Ian Buruma

Theo van Gogh, born into a celebrated family, made himself famous, and infamous, in the Netherlands for his outrageous opinions, such as accusing the Jewish lord mayor of Amsterdam, the son of Holocaust survivors, of being a Nazi sympathiser. According to Ian Buruma, the author of Murder in Amsterdam: The Death of Theo van Gogh and the Limits of Tolerance (2004), when van Gogh made the controversial film Submission with the Muslim activist turned politician Ayaan Hirsi Ali, Buruma thought that this would be seen as another of his national ‘village idiot’ gestures. There was no intention to draw more than imaginary blood. Van Gogh had lived his whole life secure in the knowledge that in the Netherlands he was onze Theo (our Theo), and that what he was free to deride because of Article 23 also protected him. But to Muslim fundamentalists, freedom of speech is anathema. God, and his representatives, decide what is and can be said. In this mindscape, this very freedom of speech, as espoused in the Netherlands, proves that the country is an infidel state.

Because the United States was born in a revolution against Great Britain, the relationship between them, as the child decisively supplanted the parent, has remained key to world history for more than two centuries. Indeed, the ‘unspecialing’ of this relationship in recent decades, argues Ian Buruma, represents a psychological condition that British officials refuse to self-diagnose. He calls this the ‘Churchill complex’ – the persistent delusion, despite obvious evidence to the contrary, that US power requires British facilitation and approval. Winston Churchill began it; his successors have yet to escape it.