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We came for a death,
climbed the highest mountain
cast ash
reclined on a granite slab,
our old faces tinted rose
pinked by a collapsing sun.
And for our mate, scattered about us,
grey wafers for our communion,
a slow recitation of the mountains spread,

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Miklos Radnoti, marched from forced labour
in Yugoslavia back into Hungary, came to rest
near a bend in the Radca, at what his translator
describes as ‘a strange lonely place’ where

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Vale Byron Bay by Wayne Grogan & Tuvalu by Andrew O’Connor

by
September 2006, no. 284

These two novels are both strong in their sense of locale, and take their settings as part of the subject, linked to pictures of isolation and barely functioning relationships, and with catastrophe not averted.

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Life’s not easy when … (fill in the blank according to your main story issue). It is a line that appears frequently on back covers and in press releases for junior fiction. But life is getting a lot easier for parents and teachers of reluctant readers who would far rather race around with a ball than curl up with a book. With the arrival of the sports novel, they can now read about somebody else racing around with a ball – or surfing, swimming, pounding the running track, wrestling, or cycling (the genre covers a wide field). Balls, however, seem to predominate. And problems. Life isn’t easy for publishers without a sports series. Hoping to emulate the success of the ‘Specky Magee’ books written by Felice Arena and Garry Lyon, publishers have been busy throwing authors and sport stars together, one to do the creative business, and the other to add verisimilitude and sporting cred.

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Once the prerogative of connoisseurs and bibliographers, the study of the book has become an increasingly popular field of cultural history. Earlier scholarship was concerned with rare and variant editions of canonical texts; recent work is more inclusive, comprehending a wide range of popular and ephemeral literature that extended the reach of print. Attention has turned from production to consumption, tracing the spread of literacy and analysing the changing interests of readers. Hence Martyn Lyons and Lucy Taksa’s Australian Readers Remember (1992) sits alongside a number of similar studies for other countries.

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On Holidays by Richard White & The Cities Book by Lonely Planet

by
August 2006, no. 283

Despite the rhetoric of globalisation, it is impossible to buy an airline ticket online in the United States with a credit card issued abroad. When I needed a ticket from Boston to Washington last year, and after numerous unsuccessful arguments with airline websites and 1800 numbers, I dropped into the local Harvard travel agency. There was a welcome familiarity in discovering that it was a branch of STA, one of more than 400 branches operated around the world by the Australian-based company.

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Careless by Deborah Robertson & Madonna of the Eucalypts by Karen Sparnon

by
August 2006, no. 283

The first thing about Deborah Robertson’s first novel, Careless, that strikes the reader is the way that her prose style cuts like sand. The story of three individuals united by the murder of six children is compelling, but what impresses is Robertson’s love of language, the precision of her sentences, as well as her gentle philosophical imagination and the deeper questions her book seeks to answer.

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Wet Ink, Issue 1 by Phillip Edmonds and Dominique Wilson & Wet Ink, Issue 2 by Phillip Edmonds and Dominique Wilson

by
August 2006, no. 283

St Augustine suggests that it is impossible to love something until we know it. Yet desire, he continues, prefigures the amount of love we will have for it once it is known. With an alluring collection of new writing, and the support of a prestigious advisory board, Wet Ink has made its début in the market of print journals, and it clearly intends to woo.

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If this is love, then we are all in trouble. Addiction, infidelity, cruelty, violence, obsession, depression, repression, jealousy, impotence, the neglect of children and a whole lot of hysterical personal correspondence are features of the love affairs conducted by the eight writers who are the subject of this disconcerting book.

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You set down orange, with a dab of blue
and this grows into art
of a non-offender’s kind,
innocent as a fart in the footy crowd.
Meanwhile, the killing stumbles on

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