Arts
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Welcome to ABR Arts, home to some of Australia's best arts journalism. We review film, theatre, opera, music, television, art exhibitions – and more. To read ABR Arts articles in full, subscribe to ABR or take out an ABR Arts subscription. Both packages give full access to our arts reviews the moment they are published online and to our extensive arts archive.
Meanwhile, the ABR Arts e-newsletter, published every second Tuesday, will keep you up-to-date as to our recent arts reviews.
Recent reviews
Macbeth, directed by Geordie Brookman, artistic director of the State Theatre Company of South Australia, is the second production to showcase the STCSA’s new acting ensemble. The first, A Doll’s House, with an updated text by Elena Carapetis and also directed by Brookman ...
... (read more)In this fortnight's Update: Mark Leonard Winter, Opera Australia 2018, Hamlet in Adelaide, SSO's new CEO, Windmill Pictures, Opportunities at Abbotsford Convent, St Albans Writers' Festival, The Way Out, The paper piano, giveaways from Melbourne Chamber Orchestra and Madman Entertainment ...
... (read more)It seemed apt that Adam Simmons chose to perform his large-scale suite The Usefulness of Art in a space generally devoted to art and theatre, rather than in one of Melbourne’s jazz clubs. Incorporating visual design by Christine Crawshaw and Diokno Pasilan – wooden chairs hung from ...
... (read more)Equally welcome was the second opportunity to hear Massenet’s opera Thaïs (1894) within a matter of weeks. Once again it was a concert version – a ‘mid-season gala’ from the Melbourne Symphony Orchestra. ABR Arts wrote about Opera Australia’s recent concerts in the Sydney Town Hall ...
... (read more)The Father (Sydney Theatre Company and Melbourne Theatre Company) ★★★
Florian Zeller’s play The Father (Le Père, 2012) comes to us after acclaimed productions in Paris, London, and New York, where the playwright was hailed as an exciting young talent, and one of France’s finest writers. He wrote the play for the French actor Robert Hirsch, who was ...
... (read more)It’s springtime in Yorkshire, but you’d only know it by the lambs. The earth is stony and the wind is biting. Even the wildflowers struggle to bloom, let alone the romance that forms the central plot of God’s Own Country, an accomplished début feature from British writer–director Francis Lee ...
... (read more)Cinema has always provided a venue for dreams of the exotic, but few directors in these post-colonial times can revive such fantasies without guilt. This is the dilemma which James Gray, among the most intelligent of modern American filmmakers, must grapple with in ...
... (read more)The Rape of Lucretia (Sydney Chamber Opera and Victorian Opera) ★★★★
The Rape of Lucretia is the most problematic of Benjamin Britten’s operas. Recent productions of Gloriana, the opera Britten wrote to celebrate Queen Elizabeth’s coronation, have proved that its notoriously unsuccessful première in 1953 had more to do with an uncomprehending audience ...
... (read more)In 1905 a Danish prince was elected to the throne of Norway. The King’s Choice begins with grainy archival footage of the arrival of the new royal family. The streets are lined with people. The cheering crowd scenes segue into a different kind of rally, and then Adolf Hitler’s familiar ...
... (read more)In this fortnight's Update: Angels in America, Will Yeoman curates the 2018 Perth Writers' Festival, Towards Eternity, OzPod 2017, Thaïs in Melbourne, Public art in Southbank, Adelaide International Youth Film Festival, Under Your Spell, Celebrating Studio Ghibli, Babi Yar commemorative concert, and giveaways from fortyfivedownstairs, Melbourne Symphony Orchestra, and Transmission Films ...