Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Archive

There is no God, I was made in this man’s image:

those slate-dark eyes of his are mine,

the dented bridge of our his-my nose.

I laugh with his rasping cackle in me.

I walk with his stooping, trudging gait,

swearing his ‘Jesus bloody Christ’

in a sudden fist-curl of temper.

My right ear points like a flesh-antenna as his does,

and being my father I bear his name.

Haphazardries of kin passed on from birth

that to see him wizened on his cancer bed,

his insides turned to water,

... (read more)

Does My Head Look Big in This? by Randa Abdel-Fattah & Still Waving by Laurene Kelly

by
October 2005, no. 275

The Young Adult ‘issue novel’ is a difficult thing to do well. To write one that rises above the mediocre requires a careful avoidance of both sentimentality and sensationalism, and the better books succeed by either tackling an unusual or topical issue, or by looking at a situation from a novel angle. These two books – though covering very different terrain – are good examples.

... (read more)

for Craig Sherborne

 

‘Grief wrongs us so.’

                                                  Douglas Dunn

To the sea we bear our fathers in state –

or what they’ve done to them: the square conversions.

Surf mild as receding tides,

we slump in dunes with our burdens,

... (read more)

This must be a page from The Manual

For the Instructing of Humanity,

Showing the improvement of the Social Order

By the avoidance of personal identification

With Suffering, a turning-away to private Sanity.

... (read more)

Books Alive

Dear Editor,

Jeremy Fisher criticises the 2005 Books Alive campaign (Letters, ABR September 2005) for failing to do things it was not set up to do, and then acknowledges that it does the things it was set up to do extremely well. Fisher says: ‘The ASA has no issue with increasing the sales of Australian books. But that no longer appears to be the focus of Books Alive. Books Alive had the potential to be a unique opportunity to promote Australian literary culture. It has mutated into “an Australian Government initiative that aims to encourage all Australians to experience the joys of reading”.’

... (read more)

Castles by Allan Baillie

by
October 2005, no. 275

No kangaroos, emus or possums in this lot – just pigs, rats, hares, cats, dogs and fantastic monsters. Australian picture books are in a healthy state if these five beautifully produced, cleverly constructed and thoughtful examples represent the genre. All celebrate that peculiarly human gift, imagination – the unsuspected alternatives, the leap outside the confines of reality. All would provide a happy reading experience for children of any age, and are illustrated without condescension by witty and confident artists. From the child imagining castles in the air to the adult building them a little too high, these authors and artists reveal their insights into all kinds of human behaviour.

... (read more)

A couple of months ago, driving with my daughter just outside the wheat-belt town of York, Western Australia, we came across a ‘28’ parrot that had just been struck by a car. I scooped it up in a cloth, and my daughter held it on the back seat until we could get home. Having been bitten numerous times by those ‘strong and hooked’ beaks, I warned her to be wary. But the parrot – a splay of emerald, turquoise, black and yellow feathers – was too dazed to bite, and clearly had a broken wing. Though we’ve always called these beautiful birds 28s, technically they are a ring-necked parrot, and possibly even the Port Lincoln variety of ring-necked. The demarcation lines between varieties are hazy. The local ‘nickname’ matters as local names do. We eventually handed the injured bird over to the local ‘bird lady’, who later let me know that it had died due to massive brain damage. My daughter doesn’t know it died. She said it was the closest she’d ever come to something so ‘amazing’. I left it at that.

... (read more)

If it is the case that we can no longer avoid the effects of living under conditions of globalisation, then increasingly that spatial dimension governs our lives. Look not, therefore, deep into the history of our individual nations or localities to explain what is going on, but lift your eyes to the horizon, and beyond, where a devastated city may be smouldering. Within minutes, a local politician will be warning us that we may be next.

... (read more)

Road Story by Julienne van Loon & Everyman’s Rules for Scientific Living by Carrie Tiffany

by
September 2005, no. 274

The Vogel Prize shares a reputation with the rest of the company’s products: nutritious, worthy, a little dull. But the prize’s earnest image is unfair. Any glance at the roll-call of winners over the last twenty-five years would show that the makers of soggy bread and soya cereals have done more than anyone to introduce fresh literary DNA into Australia’s tiny gene pool of published novelists. But reviewers, mostly, and the public, generally, don’t get excited when the new Vogel is published. This year they should. Julienne van Loon’s desperate joyride, Road Story, is the best Vogel winner to come along since 1990, when Gillian Mears’s The Mint Lawn, equally confident but very different, won first place.

... (read more)

At first, you find the claim that you resemble your parents implausible. Later, you find it unflattering. But there are moments when you glimpse someone in a mirror and only belatedly recognise yourself. These are the moments when you realise – it is in equal parts chastening and reassuring – that if you are moving through time as an image of your parents’ past, their image is waiting for you in mirrors: they are the ghosts that haunt your future, as it were.

... (read more)