The final poem of this superb collection, ‘The Darkness’, identifies a primal scene. The young protagonist is a nascent poet, watching over the embers of a desert fire in early morning, awaiting the breath of a Pentecostal wind to rekindle the flames. It is a parable which emblematises the difficult task of transformation that is central to poetry itself: the boy contends with ‘fragments / t ... (read more)
John Hawke
John Hawke's books include Australian Literature and the Symbolist Movement, Poetry and the Trace (co-edited with Ann Vickery), and the volume of poetry Aurelia, which received the 2015 Anne Elder award. His most recent poetry collection is Whirlwind Duststorm (2021).
A quarter of a century has passed since Ivor Indyk contributed a scathing review of John Kinsella’s first collected poems to the pages of ABR (July 1997), and the contending responses to that opinion have typified the reception of his poetry among the vituperative local poetry community ever since. This extravagant representation of his work – two volumes of close to a thousand pages each, wit ... (read more)
Trap metal cathedra.
Her breathing unmists
the mirror at the prospect
of pearls against skin,
purchased with a promissory note
from this cowled figure
in the open phaeton,
exposing the seams
of auriferous country,
sifting their colours:
... (read more)
The life and work of Charles Baudelaire (1821–67) must be viewed against the historical background of the crushing failure of the Paris revolution of 1848, in which soldiers massacred three thousand workers. In the elections that followed this unsuccessful working-class uprising, which Baudelaire and his fellow artists supported, the French Romantic poet Alphonse de Lamartine received 18,000 vot ... (read more)
Andrea Brady’s monumental study of poetry and constraint focuses on ‘the ways that poets invoke bondage as metaphor while effacing the actuality of bondage’. Milton’s aspiration to deliver poetry from ‘the modern bondage of rhyming’, and Blake’s injunction that ‘poetry fetter’d, fetters the human race’, associate formal freedoms with political liberation. The modernist discover ... (read more)
This is one of the times you won’t remember.You are lying side by side with your father
as the radio murmurs, a ghost wind shiftingfrom magnet to magnet that does not
announce its presence. You know you willnever equal the weight of disappointments
that make up his experience of this worldhe has gifted you, who are as empty
as radio patter engraving the detailsof every current moment, reliev ... (read more)
There has as yet been no comprehensive critical study of the poets associated with the ‘Generation of ’68’, of whom Martin Johnston was perhaps the most naturally gifted and certainly the most intellectually expansive representative. This is because the project of these poets, to fully incorporate the stylistic innovations of modernist poetics and its development in postwar American models w ... (read more)
John Hawke – poet, academic, and poetry editor of ABR – chaired the judging panel for the 2020 Peter Porter Poetry Prize. At the Porter Prize ceremony held at the Boyd Community Hub on January 16, he addressed various themes in his opening remarks. Following readings of the five shortlisted poems, Morag Fraser then named A. Frances Johnson as the overall winner of the Porter Prize.
As we cele ... (read more)
The recent death of Les Murray can be likened in its significance to the passing of Victor Hugo, after which, as Stéphane Mallarmé famously wrote, poetry ‘could fly off, freely scattering its numberless and irreducible elements’. Murray’s subsumption of the Australian nationalist tradition in poetry, including The Bulletin schools of both the 1890s (A.G. Stephens) and 1940s (Douglas Stewar ... (read more)
In his infamous 1955 review of Patrick White’s The Tree of Man, A.D. Hope’s dismissal of the book as ‘illiterate verbal sludge’ focuses on a perceived confusion between the categories of poetry and prose. White ‘tries to write a novel as if he were writing poetry, and lyric poetry at that’, writes Hope; however, ‘the imagery, the devices of poetry are effective because they are wedde ... (read more)