I opened up my last issue of ABR to see my photograph. It’s there because I was mentioned at a conference at La Trobe as evidence of an ascendant antiintellectualism. I suspect my new reputation as a villain on the black hat side of the Culture Wars has a lot to do with my play, Dead White Males, or, more accurately, the fact that the play proved popular with audiences. Dead White Males sat ...
(read more)
