Australian Politics

Since his (involuntary) retirement from politics in 2007, John Howard has gone to some lengths to encourage comparisons with Robert Menzies. He authored a lengthy paean to Australia’s longest serving prime minister (2014), appeared in a television series to appraise his leadership and era (2016), and curated an exhibition on him at the Museum of Australian Democracy. And while he does not don the knightly robes that Menzies did on the cover of his volume of essays, The Measure of the Years (1970), Howard does ape Ming’s serene, far-seeing gaze on the dust jacket of this, his third book, A Sense of Balance.

During his first electoral campaign, Daniel Andrews hung a sign in his office containing a timeless political wisdom from Lyndon Baines Johnson: ‘If you do everything, you will win.’ He has continued taking it literally. Australian politics has, it is agreed, few harder workers than Victoria’s premier: he is in the same class as LBJ, who famously said that he seldom thought about politics more than eighteen hours a day.

Sir Paul Hasluck has written a most interesting account of Australia’s foreign policy during the war and the period 1945 to 1947. His impressionistic narrative which seeks to illuminate a period of history through one pair of eyes, as a central witness, giving evidence of how it was, works quite well despite the difficulties and unintentional distortions of the historical record that such an approach can often involve. I suspect that in the fullness of time his account of this period will be substantially upheld by future professional historians.

The dilemma for confessedly nationalist intellectuals has always been what to do about their strange bed-fellows, the scoundrels who have sought a last refuge under the same patriotic blanket. Generally they have distanced themselves with glib distinctions between good and bad nationalisms, left and right nationalisms, radical and conservative and larrikin and respectable nationalisms. Often, too, they looked back – radicals to the 1890s, conservatives to the Great War – and contrasted an idealised past nationalism with contemporary selfishness. How often does discussion of Australian nationalism not get past the 1890s?

For many years there has been little study of politics and elections at the state level in Australia. It seems to have been assumed that only national politics is really important, and that voters made very little distinction between state and federal politics. Thus, the conventional wisdom on electoral behavior had it that voters reacted fairly predictably on the basis of their early political socialization and in response to a set of vague images of the parties which was generated largely at the national level and changed only slowly.

B.A. Santamaria is given to self-dramatization. His autobiography (1981) was subtitled Against the tide but he was not metaphorically explicit as to whether the tide was going out or coming in. For myself I do not want to think of Santamaria behaving with Canute-like megalomania; I prefer to envisage him backstroking towards shore with a rear-vision snorkel, spouting against the undertow of inevitable social change, and praying for some apocalyptic dumper to preserve him from the future agoraphobic shock of an ever-widening ocean.

Verity Burgmann’s Power and Protest is an evocation of the major social movements that have arisen and thrived in Australia since the late 1960s, the black, women’s, lesbian and gay, peace and green movements. The writer is a well-known historian of Australian radicalism as well as a political scientist, and in combining history and politics she joins other social scientists such as Terry Irving, Judith Brett, James Walter, Murray Goot – an interesting tradition. In each chapter she offers an evocation of the various movements, outlining origins, developments, aspects, divisions, conflicts, difficulties, dilemmas, successes, achievements, as well as the opposition and resistance to these movements in the wider society. Burgmann writes with ease and energy, often with enjoyable irony and sarcasm. I liked her reference to Kate Millett’s Sexual Politics (1970) as ‘ovarious’. Power and Protest is entertaining as well as clear, and will surely prove indispensable for teaching.