Peter Rose

In 2001 Peter Rose became the Editor of Australian Book Review. Previously he was a publisher at Oxford University Press. He has published several books of poetry, an award-winning family memoir, Rose Boys, and two novels, the most recent being Roddy Parr (Fourth Estate, 2010). His latest poetry collections are Rag (Gazebo Books, 2023) and Attention, Please! (Pitt Street Poetry, February 2025). His extensive criticism appears in a variety of publication, including ABR. Rose writes and performs short absurdist plays with The Highly Strung Players.

The Eye of the Storm

October 2011, no. 335 • 27 September 2011

So Patrick White’s most flamboyant novel (with the possible exception of The Twyborn Affair) has been brought to the cinema, after the usual longueurs and fiscal frights. Director Fred Schepisi and his scriptwriter, Judy Morris, have tamed the long and somewhat unwieldy beast that won White the Nobel Prize in 1973. Lovers of the novel will miss certain scenes, but there is a coherence to the scr ... (read more)

Peter Rose reviews 'Sempre Susan' by Sigrid Nunez and 'Swimming in a Sea of Death' by David Rieff

September 2011, no. 334 • 23 August 2011

In her short memoir of Susan Sontag, novelist Sigrid Nunez claims that she did not read the obituaries and commentaries after her death in 2004, and that she was never much interested in what other people said about Sontag. If it’s true, she is indeed a rara avis. Susan Sontag, in death as in life, generates enormous interest and a growing literature, one that promises to burgeon and diversify b ... (read more)

Peter Rose on the peculiar charms of E.M. Forster

December 2010–January 2011, no. 327 • 30 November 2010

It is a hundred years since the publication of Howards End (one of only five novels by E.M. Forster to be published during his lifetime), and longer still, or so it seems, since Lytton Strachey, his fellow Apostle, entranced the Bloomsburys in the drawing room at 46 Gordon Square by daring to utter the word ‘semen’. Virginia Woolf dated modernity from that instant, such was its iconoclasm in ... (read more)