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Tackling a ‘worthy’ theme and making a poem or story readable and entertaining is a challenge. There is a fine line between subtlety and didacticism. My Gran’s Different manages, just barely, to stay on the right side. The narrator’s grandmother is different: she has Alzheimer’s, though this is never spelt out. Instead, there is a dual story: one part is the journey of a boy on his way to see Gran; the other is his friends’ grandmothers, who each have their own speciality – footy fan, florist, art gallery owner and so on. At last we discover why Gran is different and understand the special relationship the boy has with her. Children will inevitably ask why Gran ‘can’t remember who she is’. There is an expectation that the adult reading the book will be able to answer this question, because no information is given. Anyone intending to use this as a way to explain an elderly relative’s condition will probably find that it’s only the first step.

On 25 April 1984, 300 people attended the dawn service at Gallipoli. In 2000 there were 15,000, many of them young Australians. In recognition of his renewed interest, Patrick Carlyon (who was at the 2000 service) has written The Gallipoli Story. Looking beyond the well-known Anzac heroes and stories, Carlyon takes us into the trenches and introduces us to individuals: young men with names and hometowns, with sisters and girlfriends; young men who are afraid and confused. The shocking waste of life, as soldiers from both sides charge to their deaths, can make for uncomfortable reading, but Carlyon has refrained from gratuitous violence. It is one thing to have hundreds of dry facts and statistics at hand, quite another to weave these facts into an engaging story. Carlyon has managed it superbly.

Much young adult fiction is about not fitting in. How that topic is covered distinguishes the hack from the frustrated pedant and the gifted writer. This review covers eight YA novels by skilful writers whose diverse works are peopled by those who refuse to fit the norm.

Rupert Murdoch certainly attracts a good class of biographer. There was George Munster, who contributed so much to Australian politics and culture by helping to establish and edit Nation, and William Shawcross, one of Britain’s most prominent journalists. There were other biographies, too, before the efforts of Bruce Page ...

Anyone who heard Inga Clendinnen’s 1999 Boyer Lectures or who has listened to her in any other way will hear her voice clearly in this book: contemplative, reflective, warm, gently paced. Dancing with Strangers seems to have been written as if it were meant to be read aloud. It reaches out to its listeners ...

The first edition of David Crystal’s The Cambridge Encyclopedia of the English Language appeared in 1995, and was widely acclaimed. It covered an extraordinary amount of material under the broad topics of ‘The History of English’, ‘English Vocabulary’, ‘English Grammar’, ‘Spoken and Written English’, ‘Using English’ and ‘Learning about English’. It used modern design techniques and was richly illustrated with all kinds of visual material. It was a book that allowed extended reading of essays on particular topics, or dipping and pursuing cross-references. This second edition appears eight years later. Has English changed sufficiently in those eight years to justify a new edition? Is there enough new material in this new edition to persuade someone who bought the first edition in 1995 to buy the 2003 one?

One of the hardest things a reviewer can be asked to do is to produce copy about a book that is so beautifully done that commentary on it seems both ridiculous and vaguely offensive. That is my predicament here. It is with a certain wry delight that I can report that this is the second time I have been in this position in recent months. The other book was a first novel, too. It is tremendously heartening to know that creative writing not merely good but of the highest order is being produced in these dismal times.

Elliot Perlman made a bit of a splash a few years ago with Three Dollars (1998). Parts of the novel were underfictionalised in the most blatant way, parts of it seemed to represent nothing more than the fervencies of what Perlman thought (most of it staunch stuff agin globalisation), but it seemed undeniable that the life and times of these south suburban Melburnian wine and cheesers represented, in Australian terms, a piece of subject matter worth biting off.

It was a bit ridiculous that a book of fiction of rather manifestly modest literary ambitions should be published as the crême de la crême of literary fiction and then pretty much accepted as such. Perlman’s new book confounds the pretension and makes it well and truly the author’s own by purloining the title of one of the twentieth century’s greatest works of literary criticism and adding insult to injury by calling the protagonist’s dog Empson. One of the only times I have been cut by the The Age on the basis of something other than length was when I wrote about William Empson’s Seven Types of Ambiguity (1930) – because of the obvious topicality, given the barbarous appropriation – and concluded: ‘So in future, Elliot Perlman, call your dogs something else.’ But then, we live at a time when the latest wannabe fiction is more likely to command reverence than the work of a notable critic and poet. Not the least paradox, though, is that Perlman would be likely to agree.

One of the hardest things a reviewer can be asked to do is to produce copy about a book that is so beautifully done that commentary on it seems both ridiculous and vaguely offensive. That is my predicament here. It is with a certain wry delight that I can report that this is the second time I have been in this position in recent months. The other book was a first novel, too. It is tremendously heartening to know that creative writing not merely good but of the highest order is being produced in these dismal times.

Shantaram is based on the life of its author, Gregory David Roberts. A heroin addict, Roberts was sentenced in 1978 to nineteen years’ imprisonment as punishment for a series of robberies of building society branches, credit unions and shops. In 1980 he escaped from Victoria’s maximum-security prison, thereby becoming one of Australia’s most wanted men for what turned out to be the next ten years.