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Historical Fiction

Mary Watson’s tale begins in Brisbane in the 1870s, when, aged nineteen, she flees an abusive and drunkard father and finds employment as a pianist in a whorehouse in Cooktown run by a Frenchman, Charley Boule. Determined to improve her prospects, she secretly signs on to more lucrative employment: spying on smuggling rackets. It is not clear what is being smuggled – it might be guns – bu ...

Stories of the impact of European discovery, exploration, invasion, and settlement on Australia are naturally a source of fascination to novelists. The microcosm of the island of Tasmania, with its cruel yet beautiful landscape and its unforgiving weather, offers these stories with a special kind of eerie horror. Against this setting, the stories emerge both in concert and in counterpoint, desc ...

Mandy Sayer has been winning awards since the start of her career more than twenty years ago. Her first novel, Mood Indigo (1990), a pacy, absorbing account of a remarkable and rackety childhood, bagged the Vogel in 1989. Its autobiographical origins become clear when read in conjunction with her memoir Velocity (2005), which covers Sayer’s early ...

Mary Queen of Scots, widow of the youthful French king, returns from her long exile in France to a country bereft of pageantry... ... (read more)

In the afterword to The Ghost of Waterloo, Robin Adair reveals what attracts him to writing historical fiction...

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Jane Sullivan’s novel, which was runner-up in the 2010 CAL Scribe Fiction Prize for a novel by a writer over thirty-five years of age, blends the powerful theme of ...

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The language of wallpaper is entrancing: a velvet flock, a Réveillon arabesque, a Dufour panoramic. After ten years’ research and writing, Lyn Hughes’s fourth novel, Flock, is rich with the texture and imagery of wallpaper.

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Those Who Come After by Elisabeth Holdsworth

by
April 2011, no. 330

Wirklich, ich lebe in finsteren Zeiten. 
(Truly, I live in dark times.)

When her mother uttered that line from Bertolt Brecht’s great poem ‘An die Nachgeborenen’, Juliana – the narrator of Elisabeth Holdsworth’s first novel – knew they were in for a hard time. Janna had returned to the Netherlands from Da ...

Stepmotherly malevolence is enshrined in myth and legend, and sometimes in real life. Anna Haebich’s Murdering Stepmothers takes up the controversial case of Perth woman Martha Rendell, who in 1909 was tried, convicted and hanged for the murder of her fourteen-year-old stepson. It was widely believed that she also murdered her two stepdaughters in the same fashion, slowly poisoning them by swabbing their throats with hydrochloric acid, invoking the symptoms of an inexplicable illness and a slow, agonising death.

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A flooding river in the Victorian goldfields of the late 1890s dominates Robert Engwerda’s second novel, Mosquito Creek. Hidden undercurrents, old secrets and the threat of imminent death shadow this compelling narrative. Engwerda strives for a mood of anticipation, which is heightened by longing and brutality. The story follows events in the lives of several key inhabitants of a remote township, each struggling to cope with the rising flood. A bureaucrat commissions a boat to be built in order to rescue marooned miners; a policeman tries to maintain order in the town while he tries to solve a murder; a woman dreams of escape from a violent father. Linking these characters’ stories is the ambiguous presence of Phillip Oriente, the murder victim, who appears almost entirely through a series of second-hand accounts.

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