Opera is not a small artform. It is labyrinthine, multi-faceted, fraught with things that can go disastrously wrong (Wagner, especially), and it can be dreadfully expensive, formidably divisive, and astonishingly complicated. At the same time, opera is so necessarily crucial to culture as a reflection of history, thought, and ...

The original French version of Waiting for Godot was written in Paris between October 1948 and January 1949. This was a time of mass migration in Europe, when a flood of displaced humanity washed across the continent. It was a time of refugees, exiles, immigrants, fugitives, and transients. France settled more than 38,000 ...

This exhibition has a clear aim – to prove that Robert Mapplethorpe ‘is among the most significant artist of his time’. The evidence marshalled by the curators at the Los Angeles Country Museum of Art and the J. Paul Getty Museum is substantial. They have conducted extensive research, sourced outstanding vintage prints ...

In this fortnight's Update: Mapplethorpe at AGNSW, NGV exhibitions, Musicians from the Shanghai Orchestra Academy, Sydney Symphony Orchestra, Australian Chamber Orchestra at the Barbican, Charles and Barbara Blackman, Heide Musem of Modern Art, fortyfivedownstairs, Copyright Agency and Viscopy merger, and giveaways from Queensland Theatre and Studio Canal ...

Famous couples from literature – from Romeo and Juliette to Bridget Jones and Mark Darcy – have enacted storylines built around rituals of courtship and the obstacles they face on the way to marrying. While the ‘marriage plot’ has never gone out of fashion – kept alive, in good part, by Hollywood’s penchant for the rom-com ...

The year of J.S. Bach’s death, 1750, is usually considered to mark the end of the Baroque era in music. It only makes sense that the Classical period should start directly thereafter. But is that really so? Art and its history does not necessarily follow clear borderlines, and compositions written around the middle of the eighteenth ...

The idea of joining Robyn Archer – arguably the greatest cabaret artist in the country – for a night of French chanson that harks back to her seminal 1991 show Le Chat Noir was inspired. While Archer is most closely associated with German Kabarett of the Weimar, she is no slouch when it comes to interpretations of the Gallic ...

One can pinpoint the moment at which The Killing of a Sacred Deer gets stuck, like a train between stations. It happens midway through the film, during a scene set in a hospital cafeteria, somewhere in Cincinnati. A greying, bearded cardiologist (Colin Farrell) sits opposite a teenage boy (Barry Keoghan) whose gormless, sweaty ...

After decades of English language Chekhov productions following in the footsteps of Stanislavsky and Komisarjevsky in which historically accurately costumed actors wandered around a stage awash with gloom and torpor declaiming Constance Garnett’s constipated translations, directors finally discovered that the plays were ...

Melbourne Opera’s latest production is Gaetano Donizetti’s 1837 lyric tragedy Roberto Devereux, the last in his so-called Tudor trilogy. The company staged Mary Stuart in 2015 and Anna Bolena in 2016, to considerable acclaim. However, this airing of Robert Devereux, an Australian première, is something else. Put simply ...