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Expressionism

I bump into two friends at the opening of SYNERGY and we peer into Tony Tuckson’s works, finding allegiances with and hints of other artists: the red, black, and white palette of Philip Guston; Ian Fairweather’s shallow space and densely patterned linework hovering between figuration and abstraction; Cy Twombly’s intricate, repetitive gestures; the torn edge of a calligraphic Robert Motherwell brushstroke in fluid black paint. ... (read more)

Tony Tuckson by Geoffrey Legge et al.

by
November 2006, no. 286

Lawrence Alloway observed that Abstract Expressionism was the creation of middle-aged artists and not an avant-garde. Jackson Pollock was in his mid-thirties and already a considerable painter when he laid a canvas on the floor and began to swing paint on a stick. Willem de Kooning and Barnett Newman were in their forties before they found their signature styles. For twenty years, those painters explored a variety of styles and thoughtfully drifted towards individual expression; yet the change, when it came, seemed to pounce into their art rather than extend neatly from the preparation. The case was similar with Tony Tuckson.

... (read more)