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Art History

Janine Burke’s Australian Women Artists, 1840–1940 is a memento of the exhibition of women’s art initiated by the Ewing Gallery for 1975, International Women’s Year. An extraordinarily rich exhibition, it convinced me and many others who saw it on its tour of the eastern states, that Australian women painters, for at least the first 30 years of this century, must share the laurels equally with men.

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Ian Fairweather by Nourma Abbott-Smith & Conversations with Australian Artists by Geoffrey de Groen

by
May 1979, no. 10

‘To paint’, Ian Fairweather once observed, ‘one must be alone.’ True enough, you think, though hardly deserving of quotation. Down the years all kinds of artists have made the same observation, yet not many of them have been as consistently forthright when essaying the value and aesthetic nature of their lonely activity. Fairweather was an exception. ‘I paint for myself,’ he went on to add, ‘nor do I feel any compulsion to communicate, though naturally I am pleased when it seems I have done so.’

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