Publishing

I would like to begin by talking about the work of the Committee to review Australian studies on tertiary education and try to bring out some of the implications of our work for publishing and for teaching. I will look particularly at the question of resources for Australian studies.

The brief of the Committee was to examine ways in which students in tertiary education institutions – in universities, colleges of advanced education, and TAFE – learn about Australia in their tertiary studies, and to recommend ways in which these studies can be developed. We were concerned not only with the humanities, with history, and with literature, but also with science and with professional and vocational studies across the curriculum. In fact one of our major tasks became to look at vocational areas to see in what ways students who took those studies were prepared for the world in which they would be used.

Phoenix Publications literally sprang from an ardent belief that there is place in Australian publishing for a small press representing a wide literary culture and achieving a high standard of design and production.

Phoenix Publications arose in Brisbane, when Manfred Jurgensen, Professor of German at the University of Queensland, was asked to assemble a collection of writing by Australians whose native tongue was other than English. The anthology, Ethnic Australia, appeared in 1980 and met with such interest that it was set in many high schools and tertiary institutions and went into a second edition the following year. Jurgensen decided that the best way to achieve the standard of production he wanted for Ethnic Australia was to publish it himself, and Phoenix Publications was established.

The last time I’d seen this particular Bob was when we were at the school where I had to pretend not to be good at English and French and where he was a bikie and one of the likeable Bad Boys. I’d admired his audacity in running for school prefect and his campaign posters with their slogan ‘VOTE FOR BOB AND YOU WON’T GET DOBBED’.

And here he was at a party almost twenty years later, a taxation officer in a grey suit saying to me ‘And whaddya do for a crust?’ I said, ‘I teach a course in Australian Literature’. ‘Yeah?’ He didn’t sound too surprised. ‘Be a short course, wouldn’t it?’

New York snow storms may blow outside his window, but Sumner Locke Elliott is feverishly busy indoors writing a novel set in Australia between the wars. He hopes to complete it by late spring.

In the UK Bookseller, the self-named ‘organ’ of the VAT-proof Thatcherland, the gossip columnist, one Horace Bent, speculated that Simon and Schuster International were running their New York eyes over Thomson Books UK. However, Thomson, the umbrella sheltering Nelson from the noonday sun, along with pedigree icons Hamish Hamilton, Michael Joseph, and the slightly more louche Sphere and Abacus paperback lists, has chosen the dignified flippancy of Penguin over any other suitor. My source was impeccable, Penguins never lay eggs that don’t hatch, and the news is now yesterdays, unless of course you happen to be a Nelson employee crystal-gazing into the Penguin pond!

Promoting a book north of Brisbane can be a wary business, especially if the author’s car carries a Canberra number plate.

In this most nationalistic of states, he must first establish his credentials as a Queenslander. In my own case, born at Boonah near Ipswich and with many years’ experience in the north, these were impeccable.

The problems of children’s book publishing are not really different in kind from those which beset other types of publishing; they are the familiar problems exacerbated by the fact that these books are designed for a group of second-class citizens who, being young and dependent, have little influence on what is produced for them, and little financial clout.