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Gabriel García Márquez once said that all of us lead three different lives simultaneously: public, private, and secret. In his second novel, A Private Man, Malcolm Knox explores two very secret recesses of the modern Australian male’s experience: porn and sport. That both these spheres also have a very public face merely allows for these secret experiences to be played out in front of a paying audience as either tragedy or farce, or sometimes both.

On the cover of Mick Taussig’s new book, video artist Juan Manuel Echavarria performs a rather clever metaphor for the disintegration of the state. A floral pottery platter with the legend Republica de Colombia para siempre (‘The Republic of Colombia for ever’) is progressively broken up until it is nothing but a pile of white powder: the state as drug cartel.

Alfred Felton, bachelor who lived for many years in boarding houses of one kind or another, might seem a familiar Victorian figure, particularly in a colony where there were not enough women to go around. But Felton was a bachelor with a difference. In the first place, as the co-founder of the prosperous drughouse Felton, Grimwade and Co., he was a colonial success story. He also had interests beyond business. His rooms at the Esplanade Hotel in St Kilda, where he spent his last years, were crammed with paintings, books and objects; some splendid, recently unearthed photographs document this ‘obsessive profusion’, as John Poynter describes it.

Were she alive, Edna Walling would probably be delighted to know that another of her books has been reissued. She might also be astonished and just a little peeved. After a brilliant career as a garden designer, columnist and author – as well as photographer, cottage designer and ardent protector of the natural landscape – Walling’s fame had all but faded by the time she died in 1973 at the age of seventy-seven. Few noticed her passing. However, her renaissance began in the early 1980s, with new editions of selected works and with Peter Watts’s widely praised The Gardens of Edna Walling. Many more such publications followed.

It is comforting to think that the foundations of the legal system are sound. Perhaps this explains why there are so many common myths about the law, such as the notion that every legal problem has a ready solution, or that the law is essentially objective and value-neutral.

As students, litigants, witnesses and others who have suddenly become more familiar with the system of justice can attest, a closer look at the structure is usually disconcerting. This book, written by a professor of law, will be a revelation to those yet to become familiar with the cracks in the structure. It examines the fundamental concepts and assumptions that underlie law, taking nothing for granted. In the process, it explodes most of the myths.

When the Picador Nature Reader was published several years ago, it included only one contribution by an Australian: an excerpt from David Malouf’s An Imaginary Life. It’s a beautiful piece of writing, but it is not set in Australia. It struck me at the time that for a culture so deeply embedded in, and concerned with, the land we have little in the way of nature writing.