, was long since dead.

In the aftermath of the ideological jousts between Henry Reynolds and Keith Windschuttle about the level of violence on the colonial frontier, a new book has appeared that tackles the issue from a fresh perspective. The author, John Connor, is a military historian. In this meticulously researched and highly readable book, he uses the methods of military history to examine the weapons, tactics and conduct of warfare on the Australian frontier during the first fifty years of British colonisation. Connor emerges from the fray with exciting new findings.

Anthony Lawrence’s latest collection of poetry, Skinned by Light: Poems 1989–2002, a revision of his New and Selected (1998), is a much tighter work than its predecessor – 121 as against 335 pages. While some may wonder why UQP has published another ‘Selected’ from Lawrence in the space of four years, the publication of his novel, In the Half Light (2000), justifies introducing Lawrence’s poetry to a wider readership.