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Arts

Film  |  Theatre  |  Art  |  Opera  |  Music  |  Television  |  Festivals

Welcome to ABR Arts, home to some of Australia's best arts journalism. We review film, theatre, opera, music, television, art exhibitions – and more. Reviews remain open for one week before being paywalled.

Sign up to ABR Arts and receive longform arts criticism to your inbox every fortnight on Tuesdays. And if you are interested in writing for ABR Arts, tell us about your passions and your expertise.

 


Recent reviews

Sometimes I feel like quitting the whole scene. There’s so much hype and petty politicking. But that goes on in your own backyard. So there I am again – up there on stage, with Mike, wearing my Greek sailor’s cap, and my heart having stopped thumping now, because I’m reading what I really (may I be anachronistic?) dig, and am serious about – POETRY! I mean Gene Wilder really works hard at being a comedian, and me at my funny poems. ‘Well’ I might say ‘this is an angry poem, because I’m one of those angry middle-aged men’, or ‘this is called “Poem-Ugly” because a lot of what I write is ugly. I try to strip the veneer from my everyday matter mundane existence, the extraneous matter in my grey brain; to rarefy to an essence the human condition, and all I’ve got left is my bare existential soul, and my poem – but maybe that’s not too bad!’

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Ian Fairweather by Nourma Abbott-Smith & Conversations with Australian Artists by Geoffrey de Groen

by
May 1979, no. 10

‘To paint’, Ian Fairweather once observed, ‘one must be alone.’ True enough, you think, though hardly deserving of quotation. Down the years all kinds of artists have made the same observation, yet not many of them have been as consistently forthright when essaying the value and aesthetic nature of their lonely activity. Fairweather was an exception. ‘I paint for myself,’ he went on to add, ‘nor do I feel any compulsion to communicate, though naturally I am pleased when it seems I have done so.’

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