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Arts

Like any good storyteller, Christopher Heathcote begins by setting the scene: ‘one of those scruffy unpaved streets on the outer fringe’ of Melbourne on a wintry day in 1956 ...

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It seems a particularly masculine take on the processes of art to examine the way rivalry spurs on creativity and conceptual development. Yet this is not the book the Boston Globe’s ...

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A major revolution swept through British art history in the 1980s. It shook up its genteel ways and turned it resolutely, even militantly, towards the social history of art ...

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Notwithstanding the fact that he died alone in a hotel room following a heroin overdose at the age of fifty-three, Brett Whiteley led what for an Australian artist ...

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In 2012, Shaun Tan was commissioned to make pictures for a German publisher's edition of fifty of the Brothers Grimms' fairy tales, retold by Philip (His Dark Materials) Pullman. Pullman's challenge is that the tales do not necessarily benefit from illustration – he dismisses most as 'art school exquisiteness'. Tan's response was to return to his boyhood ...

In December, John decided there was nothing to lose and that he would write to Picasso asking him to view Nolan's work in storage. Sunday translated the letter into French, but even in draft form in English it read as sycophantic and sentimental ... They went to Picasso's apartment to hand deliver the letter and were met at the door by the artist's factotum. One wonders what Picasso ma ...

Rendez-vous with Art by Philippe de Montebello and Martin Gayford

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November 2015, no. 376

Philippe de Montebello was Director of the Metropolitan Museum of Art for thirty-one years. The astonishing length of his tenure is matched by the brilliance of his reign. Every part of the museum's forty-plus acres of exhibition space was renewed or transformed during those years, from classical antiquity to twentieth- and twenty-first-century art. Not a tatty corn ...

Eight galleries of NGV International have been radically reshaped to host Masterpieces from the Hermitage, invoking the world of unbounded opulence of Russia’s Catherine the Great (1729–96). The installation, designed by the NGV’s Ingrid Ruhle, is dazzling, mimicking as it does the grand style of the State Hermitage Museum and incorporating some ...

I like a book jacket that tells you clearly, in words and images, what it is about. Australian Artists in the Contemporary Museum does just that: ‘The authors’ central argument is that artists’ engagement with the museum has shifted from politically motivated critique taking place in museums of fine art, towards interventions taking place in non-art mus ...

Awakening: Four Lives in Art by Eileen Chanin and Steven Miller

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August 2015, no. 373

One of the few Australian-born female sculptors of the early twentieth century was a Ballarat girl, Dora Ohlfsen, who went to Berlin in 1892, at the age of twenty-three, to study music and found herself three years later in St Petersburg studying the art of the medallion. She was in Russia because she had fallen in love with the Russian-born, German-speaking Elena v ...