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Commentary

When Take Me to Paris, Johnny was first published in 1993, the AIDS crisis seemed to be at its worst. Many of us had friends and acquaintances who were dying. One began to notice men who, thin and haggard, one feared were suffering from AIDS (women victims being relatively few in number). There was no sign of the drug therapies that would, towards the end o ...

The streets of New Orleans double as scented gardens for the blind. Round any corner in the Vieux Carré – known to most as the French Quarter – and experience the assault of sensory details. It might start with a spicy tang of boiling seafood, crawfish, or shrimp or crabs plucked from the amphibious Louisiana land. Maybe it's frying beignets or praline mixture ...

The port of Old Harwich can be approached by a streamlined highway through a barren industrial landscape, or via the high street through suburban Dovercourt. Either way, you keep going until you reach the sea: 'and if you get your feet wet, you've gone too far', they'll say when you ask directions. Finally, you reach an enclave of narrow streets lined by small cotta ...

Robyn Archer debated Peter Singer during the 2015 Melbourne Writers Festival; their topic was 'Is Funding the Arts Doing Good?'. This is an edited version of her paper.

I hear that in New York
At the corner of 26th Street and Broadway
A man stands every evening during the winte ...

It was watching the empty buses leave in the dark outside the restaurant that did it. I was eating with my lover and my daughter on a June evening in Altona when I found myself being distracted by the rooms of light, quite empty, that floated behind my daughter's back. Every ten or fifteen minutes there would be another one heading off into the night, passengerless, ...

Many good books are published about Australian art, but few change the way we see and understand it. When Andrew Sayers’ ​Aboriginal Artists of the Nineteenth Century appeared in August 1994, it immediately did that, as the critic Bruce James was quick to recognise

Eminent psychologist Steven Pinker once described art as ‘cheesecake for the mind’. Many people think of culture as a luxury good, high up – and therefore low down – on Mazslow’s hierarchy of needs in comparison with basic physical requirements. Most of the time they are right. When they aren’t, the necessity for a detailed understanding of cultural proc ...

Once, when it was the beginning of the dry but no one could have known it yet, Dad drove us west – out past ‘Jesus Saves’ signs nailed to box trees, past unmarked massacre sites and slumping woolsheds, past meatworks and red-bricked citrus factories with smashed windows, and past one-servo towns with faded ads for soft drinks no one makes anymore – until we reached a cotton farm.

We stood on the old floodplain listening to the manager in his American cap, a battery of pumps and pipes behind him, boasting how much water these engines could lift once the river reached a certain height. To the left, an open channel cut through laser-levelled fields to the horizon.

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I am a ‘Sputnik’, born in the year the Soviet satellite launched the Cold War into space. The launching by the Russians of the first artificial Earth satellite on 4 October 1957 seemed to many in the West a threatening symbol of escalating superpower rivalry. And it did unleash extreme military anxiety and triggered what became known as the Space Race. Twelve years later, in the mid-winter of 1969, I remember waking up just before midnight to watch on television as a Saturn V US rocket, wreathed in smoke and flame, inched its way off the ground at Cape Canaveral. It powered mightily against the pull of gravity and triumphed. It was beginning its journey out of Earth’s atmosphere towards the Moon.

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As a freshwater ecologist, Alison Pouliot endeavours to understand the interplay of the processes that sculpt the Australian environment.

As an environmental photographer, she aspires to capture the intricacies and obscurities of these processes.

The insidious creeping nature of drought can sometimes lend itself more to images than words.

... (read more)