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Gay Bilson

So here we are. A house in Dosson, a village ‘almost joined to’ Treviso, which in turn is not far at all from Venice. A casa aperta, an open house, one to which friends and colleagues of the owner, a well-regarded musician, are drawn, not only by their confidence that a simple permesso will ensure welcome but because the owner ‘believes implicitly in the civilising effects of hospitality’. The maestro wants his friend to write a book. It will be about ‘music and art and culture and my friends and food and where I live’. He loves to cook and obliges the appointed scribe with a list of kitchen accoutrements, which will cover all occasions. It is admirably short and begins with ‘3 pots (one big one for 10 people, one medium one for 6, one little one for 2)’. Thoreau’s central explanation of his furniture comes to mind as a rejoinder to a casa affollata: ‘I had three chairs in my house; one for solitude, two for friendship, three for society.’ The book will include recipes, the writer decides, and it does. She tells the reader, ‘Maybe the book will get sorted out, maybe not.’

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Alice Garner asks us to ‘dip our toes’ into the history of the shifting shore of the Bassin d’Arcachon, but she is being coy. Her study of sea change and social conflict in the nineteenth century (for the most part) in this particular part of south-west France demands that we need to wade with her into the deep waters of exhaustive primary sources. As a research fellow in the History Department at the University of Melbourne, she is indefatigable and meticulous. This presumably well satisfies the requirements of academe, and shows her to be a fine historian, but it tends to dampen some of the liveliness that might have more easily seduced the general reader to the stories of ambition, progress, counter-attack and conflict that resulted in a resounding win for development and tourism in an age when industrialisation and railways, architectural conceits and money turned a coastal fishing and oyster-fishing area into a ‘bathing resort’.

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