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Children's and Young Adult Books

These books in the Touch the Sun series are very good. But as all reviewers have to do, I will compare. I had three favourites which were, Top-Enders (McPhee Gribble 114 pp, $6.95) by Jennifer Dabbs, Captain Johnno (McPhee Gribble, 122 pp, $6.95 pb) by Rob George, and Peter and Pompey (McPhee Gribble, 114 pp, $6.95 pb) by John Misto. These three books compelled me to read, they were interesting as far as I think it is possible to be when writing for this age group.

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The Lonely Hearts Club by Robin Klein and Max Dann

by
August 1987, no, 93

Miracles can still happen. Robin Klein and Max Dann, two of the most popular and successful contemporary children’s authors, have combined forces to write a comedy with a boarding school setting which might, just possibly, start a whole new trend in Australian children’s literature.

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The last time I’d seen this particular Bob was when we were at the school where I had to pretend not to be good at English and French and where he was a bikie and one of the likeable Bad Boys. I’d admired his audacity in running for school prefect and his campaign posters with their slogan ‘VOTE FOR BOB AND YOU WON’T GET DOBBED’.

And here he was at a party almost twenty years later, a taxation officer in a grey suit saying to me ‘And whaddya do for a crust?’ I said, ‘I teach a course in Australian Literature’. ‘Yeah?’ He didn’t sound too surprised. ‘Be a short course, wouldn’t it?’

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In Australia, few publications regularly review children’s books for the information of the general reader/buyer. ASA chairman, Ken Methold, suggests that Australian writers need to advertise their varied skills and publicise their works. I agree.

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The problems of children’s book publishing are not really different in kind from those which beset other types of publishing; they are the familiar problems exacerbated by the fact that these books are designed for a group of second-class citizens who, being young and dependent, have little influence on what is produced for them, and little financial clout.

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Children’s Book Week is traditionally a time to take an overall view of the last year’s output of children’s books. Such an overall view is necessarily superficial but it can be interesting to note the appearance of new authors and illustrators, new themes, or different treatment of old themes. This article will look at the picture books and fiction of the last twelve months.

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Australian children’s literature has its own established heavies, writers whose work is well enough known both here and abroad, frequently in translation, and whose names would be well up in the Public Lending Right cheque lists. Some are so much in demand these days, that the time taken in preparing and giving speeches at conferences of librarians and others leaves them little time for the actual business of writing. However, they continue to dominate; each new work from them is eagerly awaited, read, reviewed and avidly discussed, if not by children then certainly by the growing adult following.

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I know nothing of David Martin’s childhood or family, but I think that he must come from a long line of slayers of dragons, and that somewhere during the formative years of his childhood he listened to many adult conversations on social justice and human dignity. At any rate, his adult life has been spent dealing with dragons, in one way or another.

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If you’re a kid, finding a tap at school that doesn’t spurt can be what life is all about. Perhaps Glen Tomasetti’s story ‘Ella makes a Friend’, highlights the tone of The Kids’ Own Book – gentle stories to help children lean evenly into life.

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