Viking

Mansfield was thirty-four. Having suffered tuberculosis for years, she died after hurrying up some stairs, intending to show her husband how well she was. This was at La Prieuré, Fontainebleau, house of George Gurdjieff’s Institute for the Harmonious Development of Man: a sort of commune, organised around shamanic dancing, Eastern mysticism, and Gurdjieff’s compelling personality. For Mansfield, the Institute was not simply a last resort; she went there for a new beginning. In a letter to her friend Koteliansky, she wrote: ‘I mean to change my whole way of life entirely …’

Jim McNeil was a two-bit thug. A liar, a thief, a recurrent wife-beater and bully, probably a murderer, definitely a racist, he was a man in whom psychotic rage was seldom remote. Contradictions were elemental to his character: he was intelligent and charismatic, yet obdurate and ratty. Violence and menace defined him, but he was at heart a coward. He meticulously planned armed robberies, but frequently bungled their execution. He was nicknamed ‘The Laughing Bandit’, but his smiling demeanour was born of contempt for the people he traumatised and of disbelief at the ease with which he could snatch wealth. As the subtitle of Ross Honeywill’s aptly named biography makes clear, McNeil was also a playwright of subtle instinct and luminous talent. His is a Jekyll–Hyde conundrum well worth this contemplation.

Bob Ellis’s lightly edited journal alternates between two main timelines spanning 27 June 2007 to 8 November 2008: that is, from the run-up to the last Australian federal election to Barack Obama’s victory. Ellis’s insomniac musings over these sixteen-odd months are brilliant and shambolic, irritating and moving. The book is essential reading, but you have to work hard for the gems.

Some stories deserve to be told more than once. Retold, they cannot be the same. Even when the teller is the same person, the shift in time and experience will make the story new. In The Ghost at the Wedding, Shirley Walker returns to the material of her autobiography, Roundabout at Bangalow (2001), in order to focus more closely on the saddest and most powerful memories therein: those of the young men of her family who served in two world wars.

Thirty-four years after the former colony of Portuguese Timor experienced the horrors of invasion by the Indonesian army, the story of the killing of the five television journalists known as the Balibo Five – a persistent subtext of that history – has found new life in the forthcoming feature film Balibo, directed by Arenafilm’s Robert Connolly. In reviewing Tony Maniaty’s related book, I must declare a vested interest: his book Shooting Balibo: Blood and Memory in East Timor has appeared on bookshelves two months earlier than a book of my own, on which that film is based.

Twenty-four-year old Ella arrives in sweltering Ho Chi Minh City. It is 1994; the United States has just lifted the crippling trade embargo. Ella sets herself up in a grungy hostel and begins teaching English at a local school. She has come to Vietnam ostensibly in search of information about her father, a veteran, who abandoned the family years ago. ‘What does it mean to miss so much something you barely knew?’ Ella ponders. This narrative foundation – tenuous in the wrong authorial hands – proves a powerful driving force in Myfanwy Jones’s assured debut novel. The search for her father is more one for Ella’s own sense of self and place in the world.

‘Read monkeys for pre-existence’ wrote the twenty-nine-year-old Darwin in one of his notebooks, pondering Plato’s assertion that our ‘imaginary ideas’ derive from the pre-existence of the soul. Two years earlier, when HMS Beagle had returned from its circumnavigation of the world, Darwin was still a creationist, albeit one who had entertained doubts. Keen to capitalise on his wide-ranging collection, and to make a name for himself, he arranged for various experts to examine the specimens. Fairly quickly during the ensuing discussions, Darwin realised that his doubts concerning the stability of species were ready to burgeon into a new and disturbingly materialist worldview.

While the children’s picture book is a relatively recent literary phenomenon, most picture book authors still tap into the strong traditions of oral storytelling. Multi-award winning author Mem Fox is particularly good at this. Fox’s picture book texts are firmly grounded in the three R’s – the traditional rhythms, rhymes and repetitions found in children’s songs and verses throughout the ages. This, combined with Judy Horacek’s inspired illustrations, was what made Where is the Green Sheep? (2004) such a success.

Roads are not places, but ways to and away from them, perhaps in fearful flight or in buoyant expectation. Travelling them can engender boredom (‘Are we there yet?’) and horror (‘Will we ever get there, alive?’). Roads are means of reaching those fabled and amorphous Australian locations – the city, the bush, the beach. Each of these has attracted anthologies (some from Penguin). Delia Falconer’s task, as editor of The Penguin Book of the Road, is less straightforward, being concerned with how we travel rather than where we arrive, with highways but also with indirect, crooked ways. In a masterly and challenging introduction, she warns us of what to expect.