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Patrick Allington

In his fiction, Steven Carroll stretches and slows time. He combines this with deliberate over-explaining and repetition, the echoing of memories and ideas, coincidence, and theatricality. A distinctive rhythm results: when reading his work, I often find myself nodding in time to the words. Occasionally – and it happens now and again in his new novel, A New En ...

Griffith Review 55: State of Hope edited by Julianne Schultz and Patrick Allington

by
June-July 2017, no. 392

South Australia remains something of a national contradiction in terms, and this is brought out well in this richly diverse and varied collection of essays and stories. Shifting its focus away from Adelaide to many of South Australia’s older industrial and pre-industrial centres, including Whyalla, Port Augusta, the Riverland, and Clare, Griffith Review’s St ...

Originally published in German, Albrecht Dümling’s The Vanished Musicians: Jewish refugees in Australia (Peter Lang), a fascinating compendium of Jewish musicians who found refuge in Australia in the 1930s and 1940s, is now available in Australian Diana K. Weekes’s excellent translation ...

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Melanie Joosten begins the introduction to A Long Time Coming, her book of essays about ageing, by quoting Simone de Beauvoir: 'let us recognise ourselves ...

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'With time,' writes Australian Rules Football goal umpire Chelsea Roffey, 'I wrapped my lady brain around the mathematics of scoring.' Roffey's account of ...

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'I try to imagine going back': so begins a story about a woman remembering her childhood even when it seems she would just as soon forget it. Hope Farm is Melbourne writer and musician Peggy Frew's second novel. Her terrific début, House of Sticks (2011), was about, among other things, contemporary parenthood and the rhythm of conventional and unc ...

Jennifer Maiden's The Fox Petition: New Poems (Giramondo) conjures foxes 'whose eyes were ghosts with pity' and foxes of language that transform the world's headlines

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The shortlist for the 2011 Miles Franklin Literary Award, which included Kim Scott’s That Deadman Dance, was controversial because it consisted of only three novels, all w ...

Last month in Melbourne, a group of book reviewers and literary editors took part in a conference organised by Monash University’s Centre for the Book. There were more than thirty short papers, or ‘provocations’, as they were styled. Our Editor lamented the low or non-payment of some reviewers ( ...

In appraising the poet Peter Porter, David Malouf writes that ‘the world we inhabit is a vast museum – call it History, or Art, or the History of Art. For Porter, the exhibits were still alive and active.’ So it is with Malouf himself: his world includes Ancient Greece, the Roman Empire, the awful and bloody twentieth century, a Brisbane childhood, and much more – including an abiding intellectual embrace of great writers and great writing.

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