ABR receives a commission on items purchased through this link. All ABR reviews are fully independent.
Noni’s grip
In 1983, actor Noni Hazlehurst was invited to London by Robyn Archer to be part of Archer’s new cabaret Cut and Thrust. Hazlehurst, less than a decade out of acting school and having just been fêted in Cannes for her performance of Nora in the film adaptation of Helen Garner’s Monkey Grip (1982), was ‘thrilled to bits’.
Born at Brighton Community Hospital in August 1953, Hazlehurst was the second of George and Eileen Hazlehurst’s two children, the couple having met on the variety circuit in England. Their careers disrupted by the outbreak of World War II – George enlisted and remained in the army until well after the end of the war – George, Eileen, and their firstborn, Cameron, eventually emigrated to Australia, hoping to escape the privations and instability of postwar Britain. Being third-generation performers, Hazlehurst’s parents ‘made sure I knew how to sing, dance, play the piano, and above all, how to behave in public – how to act’.
Continue reading for only $10 per month. Subscribe and gain full access to Australian Book Review. Already a subscriber? Sign in. If you need assistance, feel free to contact us.
ABR receives a commission on items purchased through this link. All ABR reviews are fully independent.
Leave a comment
If you are an ABR subscriber, you will need to sign in to post a comment.
If you have forgotten your sign in details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to ABR Comments. We will review your comment and, subject to approval, we will post it under your name.
Please note that all comments must be approved by ABR and comply with our Terms & Conditions.