Stephanie Owen Reeder
Dr Stephanie Owen Reeder is a Canberra-based author, illustrator, editor and award-winning reviewer who has been reviewing children’s books for nearly thirty years. She has also worked as a secondary school teacher, a librarian, a university lecturer and a Hansard editor at Federal Parliament. Stephanie co-edited The Inside Story: Creating Children’s Books (1987) and was the editor of the Children’s Book Council of Australia’s journal Reading Time. Her historical novel Lost! A True Tale from the Bush (2009) was shortlisted in the CBCA Children’s Book of the Year Awards in 2010, while Amazing Grace: An Adventure at Sea (2011) won the New South Wales Premier’s History Award in 2012. Her picture book I’ve Got a Feeling! (2010) was an International Board on Books for Young People Outstanding Book in 2011. Her latest book for children is Dance Like a Pirate (2013).
Within a week of the recent release of Harry Potter and the Half Blood Prince, millions of children and adults around the world had read it. Now comes the long wait for the final tome in this cleverly designed series by the prolific J.K. Rowling. Nil desperandum. The fantasy novel for children – and especially crossover books which, like the Harry Potter series, appeal to both adults and childre ... (read more)
Many adults who grew up the 1980s doubtless remember a hairy, conical-shaped creature with very big feet that lived in the Australian bush, as well as a large hippopotamus that lived on a little girl’s roof and ate cake. The conical creature was, of course, Grug. Ted Prior’s Grug books were small, affordable paperbacks featuring simple but entertaining stories about this unflappable creature. ... (read more)
Once upon a time, identifying a good picture book was simple: it had bright-coloured illustrations, an easy-to-read text, and it dealt with things relevant to a child’s life. While these elements are still important, the genre has developed to such an extent that simplicity is no longer the prime criterion. As some recent titles show, picture books can cover a multitude of styles and themes; how ... (read more)
In the 1970s and 1980s many Australian children’s picture books had a distinctly Australian look. The local landscape, flora, and fauna predominated, and unique Australian characters abounded. Today, it is much harder to pick an Australian picture book. Globalisation and market imperatives have led authors to broaden their subject matter, and illustrators have adapted their styles so that a more ... (read more)
While the children’s picture book is a relatively recent literary phenomenon, most picture book authors still tap into the strong traditions of oral storytelling. Multi-award winning author Mem Fox is particularly good at this. Fox’s picture book texts are firmly grounded in the three R’s – the traditional rhythms, rhymes and repetitions found in children’s songs and verses throughout th ... (read more)
Last year, the Tamworth Regional Council voted not to accept five Sudanese refugee families into their township. The decision was reversed in January 2007, albeit with qualifications and overtly racist reactions from some locals. In our post-Tampa society, such seemingly xenophobic reactions have become frighteningly normal, especially at the government level. We will ultimately be a much poorer c ... (read more)
In order to appeal to a child audience, picture books often deal with similar subjects or themes. To compete in the marketplace, they therefore need a point of difference – something in the artist’s style, the author’s approach, the design of the book to set them apart.
The relationship between children and their pets is a popular picture book subject and one that Jackie French explores in ... (read more)
A good picture book melds a well-crafted text with illustrations that interpret and extend the narrative. The illustrator’s choice of artistic style is central to how effectively this combined narrative is communicated to readers.
Australian Children’s Laureate Jackie French and illustrator Bruce Whatley have had a long and successful collaborative relationship. Their latest picture book is F ... (read more)
Depicting war in a picture book requires a deft hand. Historical imperatives need to be considered, while also avoiding glorifying war for a young and impressionable audience. Ideally, such books should promote informed discussion rather than mindless militarism.
... (read more)