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A Geelong psychiatrist once asked someone very like me, ‘What’s the opposite of love?’ It was a bit like a question in a tutorial (psychiatrists and academics do have a thing or two in common). The answer, of course, couldn’t be so obvious as ‘hate’. It was ‘indifference’.

Funny things happen in children's books, and there are some odd things happening to them, too. Robert Newton and Moya Simons clearly seek to tickle the funny-bone of twelve-year-olds; Marguerite Hann Syme, on the other hand, raises questions that are more likely to preoccupy adults, and there are no wisecracks in her offering. The funny thing is that all three are published as books for young adults, and the cataloguing-­in-publication suggests that all three are ‘juvenile literature’.

In 1995 Robert Birrell gave us an interesting book called A Nation of Our Own: Citizenship and nation-building in federated Australia. It traced the growth of a nationalist consciousness in the 1890s and the translation of that Australian nationalism into the forms of Federation and the early shape of the Australian Commonwealth. He argued that there was something distinctively Australian about the ideals and structures created between 1890 and 1910, that far from being a self-interested arrangement devised by lawyers and businessmen, the Australian people were actively engaged and committed to creating the Commonwealth. Now reissued as Federation: The Secret Story by ‘Bob’ Birrell, with a cover based on Arthur Streeton’s The Purple Noon’s Transparent Might, it has a new introduction and conclusion and some corrections to the text.

Australia’s bid for the atomic bomb is one of the  great ‘what ifs’ of Australian history. Until now it has also been one of the greatest unknowns. According to Historian Wayne Reynolds, a convenient fiction has arisen which holds that all that really happened was that the Anglophile Menzies government allowed Britain to test its bombs at Maralinga to no great effect, except a legacy of radiation poisoning and contamination. The truth, he says, is much more complex, interesting and profound.

Poisonous, profiteering physiotherapist Sue Mindberry is making a packet by charging seven gullible, fifty plus women $1000 per head for thirteen three-hour sessions of hydrotherapy. They are variously brain-damaged, hugely obese, psychically astray and arthritic. Sue Gough believes with Germaine that even such as these do not deserve the invisibility that age is supposed to confer. She gives them each a story – or rather, stories – invented by Beverley, a stroke victim, who hates her post-traumatic paralysis so much that she tries to disappear into the imagined lives of her fellow sufferers in the pool (its roof rolled back so that as they lie in the water supported by floaties each can identify with her own personal star or goddess).