Archive
A few weeks ago, I attended the session on ‘What is an Australian Classic?’ during the Sydney Writers’ Festival. My own definition of what makes a classic is a simple one: a book from the past that retains significance, that still entertains and enlightens us, even though we may respond to it in quite different ways from its initial readers. In some cases, of course, classics were not so highly regarded on first publication. Even Gerard Windsor, at the festival, had to concede that Joyce’s Ulysses was a classic; it was of course banned in Australia, and elsewhere, for many years. And one of the eight titles in the first series of A&R Classics, Come in Spinner ($21.95pb, 0 207 19756 3), also received a very mixed reception, as one of its authors, Florence James, remembers in the introduction she wrote in 1988 for the first printing of the unedited version of the novel. In 1951, the Sydney Daily Telegraph called Come in Spinner ‘a muckraking novel fit for the literary dustbin’, even though it had earlier won the newspaper’s own novel competition!
... (read more)Querulous impatience has overtaken discussion of Aboriginal matters in some quarters. ‘If we apologise, they must forgive and then assimilate. Invite them to discussions about how to ameliorate their misery – the disintegration of community, the alcoholism, the glue sniffing. But they mustn’t talk “ideology”. We’ve had enough brooding over the past, heard enough about treaties and self-determination, and more than enough about genocide. It’s time to move on.’ That’s what I hear and in that tone.
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Erotic Ambiguities: The Female Nude in Art by Virginia Rigney
Wild Solutions: How Biodiversity Is Money in the Bank by Andrew Beattie and Paul R. Erhlich
Earth Is But a Star: Excursions through Science Fiction to the Far Future edited by Damien Broderick
I would now like to begin with a plea for small literary magazines. I now have a vested interest in their survival (well, one, in particular), but then, I always thought I did. Little magazines are essential to the vitality of Australian literary and political culture. They play an important role in nurturing new poets, critics, storytellers, and reviewers. In the current book-publishing climate, there are few other opportunities for publishing short stories, experimental fiction, or poetry. Small magazines instigate and foster cultural debate and present a diverse range of opinions. Many of the most important issues in Australian public life today were first raised and discussed in literary magazines, including the stolen generations and racial ‘genocide’, the perils of economic rationalism and globalisation, the politics of One Nation, and the implications of new media technologies.
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Why don’t you go and see him?’ said Alper. I had met Alper in a small hotel in Istanbul. Over breakfast, we discovered a common interest in Orhan Pamuk, a distinguished contemporary Turkish novelist. Before leaving Australia, I had read Pamuk’s only two novels available in English translation (Faber), including his latest one, highly popular in Turkey, A New Life, and the previous, The Black Book. These are so complex, weaving such a net of allusiveness to writings of East and West, that they seemed only partly accessible to an outsider. But they left a strong impression. Both books are about a quest: is it possible to have, let alone to know, a distinctive self? Any answer is denied by the characters’ own blindness – their perverse desire, born of fear, to be someone else. This question of self involves political problems of dependence and independence, of national self-determination, problems that have influenced post-colonial countries as well as divisions between East and West. These complex concerns are explored through ‘doubles’ or ‘twinned’ characters, who can ‘turn into’, or even destroy, the other. The conventionalising effects of language and writing complicate the issues.
... (read more)We were gone from each other;
we were throwing out small talk,
half-sent smiles, unmeant like mist.