Black Inc

I dealt with China for most of the ten years I worked for the British Foreign Office from 1998. The one conclusion I drew from my experience over those years was that it didn’t take much to stumble into complexity. Britain and China have a vast historic hinterland. In 1839, British forces inflicted the first Opium War on China, and British politicians enforced the unequal treaties which ushered in what some Chinese call to this day ‘the century of humiliation’. In the hundred years that followed, Britain continued meddling and became involved in issues from Tibet to Hong Kong, building up a fund of resentment on the Chinese side that continues to pay back returns to the current day.

Erik Jensen, a young journalist who now edits the Saturday Paper, has written an unusual memoir of his four years shadowing an artist – a difficult artist, it must be said (putting it euphemistically). Any new memoirist like Jensen will be interrogated umpteen times about his motivation. Such is the fascination with biography – fascination mixed with ambivalence – he will be asked about catharsis, whether the exercise was improving, enlightening, transmogrifying. In Tardises and tents the memoirist will become adept at distilling his intentions, whether they be financial or fraternal, vengeful or venerative. In Jensen’s case, this curiosity is likely to be magnified because of his intimacy with his subject and the marked decadence of the setting. This biographer’s rationale is as intriguing as that of his beleaguered subject.

Speaking about the process of painstakingly researching the ‘terrible mistakes’ made on climate policy by the Rudd and Gillard governments over the six years of their existence, Philip Chubb told an audience at the Wheeler Centre that he ‘almost exhausted [himself] with gloom’. Indeed, this important book, which covers the Icarian trajectory of climate policy through Labor’s years in power, is hardly cheerful. Rather, Chubb hopes that the documentation and analysis of the many poor decisions will help legislators to overcome the challenges of implementing significant but controversial reforms in the future.

Do the ends always justify the means? And if the boats really have stopped coming, should we see the death of Reza Berati and the suffering of thousands as the collateral damage of a successful policy?

Paul Toohey’s panoramic sweep of this human, ethical, and political terrain begins with a visit to Cisarua, a small resort town in the mountains south of Jakarta that has become a major centre for people seeking asylum in Australia. Some are awaiting the outcome of formal applications for refugee status. Others are preparing to risk a boat. It is July 2013, two months before the federal election. Toohey spends time getting to know people, listening to tales of their journeys and, later in the essay, talking to survivors plucked from the ocean after a boat is lost at sea. If for no other reason, Toohey’s essay should be read for this; as a powerful, necessary reminder that ‘asylum seekers’ have stories, loves, fears, names, and faces.

The end of the year tends to bring a small and exquisitely formed avalanche of Australian poetry, including Best Poems from Black Inc., Best Poetry from the University of Queensland Press, and the Newcastle Poetry Prize anthology. Sadly UQP gave up the ghost with its annual after 2009 ...

Tim Bowden, ABC journalist and historian, hosted a television program called BackChat between 1987 and 1994. Viewers could write in with their comments on Aunty’s offerings. One correspondent criticised the Rob Sitch-inspired spoof of the commercial current affairs programs, Frontline ...

Church leaders have rarely become national public figures, let alone objects of political contention, in Australia. Since Federation, the number who could be so described can be counted on fewer than the fingers of one hand. There is Ernest Burgmann, the Anglican prelate who earned the sobriquet ‘the red bishop’ for his espousal of left-wing causes during the Depression. Much better known is Daniel Mannix, the long-serving Catholic Archbishop of Melbourne, whose interventions in controversies ranging from conscription campaigns during World War I to Cold War agitation over communist influence in the Labor movement implicated him in two of the ALP’s great splits. And now there is George Pell, Catholic Archbishop of Sydney, a cardinal and a man who is capable, as Mannix was, of arousing both hero worship and intense fear and loathing.

Seamlessly extending from the French occupation of Cambodia to the horrors of the Khmer Rouge and the current tourism industry, Laura Jean McKay’s début short story collection, Holiday in Cambodia, is a powerful portrait of a country long-affected by war and poverty. McKay’s knowledge of the Cambodian landscape underpins the collection. She evokes peak-hour from a motorbike, where ‘everything looks like bushfire, like nicotine’, and notes the forgotten landmines of neighbouring paddocks, which ‘travel like worms’ through loosening earth. In one of the shortest and most affecting pieces, ‘A Thousand Cobs of Corn’, a Cambodian woman looks down at her husband’s hands in the night, ‘which have shaken since he was a boy soldier’.

Mark Latham rose to the leadership of the Labor Party unexpectedly, lost the 2004 federal election, retired to sulk from the sidelines, and has done so ever since. Whether he or Graham Richardson has done more damage to the party that nurtured them is a question I leave to the blogosphere. Before Latham became leader in 2003, he published considerably more about his vision for Labor than most parliamentarians have done, though none of his publications was as readable as his post-retirement diaries (2005), in which he displayed a lack of judgement and such scant goodwill to his colleagues that it leaves one astounded that they ever elected him leader. (When Latham ran against Kim Beazley for the leadership, two of the wiser members of caucus, Carmen Lawrence and Lindsay Tanner, counselled me against becoming too enthusiastic. They were clearly correct.)

The welcome in the title of this memoir refers both to Goldsworthy welcoming her baby son and to her recognition that her own life has irrevocably changed. The commonplace but also profound shifts resulting from motherhood are gently displayed for the reader, without sentimentality or the relentless self-deprecating irony of many motherhood memoirs and blogs. As readers of her earlier memoir, Piano Lessons (2009), will know, Goldsworthy’s touch is light but sure. It is a simple story of pregnancy, birth, family dramas, and learning to parent, but it is engaging and often very funny.