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Children's and Young Adult Books

Life’s not easy when … (fill in the blank according to your main story issue). It is a line that appears frequently on back covers and in press releases for junior fiction. But life is getting a lot easier for parents and teachers of reluctant readers who would far rather race around with a ball than curl up with a book. With the arrival of the sports novel, they can now read about somebody else racing around with a ball – or surfing, swimming, pounding the running track, wrestling, or cycling (the genre covers a wide field). Balls, however, seem to predominate. And problems. Life isn’t easy for publishers without a sports series. Hoping to emulate the success of the ‘Specky Magee’ books written by Felice Arena and Garry Lyon, publishers have been busy throwing authors and sport stars together, one to do the creative business, and the other to add verisimilitude and sporting cred.

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History has never been so much fun,’ says the blurb of one of the books reviewed below. Welcome to the twenty-first century. Work is fun. History is fun. Writing is fun. Writing history must therefore be really fun!

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Here are five reasons why there is a literacy crisis in Australia. It is not about teacher-training; it’s about appallingly conservative publishing choices and the positioning of ‘reading’ as something that needs to be slipped under the radar of children’s attention, rather than celebrating it as one of life’s biggest adventures. What these novels share is a commitment to sport as a structuring narrative principle. Australian Rules, rugby union, netball, athletics, soccer: the sports and titles change, but the overall arc remains the same. In this respect, these books feel market-driven: generic responses to some global marketing division called ‘encouraging reluctant readers’. While this enterprise is not unworthy, the assumption that children who are not reading will be automatically attracted to novels about organised sport seems dubious.

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Young Murphy by Gary Crew, illustrated by Mark Wilson & 101 Great Killer Creatures by Paul Holper and Simon Torok, illustrated by Stephen Axelsen

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November 2005, no. 276

There is an almost overwhelming tide of historical texts for young people being published at the moment. Fictional accounts of actual events are enormously popular, and frequently the diary form is used, as this is felt to be more accessible to young people, and also gives the writer licence to use the historical present tense with impunity.

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Castles by Allan Baillie

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October 2005, no. 275

No kangaroos, emus or possums in this lot – just pigs, rats, hares, cats, dogs and fantastic monsters. Australian picture books are in a healthy state if these five beautifully produced, cleverly constructed and thoughtful examples represent the genre. All celebrate that peculiarly human gift, imagination – the unsuspected alternatives, the leap outside the confines of reality. All would provide a happy reading experience for children of any age, and are illustrated without condescension by witty and confident artists. From the child imagining castles in the air to the adult building them a little too high, these authors and artists reveal their insights into all kinds of human behaviour.

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The Astrolabe by Susan Arnott & Our Enemy, My Friend by Jenny Blackman

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August 2005, no. 273

Reading a handful of primary-school-age historical novels in swift succession underlines the commonality of stratagems for encouraging young readers to engage with the past. First, there is the need to find a credible child role to focus on. Then, since adventure in historical times fell largely to the lot of boys, a female interest has to be introduced, or, with some contrivance and loss of credibility, the main role handed over to a girl in disguise.

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Here is a kind of social experiment in fiction. Take the lowest, most abject starting point for a human life. Give the child no advantages, home or family; provide it with no regular food or care; subject it to the privations of a society with no welfare system; deprive it of any educational, emotional or spiritual training; and then, when it finally finds an occupation, make it the lowest, most socially disadvantaged and despised. And then see what kind of person it turns out to be. Oh, and set the whole thing in the Middle Ages, which, as everyone knows, was the most brutal, depraved, disease- and poverty-ridden era in Western history.

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Evil Genius by Catherine Jinks

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April 2005, no. 270

At the start, Catherine Jinks’s teen novel Evil Genius resembles a local edition of ‘cult’ blockbuster phenomena such as Harry Potter and Buffy, the Vampire Slayer – wish-fulfilment fantasies about misfits initiated into a hidden élite. On page one, we are introduced to Jinks’s protagonist, Cadel (Welsh for ‘battle’), a brilliant but barely socialised young boy obsessed with computers. His adoptive parents are named Stuart and Lanna Piggott, which should tell you all you need to know. Aged eight, this outwardly placid but potentially vengeful nerd learns from his psychologist mentor that his true father is a mad scientist named Phineas Darkkon, who has made millions through scams such as a line of shonky vending machines, and who subsequently bankrolls a secret University of Evil located in central Sydney, where, a few years later, Cadel precociously winds up. Among the subjects on offer are Basic Lying, Forgery, Assassination and Guerrilla Skills; the other students include a Goth chemist who is trying to turn himself into a vampire, and a pair of bitchy, telepathic twins.

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H2O edited by Margaret Hamilton & And the Roo Jumped Over the Moon edited by Robin Morrow, illustrated by Stephen Michael King

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April 2005, no. 270

Putting together a collection or anthology is not as easy as it looks. There are decisions to be made about theme, order and intent, which are often based on the intended audience. Three recent anthologies for children show that, in children’s literature at least, originality and diversity are achievable.

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The authors of these four books use a narrative device common to much fantasy fiction: the notion of quest. Sometimes that quest requires a physical journey, and sometimes it involves searching for something closer to home, but the very process is almost invariably life-changing for the characters involved.

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