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War

Perhaps it’s the Zeitgeist, but Brenda Walker is the third Australian woman this year, after Geraldine Brooks in March and Delia Falconer in The Lost Thoughts of Soldiers, to fix her imaginative sights on men’s experiences of war and its aftermath. Walker’s book, however, directs as much attention to the home front and to the women left behind.

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Bob Connolly and Robin Anderson – partners in life and work – made three documentaries in the Papua New Guinea Highlands: First Contact (1983), Joe Leahy’s Neighbours (1989) and Black Harvest (1992). These films have won several awards which is fitting, given that each exemplifies what is possible in the medium of observational filmmaking, where the drama evolving from real situations outdoes anything that could be imagined in a Hollywood studio. Of course, they were shrewd in their choice of subject. With its mixture of cultures and traditions, PNG offers plenty of conflict, the essential salt in the documentary pie. Anderson and Connolly had a special taste for salt – who else would have recognised local mayoral elections as a site of grand drama as they did for Rats in the Ranks (1996)?

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Righteous Violence edited by Tony Coady and Michael O'Keefe & A Matter of Principle edited by Thomas Cushman

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October 2005, no. 275

The fears and tensions in the aftermath of September 11 created an unusual political climate in the US, in which it became possible for the government to lead an invasion without having to explain precisely why. Nobody seemed to quite know who or what was guiding the administration as it led the charge for war: was it utopian neo-conservatives trying to reshape the world in America’s image? Was it isolationist hawks trying to wipe out an old foreign foe? Was it oil-hungry Texans? Was it paranoid security advisers, regretful of their failures and with a new bent for pre-emption, no matter how distant the threat?

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Scarecrow Army by Leon Davidson & Animal Heroes by Anthony Hill

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August 2005, no. 273

One walks a fine line between patriotism and claptrap when writing about anything to do with war. Especially when writing for young people, one tries to salute the courage of soldiers and to honour the fallen, but also to instil caution in potential young soldiers; to convey that war is hell and that it shows human beings at their worst. Of course, one wants to tell an exciting story, too, with heroes and villains and suspense – with maybe a history lesson or two thrown in. Two of the following books succeed majestically in this task; the third falls far short.

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Shockwave by Peter Haran & Flashback by Peter Haran and Robert Kearney

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August 2004, no. 263

War stories are never extrinsic to war. The us-and-them plots, domino theories and governing metaphors, the operational jargon and vast naming schemes, even the post-hoc synopses (we won, we should have won, another win like that and we’re finished): these are not patterns laid over something real; they stream from the enabling code.

Between 1966 and 1971 the Australian Task Force Vietnam administered its own war in Phuoc Tuy, a province south-east of Saigon. The Australians had their own allocation of enemy (D445 local guerrilla battalion and elements of the NVA 5th Division), their own style (US gear and fire-support, Vietnamese patrol tactics) and, of course, their own story. They were the latest Anzacs. Right?

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Frank Coaldrake was a significant figure in the history of the Anglican Church in Australia: a founding member of the National Union of Australian University Students; active in the Student Christian Movement; a member of the Bush Brotherhood, which ministered to indigenous Australians in outback Queensland; active in the Brotherhood of St Lawrence in Depression-era Melbourne; President of the Federal Pacifist Council of Australia; a missionary to Japan in the early post-World War II years; Chair of the Australian Board of Missions (ABM) from 1956; and elected as Archbishop of Brisbane in 1970, but tragically passing away before effectively taking up this office.

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The looter held a sign in one hand as he pushed a trolley overflowing with stolen goods in the other. His sign read, ‘Thank you, Mr Bush’. It was not, I suppose, the kind of gratitude George W. Bush had expected. The next day’s looting was not likely to raise a smile: private homes, great museums, and hospitals were ransacked. Vigilantes exercised rough and sometimes cruel justice. There will be worse to come when mobs catch Saddam Hussein’s brutal functionaries. Again, we will be reminded that oppression does not even make people noble, let alone good.

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Colin McPhedran, the son of a Burmese mother and a Scottish oil company executive father, was living a comfortable middle-class colonial life in Central Burma with his mother, sister and two brothers when the Japanese invaded the country in 1941. He was eleven years old. The invasion spread terror throughout the population, which feared the notorious savagery of the Japanese army. The European and mixed races felt particularly threatened, and Colin’s mother made the fatal decision to flee their comfortable villa and escape to India. The children’s mixed parentage concerned her; she resolved to undertake the journey with her three younger children. She was especially anxious about her fifteen-year-old daughter whose youthful European beauty would, she thought, make her a special target for sexual abuse. Colin’s father did not play any part in this disastrous decision, having escaped to Calcutta when Rangoon fell to the Japanese.

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How different South-East Asia looks in 2001, compared with just four years ago. The economic crisis of 1997 gave the region a terrible shock. There is an entirely new country, Timor Loro Sa’e. Indonesia, that former bastion of stability and economic powerhouse, is now racked with unrest. It may well no longer exist in its present form a few years from now. The Philippines has just ejected another president, although its eternal problem of a landowning elite and an impoverished populace never seems to get addressed. Colonial borders are a problem everywhere in the region, incorporating tribes and peoples that would likely be better off if the whole map were redrawn.

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A brief moment of reflection on the quantum of grief in Australia associated with wars of the twentieth century is, to say the least, unsettling. Nearly 100,000 killed in combat, many seriously wounded, many dealing with the physical and mental consequences long after the cessation of hostilities. Lives snatched from the everyday and made into noble sacrifices. The darker dimensions of the Anzac legacy have seeped into the national imagining in recent years, and we are now more open to the poignant melancholy of remembrance, undercutting the bellicose flag-waving of former years. But our sense of the costs of sacrifice has largely been focused on those who served. Joy Damousi in this and her previous book, The Labour of Loss (1999), opens our eyes to those others who have borne the pain of grief most acutely: the wives and families of those killed and those forever transformed by the experience of battle. These illuminating books are a long overdue acknowledgment of the burden of mourning that many Australian families have had to bear.

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