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Cambridge University Press

Crime Fiction by Stephen Knight & The Cambridge Companion to Crime Fiction edited by Martin Priestman

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February 2005, no. 268

‘It is escape not from life, but from literature.’

       (Marjorie Nicolson on the detective genre,

       ‘The Professor and the Detective’, 1929)

I began reading crime fiction in the 1950s and became serious about it in the 1960s, searching out what  scholarship there was then about its history and development, its types and practitioners. So I am probably an atypical reader (and reviewer) of these two books. I read them with the pleasure of familiarity and recognition, being reminded of things I hadn’t thought of in a long time. No little part of that pleasure lies in seeing how others assemble and weigh the components of this genre’s history.

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The Nibelung’s Ring by Peter Basset & The Cambridge Companion to Grand Opera edited by David Charlton

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December 2004–January 2005, no. 267

While you read this review, someone somewhere in the world is organising his or her calendar for the next few years to make sure that it will include at least one performance of The Ring. Special flights, advance tickets, holidays and sabbaticals will be juggled with, and ‘The Festival Play of Three Days with a Preliminary Evening’ will be tracked down and added to a pilgrim’s relentless progress. The opportunities are widespread temporally and geographically. Bayreuth manages a new or an adapted production each year, and opera houses and festival sites round the world have become devoted to mounting Ring productions – some at colossal cost and others of ingenious improvisation. Cologne and Adelaide are merely the latest to come to mind, within a month or two of each other this year. Der Ring des Nibelungen has at last become the World Drama that Richard Wagner planned; however its box-office success is taking its composer’s real intention ever further from realisation.

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Economia by Geoff Davies & How Australia Compares by Rod Tiffen and Ross Gittens

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August 2004, no. 263

Australians like to believe they live in the best country in the world. Plenty of space, abundant  natural resources and lots of sunshine for this nation whose inhabitants have come from all corners of the earth to a land of opportunity. It’s an appealing national smugness that has comforted generations of Australians as they looked with tolerant amusement at the congested societies of industrialised countries elsewhere in the world. Aren’t we lucky!

Occasionally, there may have been some nagging doubts as we looked at the growing wealth of the Asian economies and the technological sophistication of overseas manufacturing. Are we as smart as they are? Do we work hard enough? Are we falling behind? Is this the land of the long weekend? In recent years, have we become hard-hearted and lazy? Good questions, and easier to answer anecdotally and instinctively rather than empirically. Generally, we thanked our lucky stars.

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Native Title in Australia by Peter Sutton & Crossing Boundaries edited by Sandy Toussaint

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June-July 2004, no. 262

The cover blurb to Peter Sutton’s book announces that: ‘Native title continues to be one of the most controversial political, legal and indeed moral issues in contemporary Australia.’ The moral issue, qualified by the adverb, is perhaps the one that most strongly engages the general reader, but it is not the central concern of these books that are mainly for the specialist reader. Morality, ‘indeed’, is something that the social scientist must keep at bay, in order to do the work that, as a native title expert, he or she is qualified to do. The expert, usually an anthropologist, provides evidence within the terms of the various native title acts, translating the knowledge of indigenous informants so that it can count in the courts.

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The centenary of the first sitting of the High Court of Australia was celebrated in the same courtroom in Melbourne in October 2003. There followed a conference in Canberra reviewing the decisions of the Court over the course of a century. The papers of that conference will shortly be published for a legal audience.

In advance of that book, CUP has published sixteen essays to give a more general audience an idea of the role the High Court has performed in the leading issues in which it has been involved. The writers are assigned important decisions or major themes. They explain the background. They describe proceedings in the High Court and (whilst it lasted) the Privy Council. They put their subjects in context and evaluate their significance in terms accessible to an informed lay reader. This book contains plenty of new insights that combine to make it a commemorative volume, but without many of the defects normal in that genre.

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Bad Company by Gideon Haigh & The Big End of Town by Grant Fleming, David Merrett and Simon Ville

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April 2004, no. 260

There is something uncommonly beguiling about a business writer who can insouciantly intersperse his argument with references to Eugene O’Neill and T.S. Eliot. Gideon Haigh is such a man, and the tale he has to tell is wonderfully seasoned by his intelligence and literacy. But that does not make its logic compelling.

Bad Company displays an almost tabloid preoccupation with the excesses of certain charismatic CEOs: particularly, in the local context, Ray Williams of HIH and the Wizards of One. Tel. But to suggest that these fallen idols are typical Australian CEOs is like describing Helen Darville as one of our typical novelists, or Ern Malley as a typical poet.

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Cresciani’s very readable revised edition of The Italians is particularly informative on the early history of Italo-Australia. First published in 1985 with ABC Enterprises, based on the excellent television series of the same name, this new edition promises to provide ‘the definitive account’ of Italian life in Australia ‘into the twenty-first century’. Cresciani’s treatment of certain aspects of Italian migration to Australia is worthy of such a bold claim. He is especially good at weaving together the histories of both countries to provide an instructive account of how the vicissitudes of one indelibly affected the other. His treatment of contemporary immigrant life, however, is rather dated.

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Is the great white middle class endangered in Australia? If it is, does it matter greatly? Michael Pusey answers ‘Yes’ on both counts. He argues that we are seeing a ‘hollowing out of the middle’. If he is right, this hollowing out has significant consequences. Both major political parties have spent decades courting the wannabe middle class – from Robert Menzies’ ‘forgotten people’ to Gough Whitlam’s outer suburbanites, and from Mark Latham’s ‘aspirational’ voters to the recipients of John Howard’s tax welfare and handouts for private schools. A significant contraction of this constituency would create political shock waves. In addition, the decline of the middle class would throw an interesting light on our current prime minister who, more than anyone since Menzies, has represented middle-class values and aspirations while championing the radical economic restructuring that Pusey sees as leading to the decline of the middle class.

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Nugget Coombs never accepted a knighthood. The reason, he told his one-time English teacher, the essayist and academic Sir Walter Murdoch, was that it would be ‘out of character’ for him to do so.

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Nugget Coombs never accepted a knighthood. The reason, he told his one-time English teacher, the essayist and academic Sir Walter Murdoch, was that it would be ‘out of character’ for him to do so.

There is no shortage of calculated modesty in Australian public life. We cultivate it. Even the most self-absorbed of our sporting heroes can manage a spot of winning self-deprecation. But in Nugget Coombs – public thinker, public servant, economist, social reformer, Governor of the Reserve Bank, Aboriginal advocate, cultural initiator and great Australian – modesty was the genuine article. He was a man with enough distilled wisdom to know himself and enough shrewdness to know what fitted. And he was right: ‘Sir Herbert’, or, worse, ‘Sir Bertie’ would have been risible.

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